Coming Of Age In Speak By Laurie Halse Anderson

Peer pressure influences them because they want to fit in but they most of the time have to do something stupid to fit in. Which that Is something nobody should do. Laurie Halse Anderson the author of “Speak” is saying that almost all teens go through peer pressure and she wants them to learn not to give into peer pressure because they will regret it further in life because things can go really wrong.

Speak is a cleaver and an ironic title for a story in which the main character chooses not to speak. The story is written in first-person narration from the point of view of protagonist, Melinda Sordino. Speak is written like an interior monologue in the mind of an introverted teenage girl, like excerpts from her personal diary during her miserable freshman year of high school. Instead of blending in and finding her way through high school. She withdraws and secludes herself from the other students. She calls herself an "outcast." Melinda is so desperate to hide from the world; she turns an old janitor's closet at the high school into her safe haven. She cuts classes to hide in her closet. How lonely could this teenage girl be? All

Speak, by Laurie Halse Anderson, is a story written in the first person about a young girl named Melinda Sordino. The title of the book, Speak, is ironically based on the fact that Melinda chooses not to speak. The book is written in the form of a monologue in the mind of Melinda, a teenage introvert. This story depicts the story of a very miserable freshman year of high school. Although there are several people in her high school, Melinda secludes herself from them all. There are several people in her school that used to be her friend in middle school, but not anymore. Not after what she did over the summer. What she did was call the cops on an end of summer party on of her friends was throwing. Although

Speaking out is a tough task for many people that have dealt with horrible, traumatic situations. In the novel Speak, by Laurie Halse Anderson, the main character, Melinda, is one of those people who lost their voice. To be able to understand another person’s emotions, feelings, and situations is very difficult to do, especially because of how our society has formed and became a very judgmental place. Melinda Sordino starts her freshman year at Merryweather High School in Syracuse, New York, to a terrible start; she is a victim of a sexual assault and loses her confidents and voice to speak out. The more she interacts and makes new friends is how she starts to reach out and become more self-sufficient. Few weeks into school Melinda’s only

Speak by Laurie Halse Anderson tells the story of Melinda Sordino, a ninth grader that attends Merryweather Highschool in Syracuse, NewYork. The author has a unique way of writing Melinda's story. She uses subtitles instead of chapters, nd goes into detail of Melinda's everyday life, by using Melinda's perspective. The author sets a depressed mood in the story because of what the main character has gone through. The central idea of the text is communication which in the beginning Melinda lacks. August before her freshman year, Melinda and her friends show up at a senior party. At the party, Melinda ends up drinking. Andy Evans takes advantage of her drunken state and rapes her. She is too drunk to defend herself. Afterward Melinda deals 911 and the police arrive at the party, but Melinda is unable to confess what happened. When the entire school knows that Melinda was the one who called the police, everyone, including her friends, stopped speaking to her. No one knew the real reason behind the 9-11 call. Throughout the school year she cuts her wrist, skips school, and fails her classes. Melinda goes through a tough time in high school. She has one friend (who later on in the book betrays her), a difficult family, and was a victim

Coming of age is a recurring theme that is universally known throughout many different pieces of literature. Whether it’s influenced on true experiences, childhood memories, or even based on one’s current juvenile reality, many of theses works have a correlation between them that include many similar ordeals and struggles that the character goes through in order to metamorphosize into taking their first step out of childhood. One prominent theme that often appears is how one experiences and faces a time of tribulation and other walls that stand in one’s path. In effect, hardships mature and enlighten one, causing the loss of something such as childhood innocence. Lastly, these three combined points finally lead to one’s metamorphosis out of childhood. All in all, these three factors take one out of childhood, and slowly allows one step out into the reality of this world.

If society was asked what defines “coming of age,” what would it say? Some would say people come of age when they act more mature, think grown up thoughts, or do certain actions. This quote by someone unknown helps form an explanation of what coming of age is: “Maturity doesn’t mean age; it means sensitivity, manners, and how you react.” In the literature piece “The First Part Last,” the author Angela Johnson writes about two teenagers, Bobby and Nia, who struggle with the difficulties of teen pregnancy. Throughout the book, they both face many hardships that put their relationship, patience, and responsibility to the test. With the help of a red balloon, a basketball, and family pictures in a doctor’s office, Bobby comes of age after paying attention to these symbols and signs throughout the novel.

“It is my first morning of high school. I have seven new notebooks, a skirt I hate, and a stomachache,” (Anderson 3). These are Melinda Sordino's first thoughts as she enters her first year of high school. Melinda dreads having to be around so many people and is shunned by other students for calling the police at a summer party. She falls into depression and decides to stay silent about what happened. As the school year goes on, Melinda knows that she will have to face her biggest fear: to speak. Laurie Halse Anderson, author of Speak, uses numerous archetypes and allusions to put a powerful impact on readers. These archetypes and allusions make Melinda’s struggles relatable to real life problems and situations and reflect universal

Melinda was an outcast and loner in high school who was overwhelmed, fearful, and confused with her life and her environment at school. She was always silent in class and afraid to speak in front of people. Many students today might feel the need to fit in with other people so they wouldn’t have to be looked down upon. As we take a look at Melinda’s life we’ll be able to see how she handles her daily conflicts. In the book, Speak, Melinda Sordino, an incoming freshman at Merryweather High, starts her year off with a terrible start. She’s stuck with a mean history teacher, by who she calls Mr. Neck and a whole bunch of other weird teachers like her English teacher of who she calls, Hairwomen, because of her crazy, uncombed

In “Speak” by Laurie Anderson, Melinda a teenage girl who is struggling to find friends in high school because of an incident at a party. It all started the summer going into freshman year when Andy Evans raped Melinda at a party, resulting in Melinda calling the cops. Since then only a few things are keeping Melinda going her freshman year like art and her few friends. Everyone thinks of Melina as the girl who called the cops now and nobody wanted to be her friend. Until she met a new girl Heather but, that friendship didn't last long. The closet incident with Andy played the most important role in changing Melinda’s identity. Melinda’s identity changed from being depressed and isolated to being happy and having friends once people found out what Andy did to her. This matters because now Melinda doesn't have to keep the secret about why she called the cops on the party because now people will believe her. This shows that people should not be afraid to tell the truth when they know it's the right thing to do no matter what.

The famous leader Martin Luther King once said, “Being a Negro in America means trying to smile when you want to cry. It means trying to hold on to physical life amid psychological death. It means the pain of watching your children grow up with clouds of inferiority in their mental skies. It means having their legs off, and then being condemned for being a cripple.” This quote pretty much summed up the way in which African Americans felt during the 1960’s. They had basically no meaning to life. They were irrelevant. Whites wanted no part in them. This was especially the case in the state of Mississippi. Anne Moody, writer of the autobiography, Coming of Age in Mississippi explains the importance of the civil rights movement in the state of Mississippi and the influence it had on her life and her viewpoint.

Most of the time, becoming an adult is planned. There are religious ceremonies, the gaining of a driver’s license, and other forms of new responsibility to signify the coming of age. Sometimes though maturity comes at you like a freight train. It comes at you in the blink of an eye and there is no stopping it once it hits you. You are forced to grow up and take on new responsibilities that you thought you wouldn’t have to take on until many years later. It's up to you though to decide what to do from there. You can either try and run away from the problems you have come to face or you can take the train head on and conquer what has been presented to you. I decided to face the train.

Richard Wright is the author of numerous short stories and books, two of which include The Man Who was Almost a Man and Big Boy Leaves Home. The first story, The Man Who was Almost a Man, follows seventeen year old David, who one days becomes angered by the way he is treated by older men. The second story, Big Boy Leaves Home, follows four young African Americans who one day skip school. Richard Wright has a very unique writing style, which helps him develop his characters very fast. Author Richard Wright’s short stories are both written to illustrate how one’s decisions can affect their future.

Melinda Sordino is a fourteen year old high school freshman from Syracuse, New York .Mel is the narrator and protagonist of Speak by Laurie Halse Anderson. Who tells her story in first person perspective, where she explains the struggles she had starting school after being sexually assaulted over summer vacation. Causing depression, which lead to Mel losing a close friend. After reading the novel, I concluded that Melinda is shy, isolated and misunderstood. . As the plot progressed Mel started to trust her teachers, she also started expressing herself.

Whether it be due the malleable minds of children, or the turbulent world around them, dramatic changes in life are an absolute certainty. Young, naïve children are highly impressionable. Their parents teach them one thing, their friends another, and society, yet something else. Fickle, they morph in and out of the plethora of ideologies and mindsets laid out in front of them. This leads to a disorienting and rather confusing child-to-young-adult life, one without a clear sense of morality. The lack of focus upon what is right and wrong, inherently subjective terms, continues into our early adult hood and, for better or worse, seemingly defines the child for the rest of his or her life. This universal theme has been explored for many years through films aptly called “coming-of-age” stories, recently, and perhaps most effectively in Wes Anderson’s Moonrise Kingdom (2012). This film revolves around Sam and Suzy, two recently pubescent kids, their romantic affair, and their effects on the world around them. The film not only captures the youthful dynamic between the two protagonists, but explores the “coming-of-age” theme through Anderson’s signature flat perspective and through the actors’ portrayals of these characters.