Commentary on Charlotte Perkin Gilman´s The Yellow Room Essay

The narrator’s obsession with the wallpaper eventually makes her story spin so far out of control, her grasp on reality is completely lost and to every observer it is obvious. She believes people are living in the wallpaper and they come and go

The female character argues at first about being in the room, but later the wallpaper begins to take control over her thoughts just like John took control of her every action. She is fixated on the wallpaper though she hates it, letting the wallpaper have dominion over her thoughts and actions. Seemingly, she is like a woman who is being held captive and wants to be released on her own terms. However, her lack of control does not last long. Towards the end of the story, the female character says that “Indeed he started the habit by making me lie down for an hour after each meal.

Charlotte Perkins Gilman’s, “The Yellow Wallpaper”, which was published in 1892, tells a compelling story about how the narrator is taken away from her own home because her husband refuses to acknowledge that she is sick and needs actual medical treatment. She gets locked up in a room in a huge mansion, which causes her to discover her true identity. Her true identity cannot be expressed fully, which causes her to take a different path of choosing an identity of being insane. Because her husband refuses to let her change rooms, she becomes obsessed with the ugly yellow wallpaper and at first she is spiteful towards it and wants nothing to do with it. As the story progresses, she becomes more and more intrigued by the pattern interwoven

After closely analyzing the story, it becomes more and more visible and better supported that the wallpaper does in fact serve as a symbol of confinement and limitation. Jane repetitively says that she is irritated by the wallpaper, “This wallpaper has a kind of sub pattern in a different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then. But in the places where it isn't faded and where the sun is just so—I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly conspicuous front design.” (Gilman, 78) she also shows her blurred sense of reality and imagination when she continues to claim that there is a figure, in particular a woman, trapped within the wallpaper. “The front patter does move—and no wonder!

It is only as the unnamed narrator in “The Yellow Wallpaper” slips further into obsession and insanity does she begin to understand that she is not in total control of her life. The narrator begins to see a woman confined by the wallpaper and knows that the woman is a prisoner. She becomes fixated on freeing

Lots of people know what it feels like being trapped, but how many people can actually say they've been trapped both physically and emotionally? Charlotte Gilman depicts a womans uneasy mentality in the short story, "The Yellow Wallpaper. " Gilman takes readers inside the mind and emotions of a woman suffering from a slow mental breakdown that progresses over the plot of the story. The story suggests that all women are imprisoned by masculine authority, which imposes itself despite its detrimental effects. The yellow wallpaper symbolizes how women felt trapped to highlight the structure of the household, the domestic life in which women were oppressed, and womens lack of voice during the 19th century.

Jeneta Rubaranjan ENGLISH 1A03 Joel Guillemette March 31, 2015 The Significance of the Wallpaper Charlotte Gilman’s short story, “The Yellow Wallpaper” uses the reoccurring concept of the wallpaper to explain the descending spiral of the narrator’s mental wellbeing. As a result, the author influences the reader’s interpretation of the story as a whole as the reader is able to track the metastasis of the narrator’s illness. Gilman connects the progression of the narrator’s disease to the wallpaper using several techniques. Different shades of the colour of the wallpaper explains the narrator’s feelings and identity loss along with each symptom of the illness.

“The Yellow Wallpaper” is a form of gothic literature that combines both darkness and romance. Charlotte Gilman uses high intense emotions to depict the struggles of a protagonist who suffers from Temporary Nervous Depression. We see the transformation of this somewhat sane character go from bad to worse with a little help from her husband John, and not to mention a most atrocious yellow wallpaper.

Through consciousness, our minds have the power to change ourselves. It is within ourselves to discuss the emotions and the state of our mind, as the environment and our judgement can affect our mind, and alter the way we perceive things. As the mere things in our life can affect our judgement and the vulnerability of our minds - our minds are more powerful than we perceive them to be; causing us not to tend to the “garden” and destroy it. The Yellow Wallpaper, a story written by Charlotte Perkins Gilman, in which is shown as an assortment of journal entries written in first person, by an anonymous woman. The story is showcased through a series of journal entries from a woman who has been confined to a room by her husband that is a physician,

Charlotte Perkins Gilman’s, “The Yellow Wallpaper” is a Gothic tale that is about and told from the point of view of the narrator. The narrator moves into a spooky house with her new husband. The husband is very controlling because he diagnoses her and decides that she should stay in her room and not be seen for treatment. The husband does not take his wife’s sickness seriously. Because the narrator is forced to stay in bed she begins to notice the walls hideous design then begins to see a woman trapped in it. Towards the end of the story, the narrator begins to get aggravated and has an idea to free the woman trapped in her wallpaper, and to strip the wallpaper off of the wall. John comes home to find out that his room is locked which makes

In The yellow wallpaper by Charlotte Perkins Gilman, the setting reveals the deterioration, confusion and doubt of a women’s mindset. A woman experiences confusion and her repressed imagination takes control as she loses the sense of reality. The reason being because of her husband’s entrapment and the belief that isolation will cure her.

“The Yellow Wallpaper” is a short story set in a nineteenth century colonial mansion. The story is based on an unnamed character, who is also the narrator of the story. She is a wife, mother, and also suffers from nervous depression and hysteria. Because of this, her husband, who is a physician, believes it is necessary to put her on a “rest-treatment.” The narrator of “The Yellow Wallpaper,” who suffers from depression and confined to bed rest, eventually finds her identity in the yellow wallpaper of the upstairs nursery.

“The Yellow Wallpaper” is a short story written by Charlotte Perkins Gilman. In which a young woman begins to lose her mind in a room filled with ugly yellow wallpaper. A young woman with slight medical issues is confined to a room by her neglectful husband with little interaction from the outside world, and slowly begins to go insane from being trapped in a room for weeks at a time. The tone begins to shift as she begins to believe unsettling things about the room. A key point for the plot is the yellow wallpaper that she so greatly hates, and how she slowly becomes infatuated with it, becoming paranoid of the wallpaper and that there is a woman in it trying to get out, and how she finally becomes consumed by it.

When reading a story, readers can often find themselves relating to the characters and feeling what they are experiencing. Gilman achieved this connection between reader and narrator through her use of personal pronouns. The personal pronouns used throughout the story, such as “I”, “me” and “we”, when opposed to having emotions explained through the distance of a third-person point of view, help the reader understand the struggle the narrator goes through. For instance, in the sentence, “I don't want to go out, and I don't want to have anybody come in, till John comes. I want to astonish him” (Gilman 655), this is the narrator’s ultimate form of rebellion; she is locking her husband out of the room that he has kept her confined to. Gilman puts the narrator’s own thoughts into the readers minds through her use of “I”, instead of having them watch the narrator enter this state of rebellion through third-person “she”, so the reader could feel the narrators the desire to rebel. If in the case where the usage of personal pronouns does not put the reader in the mental state of the narrator, the second advantage of using first-person perspective is that it makes it seem as if the narrator revealing her personal thoughts to us, which elicits sympathy from the reader. This revealing of personal thought is seen specifically when the narrator writes, “And I'll tell you why - privately ­- I've seen her! (Gilman 655). The narrator is referring the shapes she is seeing moving around in the wallpaper in her room. She has begun to, at this point, see a “woman stooping down and creeping behind the pattern” (Gilman 652) but has not mentioned this to her husband out of fear of causing him grief with her “silly fancies”(Gilman 652). The woman becomes real in the narrator’s head, and instead of telling her husband, she reveals of this

In The Yellow Wallpaper , Charlotte Perkins Gilman presents a short tale about a symbolic yellow wallpaper, which is a representation of the narrator’s own madness and her growing fascination with the paper reinforces this.