Comparative Analysis Of The Ghost In Two Hamlet Movies
The play “Hamlet, Prince of Denmark”, by William Shakespeare being of such a complicated variety of themes, contains many different story lines as well as being very extensive in nature makes it quite a challenge to be produced and acted. On paper, the reader can translate things, as they like. Since Shakespeare is not around to tell us the meaning of every theme or the truth about every nook and cranny about his works. It is up to the reader to decide what the importance of everything is. Thus when a producer decides to create a film based on “Hamlet” it is most certain that his creation will vary from any others. Each will create their own version of the story, stressing some
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In the Ghost, the eyes are terrifying evidence of his supernatural ordeals; on a live character, they look artificial and take away from the ghost’s individuality as a supernatural being.) When we hear the ghost speak it is clear that this Ghost is angry. It is also clear that he is a supernatural being and wants things to get done. But what disturbs me is that there is very little, if any emotion being displayed here. The most immediate response is that I could not get a sense that the two Hamlets truly cared for one another. Consequently, Hamlet's revenge comes across as politically motivated more than anything else. We begin to question if the Ghost is an evil one or this spirit is sincere. Brannagh seemed to stress the political aspects of this more than the love and the honor of the family. I didn’t get the sense that there was any emotions displayed between these two characters. This brings me to question the motive and origin of the Ghost. This would also justify the way that Hamlet delayed taking any course of action whatsoever and stalled to do anything at all, seemingly incapacitated. Everything is now questionable. Is the Ghost an evil spirit? Are its’ motives political? Why was there no emotion displayed by either one of them?
In Zeffirelli’s version of Hamlet the second appearance of the Ghost was the complete opposite of Branagh’s. We are presented with a touching presentation of the Ghost. There is no horror
The purpose of this report is to compare and contrast two movies made about Hamlet. I will present and discuss different aspects of the version directed by Kenneth Branagh to that of Franco Zefirelli. During this paper you will be presented with my opinions in reference to determining which version of Hamlet best reflects the original text by Shakespeare. I will end this paper with my belief and explanation of which movie is true to the original play.
Shakespeare fancies the application of ghosts in his plays, Hamlet is no exception. Scholars argue that the ghost in Hamlet is only a figment of Hamlet’s imagination, but how does that explain others witnessing the apparition. Hamlet’s mental state is declining throughout the play, but what is the true cause? From an external view Hamlet appears insane, whether or not he is insane is left ambiguous. If he is insane, is the traumatic loss of his father causing Hamlet to see a ghost or is the ghost real indeed?
The Ghost in Hamlet cleared out the event that Hamlet was uncertain of. The spirit clarified the death of King Hamlet, and caused Hamlet to perform his evil deeds. The Ghost’s request to avenge him caused the death of Hamlet’s family, friends, and eventually himself; therefore, the spirit can be viewed as evil because it failed the four tests that was set by Lewes Lavater and the Church.
The Ghost in Hamlet is a widely controversial topic with arguments determining whether the Ghost is a “goblin damn’d” or a “spirit of health.” (1.4.40) “‘A spirit of health’ is one, which comes from heaven with charitable intentions, and ‘a goblin damn’d’ is one, which comes from Hell with wicked intentions.” The Ghost only has two appearances in the play and is a symbol for uncertainty, yet it is important as it catalyses the play into action and also Hamlet into madness. The Ghost in Hamlet is an evil spirit returning to revenge his killer Claudius; which is a questionable action for a Catholic person leading the audience to believe that the Ghost is evil. He pressures Hamlet into revenging Claudius while destroying Hamlet’s
Kenneth Branagh’s interpretation of Hamlet emphasized different importance's of the play. His version differs from that of Zeffirelli’s because; he makes use of the entire text from Shakespeare’s original work. Branagh also does not hold the time period authentic. Although his version of the play was not altered as much as Zeffirelli’s, he is still able to hold the attention of modern critics and viewers. However, by transfiguring the play into a Victorian background, Branagh’s film completely alters the mindset and feel of a true Shakespearean play.
Hamlet by William Shakespeare is a story about a king that was murdered by his brother and the prince has been asked by his father?s ghost to avenge his murder. The original story line has been altered a few times since it has been written. The original Hamlet the play and the altered Hamlet the movie are shown differently in many different ways. Hamlet the movie with Mel Gibson shows different things than the play, but there are three major differences between the two. The three major differences are in the way both of the productions start out, differences in the scene that the players put on a play, and differences in the way the productions end.
Tony Robbins said, “To effectively communicate, we must realize that we are all different in the way we perceive the world and use this understanding as a guide to our communication with others”. Shakespeare’s writing has had many different ways of being presented because people perceive it in different ways. Whether it is a literal representation or a spin, directors like to show viewers the way they perceive the text. In the movie version of Hamlet the director, Kenneth Branagh, wanted the viewers to find Shakespeare interesting and full of action and drama. Kenneth chose the right direction to go in to keep the audience’s attention but it
I first want to dissect the 1996 movie in which Kenneth Branagh plays Hamlet. The “To be or not to be” scene is clearly one of the most important scenes of the entire movie, so the directors
William Shakespeare's Hamlet is a drama which has been renound for its content and depiction of characters. Over the years, it has gone through many variations of interpretations and criticisms. One such criticism is the nature of the ghost who takes the form of Hamlet's dead father. At first glance, it may be sufficient to accept the ghost as the spirit of Hamlet's dead father who returns to the land of the living in order to have his son avenge his murder. However, looking deeper into the text, several unignorable signs become visible which lead us to see that the ghost is actually the devil in disguise. Kenneth Brannagh's 1997 production of Hamlet brilliantly portrays these signs of evil and
Over the course of the past fifty years there have been many cinematic productions of Shakespeare’s Hamlet, some of which remain true to the text while others take greater liberties with the original format. Director Kenneth Branagh’s 1996 production of Hamlet was true to Shakespeare’s work in that the film’s dialogue was delivered word or word as it is presented in the text. In contrast, Franco Zeffirelli conducted his 1990 production of Hamlet in a much more liberal direction in which lines, scenes and characters were omitted from the film. I argue that from the perspective of an individual with moderate knowledge in Shakespearian literature, that the best film versions of Hamlet are those that take the most liberties from the text. I
Shakespeare’s Hamlet has countlessly been formatted into film depictions of the play. Each film seemed to be on one end of the spectrum of either being closely interpreted or completely remodeled a different idea of what Hamlet is. The film version of Hamlet released in 2000 seems to follow closely to the play in some aspects, yet at the same time having its own unique identity Despite there being many differences with the play Hamlet and the film adaptation of Hamlet (2000) by Michael Almereyda there are three categories that really stand out, those are the character portrayal, interrelationship between the characters, and some of the essential themes differ as well. Although there are many differences, one aspect that remains the same is the dialogue of the characters which stays true to the Shakespearean dialect.
Hey guess what!!! Your father King Hamlet is dead!!! Amazing right, I know, so not I'm going to attempt to steal his life, that does include marrying his wife. Your mom, so from now on don’t call me uncle just call me dad!!!! Whoa whoa whoa that was wild I know “but that what does that have to do with anything?” you may be asking yourself. Well Hamlet is struggling to deal with the realization that his world has just been turned upside down!! “Well has is he dealing with it?” you may be asking yourself. Well buckle up because we are going to take a closer look at Hamlet's relationship with the Ghost (Hamlet’s father), King Claudius(Hamlet's Uncle), and Queen Gertrude (Hamlet’s mom).
(II.2 ln 547-585) He mistakenly awards the pretense the same degree of authenticity as his own reality receives. However, because of the disparity between the actor's performance and Hamlet's own actions, Hamlet gains needed motivation. He remains uncertain of the ghost's reliability, confused by the seemingly genuine grief of the actor. Nonetheless, it is this uncertainty that provides Hamlet with the less disturbing purpose of proving the ghost's story in contrast to the more daunting intention of murder.
Franco Zeffirelli's 1990 filmic translation of William Shakespeare's Hamlet is a dramatic telling of the classic story which is as well acted as it is entertaining. Aside from these points, Zeffirelli's (and co-scripter Christopher Devore's) screenplay is an edited, and re-mixed version of the original which has many lines cut, as well as the entire sub plot concerning Fortenbras, completely removed. Franco Zefirelli's private interpretation of Hamlet, although divergent in some ways from Shakespeare's version, still remains a superior rendering, due to the continuity of the screenplay.
Adaptation is an innovative rework of any book, short story, novel, play, poem,fiction and non fiction for new viewer in the form of media like television, movie. In the cinema we can find that literary works reproduce rapidly. In the film there are adaptation and translation of the oral change, historical and fictional description into movie. In the adaptation there are number of things which director changes and remains as it is in the text. There are many differences and similarities in text and movie, like characters, dialogue, back ground, music and other also. In this thesis I am going to compare main protagonist of the Shakespearean greatest tragedy Hamlet with the two films, The Tragedy of Hamlet by Peter brook and The Tragedy of Hamlet The Prince of Denmark by Oscar