Comparative Essay- Rachel Orbach In “The Masque of the Red Death” by Edgar Allan Poe, and “To

During the late 18th century and the beginning of the 19th century, a new movement in both literature and art swept the nation: Romanticism. This period set a heavy emphasis on emotion and individualism, and while many artists and authors explored the beautiful and fantastical side of the human mind, many more explored the darker, horror-filled side. Two authors especially famous for these kinds of stories were Nathaniel Hawthorne and Edgar Allan Poe. In Nathaniel Hawthorne’s short story “Young Goodman Brown” (“YGB”), Goodman Brown traverses into the forest to meet with the devil and discovers many haunting things about the people in his town. In Edgar Allan Poe’s short story “Masque of the Red Death” (“Masque”), Prince Prospero, the ruling monarch of a country besieged by death, refuses to accept his mortality. Goodman Brown takes pride in his and his town members’ spiritual goodness and refuses to accept the idea that he or anyone else could commit sins, but is psychologically destroyed when he discovers the true nature of the people around him. Prince Prospero similarly takes pride in his wealth and fortune and will not accept his death, but the disease he was trying to avoid arrives and takes his life. Through their initial rejections, the two characters cause the destruction of a critical part of themselves, whether it be their faith in humanity or their physical body. Hawthorne and Poe both establish how pride causes an unwillingness to accept one’s fate, and how the

Throughout the gothic horror short story, “The Masque of the Red Death”, Edgar Allan Poe illustrates the struggle of an egotistical prince who refuses to face the inevitable reality of death. Through the downfall of the protagonist, Poe establishes the idea that the inability to face reality often leads to the destruction of the mind. The downfall of the Prince is emphasized by Poe’s use of characterization, setting, and symbolism.

Edgar Allen Poe’s chilling short story Mask of the Red Death begins with people dropping like flies, as the king of the land decides to take his close friends with him to live in one of his palaces. leaving his subjects to survive on their own. A puzzling creature known as the Red Death has been terrorizing and killing off people one by one, and no one has a way to stop it. Through characterization of both Prospero and the Red Death, Poe foreshadows Prospero’s eventual death in the end of the story.

In both “Masque of the Red Death” and “Annabel Lee” by Edgar Allan Poe, the author uses specific elements to express meaning and to develop a theme. He is portraying the idea that neither love nor death has a limit, no matter what we want to imagine. We have no control of either, especially death. In “The Masque of The Red Death” Poe makes the inference that death is inevitable or inescapable. In “Annabel Lee” he uses the power of two character’s love to show that death is not preventable no matter what you do. Also, he shows that love never vanishes even after death. In both selections, Poe uses rhetorical devices such as parallelism, symbolism, and imagery to draw the reader into the story.

A distinct similarity between the short stories are their protagonists. Both of their protagonists die by the end of the story, but their deaths are both intended to send a message to the reader. In Poe’s case, Prospero is a wealthy prince in a countryside land devastated by a plague. He intends to run away and hide in one of his castles with his friends: “When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys” (Poe). However, Prospero is still killed months later after retreating into the safety of his stronghold. His death is meant to symbolize that you cannot escape death, no matter how wealthy one is. The message sent by Prospero’s tragedy reinforces Poe’s theme of death that the final stage of life comes to all. On the other hand, Jackson’s character Tessie Hutchinson, is a

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.

Isolation is a main component in Poe’s writings. In “The Masque of the Red Death,” the Prince Prospero isolates everybody

When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.

"The Masque of the Red Death," by Edgar Allan Poe is a gothic fiction story that reminds us there is no escape from death. In this story, a disease called the "Red Death" spreads rapidly, gruesomely killing its victims. The prince of the land, Prospero, plans to barricade himself and his guests at his abbey. A while later the prince throws a party with uniquely colored rooms. An unusual guest appears and eventually kills everyone after revealing himself as the red death. "The Masque of the Red Death," features Poe's literary skills as he utilizes symbolism, imagery, and irony.

In both “The Pit and the Pendulum”, and in “The Masque of the Red Death”, the main characters face the possibility of dying, but in “The Masque of the Red Death”, Price Prospero cannot escape his inevitable fate and ends up dead like all his guests. This is contrasted by Poe’s other story, “The Pit and the Pendulum”, where the narrator is inexplicably saved at the eleventh hour.

Prince Prospero does not care for the outside world and leaves them to die at the plague’s hands. Poe details Prince Prospero’s response to the plague with, “When his dominions were half-depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his castellated abbeys.” (Poe) Prince Prospero makes no effort to aid his people, instead, isolating himself and his friends to seek protection from the disease. Isolation plays a powerful role here in providing a means of protection that ultimately proves false when the Red Death itself comes into the abbey and all succumb to it. Isolation also serves to prove the failings of self-importance in that no one is above one another. In attempting to shield only themselves, those in the court exhibited a selfish importance that isolation fails to corroborate. Even isolating themselves, Prince Prospero and his courtiers fall victim to the Red Death the same as the rest of the world. As a theme in “The Masque of the Red Death”, isolation does not equate protection and to seek it with a self-important worldview is to bring destruction to yourself. In seeking isolated protection, Prince Prospero is thus exposed in his cowardice and is proven as equal to those dying outside the walls, for he falls victim to the Red Death as well.

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince's luxurious abbey with all the amenities and

Edgar Allan Poe is popularly known as a Gothic short story writer. He has produced many gruesome stories, including the short story “The Masque of the Red Death”. In this short tale, Prince Prospero decides to lock himself and his friends of the court into a magnificently decorated abbey to escape becoming ill of a disease which has caused half the people in his land to perish. The Prince provides indulgences and throws parties for months, meanwhile the rest of his subjects are dying due to the previously mentioned epidemic- the so called “Red Death”. Towards the fifth or sixth month that he and his court are safely locked away, Prospero holds a masquerade particularly in a hall composed of 7 different colored rooms haphazardly placed in a way unlike other rooms would be placed in a usual suite. In this even Prospero and company meet an infiltrated stranger macabrely dressed. It is the “Red Death! It came to claim the lives of Prospero and Company and at the very end succeeds. Although the story line alone is enough to make this tale quite frightful on its own, there are more elements that further make it a daunting read. This analysis will explore Poe’s unique use of dire diction and imagery and how it decorates and garnishes his juxtaposition and symbolism to get a theme about life and death across.

Have you ever read a story where fantasy is the reality and things do not quite make sense? This is true for “The Masque of the Red Death” by Edgar Allen Poe. In it is a version of the black plague, which is called the “Red Death”. Prince Prospero secludes a thousand friends and himself from the death around them, but finds that he cannot avoid the inevitable. The author uses many literary devices to create an interesting and meaningful story. One of the devices used is imagery, which evokes the events of the story clearly in the reader’s mind. Another is allegory, which is used by Poe to create another story within his, as it is filled with double meanings. Lastly, Poe utilizes symbolism to give the story meaning. Edgar Allan Poe uses

As a gothic writer, Edgar Allan Poe created horror using gloom as his weapon. Hidden within the suspenseful story of “The Masque of Red Death” is an allegorical tale of how individuals deal with the fear of death as time passes. Frantic activities and pleasures (as represented by Prince Prospero and his guests) seek to wall out the threat of death. However, the story reminds the reader that death comes “like a thief in the night”(Poe 3), and even those who seek peace and safety shall not escape. Poe uses symbolism to illustrate that man cannot hide from his own mortality.