Compare And Contrast A Streetcar Named Desire And The Simpsons

“My Pods and Broomsticks” a very controversial episode of “The Simpsons” is full of satire, concentrating in the main theme of stereotypes and the ignorance of consumers in this day and age. These are represented through the Simpsons, elements, or flaws of modern society are cleverly displayed using many devices such as humour, puns, irony and sarcasm. When analyse an episode of the Simpson it gets you thinking, does the Simpson serve a greater propose than to just entertain?

I must admit that all of the assigned reading topics were new to me, nevertheless, I gained a great deal knowledge with new found perspectives on literature and life in general by engaging in these works. The Color Purple was truly an eye opening and deeply intimate story, A Streetcar Named Desire also portrayed similar feelings of intimacy however, compared to The Color Purple, it lacked the ambiguous cultural diversity that tends to be intriguingly more complex. Taking the poetry and short stories we read into consideration, I would have to say, they also added a significant amount of literary educational value, but once again lacked in comparison to Alice Walker’s, The Color Purple. Therefore, having to choose one particular work to discuss

Comparing the play versus, the movie versions of A Streetcar Named Desire has been entertaining and enlightening. Originally written as a play, Tennessee Williams later adapted it into a screenplay for the film version. Consequently, both versions were extremely popular in their own right. Drama and social taboos create an emotionally charged viewing adventure. Williams characters are complex, exciting and just crazy enough to keep the audience spellbound. The DuBois sisters are complete opposites sharing only their love for each other as common ground. Blanche, the older sister, shows up for an impromptu visit with her sister Stella Kowalski. Stella and her husband Stanley live in New Orleans, in the French Quarter. Blanche has become destitute and has lost the family plantation. Stanley, incensed by the idea that Blanche has taken the plantation from him, sets out to destroy her by any and all means. The characters and performers provide a riveting and consequently soulful performance that is hauntingly unforgettable. Williams writing moves the audience to tears with dynamic characters, conflict and catastrophe of unimaginable depth.

    Tennessee Williams is one of the greatest American playwrights. He was constantly shocking audiences with themes such as homosexuality, drug addictions, and rape. He broke free from taboos on such subjects, paving the way for future playwrights. He also was a very good writer. One of the things he is famous for is his dialogue, which is very poetic.

Based on Tennessee William’s A Streetcar Named Desire, Elia Kazan creates an award winning movie that helps readers visualize Stanley’s primal masculinity, the inner torments of the Kowalski women and the clash of the other characters’ problems which create a chaotic mess. Using stage directions in the play, William hints that Blanche is not who she appears to be while the movie subtly sheds light on Blanche’s strange little habits that suggests a bigger issue. The movie also censors many of the main themes in Williams’ play but makes up for it by having its actors flawlessly portray the characters’ emotions, allowing the readers to see the

Tennessee Williams is regarded as a pioneering playwright of American theatre. Through his plays, Williams addresses important issues that no other writers of his time were willing to discuss, including addiction, substance abuse, and mental illness. Recurring themes in William’s works include the dysfunctional family, obsessive and absent mothers and fathers, and emotionally damaged women. These characters were inspired by his experiences with his own family. These characters appear repeatedly in his works with their own recurring themes. Through The Glass Menagerie and A Streetcar Named Desire, Tennessee Williams presents the similar thematic elements of illusion, escape, and fragility between the two plays, proving that although similar, the themes within these plays are not simply recycled, as the differences in their respective texts highlight the differences of the human condition.

Christmas is recognized by the general public as a time to celebrate family and give gifts. Which it is, but gifts can go way deeper than physical objects. This is exhibited in a book, The Greatest Gift, and a movie, It’s a Wonderful Life. In 1943, Philip Van Doren Stern wrote the Greatest Gift. It tells the tale of George, a person who is about to kill himself but is then shown what the world would be like without him and realizes he shouldn’t kill himself. Unable to find a publisher for it, Philip put the story on his Christmas cards and mailed them to friends. A couple of his publisher friends thoroughly enjoyed it and made the move to publish it in a newspaper. This caught the attention of film director Frank Capra. He decided to fill in

In fact, according to those behind the scenes, these forays into politics mark more than just material for the next laugh; rather, they are deliberate efforts to shape American society. "Simpsons" creator Matt Groening says that, under its facade of humor, the show is trying "to nudge people, jostle them a little, wake them up to some of the ways in which we're being manipulated and exploited." He adds, "'The Simpsons'' message over and over again is that your moral authorities don't always have your best interests in mind" (Doherty).

The Simpsons episode is considered comical to it’s viewers. It is not supposed to be a serious tone like Lord of the Flies. This is why the groups of kids both have different ways of handling things and keeping things in order. In the episode “Das Bus”, Nelson portrays Jack, Lisa portrays Simon, the two twins portray Sam and Eric, and Milhouse portrays Piggy. When Milhouse is charged for getting them stuck on this island, it is proposed that they have a court session to

Everyone has fantasies but most know that is not the true reality. Defining dreams and reality are two different things. Some want to escape the real world and make their own dreams become true, due to seeking happiness. The author portrays Blanche, Stella, and Stanley as characters that are fixated on what they want to believe is the truth; however, the reason being is because they do not want face their fears. Stella and Blanche both desire to make their past non-existent and live in a perfect world, rather than accept the truth and move forward. Stanley does not let his fantasies take over his life as much as the two women. In Tennessee Williams’ A Streetcar name Desire the three protagonists Blanche, Stella, and Stanley exist in a fool’s paradise by using denial and fantasy to display a public facade in desire to obscure the truth; however, the characters want to escape their undesirable reality through their more desirable fantasy.

In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.

A Streetcar Named Desire 's original drafts were started in the early 1940s by playwright Tennessee Williams, who prepared and tested numerous titles for the work. Eventually, the completed play opened on December 3, 1947 in New York City staring Marlon Brando as Stanley Kowalski and directed by Elia Kazan. This run of Streetcar lasted 855 performances until 1949 and won Williams a Pulitzer Prize and the New York Drama Critics ' Circle Award. Later, in 1951, the film version was adapted and stared Brando along side Vivien Leigh as Blanche with Kazan holding the seat as director once again. Both the play and film adaptations of A Streetcar Named Desire have received critical acclaim and much success, so much so that Williams work is both

A tragic hero in literature is a type of character who has fallen from grace, where the downfall suggests feelings of misfortune and distress among the audience. The tragic flaw of the hero leads to their demise or downfall that in turn brings a tragic end. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.

     Homer evolves a lot as the movie progresses also; he goes from the boyish gullible type to the independent intelligent man that he is in the end. While watching one single movie for the past 10 years or so, watching movies becomes and insationable love for Homer. Now he is mainly excited when he and Candy make their annual trip to the drive-in movie. Now they don't watch movies there, he just sits and stairs at the screen and imagines King-Kong on the giant screen. While all of this is going on, he doesn't get very giddy like you think a young adult would in the beginning of his new venture on life. I know I would be ecstatic.

As actors are the most influential block of the Academy, it is easy to understand why both films, “A Streetcar Named Desire” and “Network” are so successful. Both films featured outstanding performances, arguably none more outstanding than that of the female lead in “A Streetcar Named Desire” Vivien Leigh. While the performances off all the actors in each of the films are notable, to accurately discuss how the actors, distinguish themselves, some context of the plot of each film must be noted, so that the characters (and therefore the actor’s performances playing said actors) can be fairly observed. The emphasis on the explanation of plot will be geared to focus on actor