Albert Einstein once said, “You can’t blame gravity for falling in love.” Obviously love involves just as must theatrics as it does physics and chemistry, and Shakespeare demonstrates this truth in his play Much Ado About Nothing. Shakespeare begins Much Ado About Nothing in the Italian city of Messina. Leonato, the governor of Messina, welcomes a group of soldiers into his house as they return from a war. Among Leonato’s household, his daughter, Hero, and his niece, Beatrice, attract the attention of two soldiers, Claudio and Benedick. Hero and Claudio fall in love at once, but Benedick and Beatrice fall in love more slowly. Ironically, they fall in love slowly because they are so alike. Benedick and Beatrice are similar for three reasons: their language, loyalty, and love. …show more content…
Behind their rough language, there seems to be resentment between them. Evidence of this bitterness is when Beatrice says, “He wears his faith but as the fashion of his hat; it ever changes with the next block.”(Much Ado About Nothing, lines 73-75). Beatrice’s harsh talk is a disguise for her pride. It is possible she declared her love the last time she was with Benedick and he appears to have refused. Loving him still, Beatrice refuses to let anyone realize that she does to the point of deceiving herself. Benedick had his fair share of pride, but his tongue fought back out his own self-consciousness. He couldn’t bear to let Beatrice mock him in front of his friends, and he couldn’t bear for his friends to know that he loves a woman who appears to hate him so. The masks of bickering, meant to protect the wearer from disappointment, ended up prolonging the period in which they both were tormented by their feelings. Eventually, however, the tongues that were used for such harsh purposes brought forth much sweeter
In this Shakespearean comedy ‘Much Ado about Nothing’ two similarly obstinate characters of Beatrice and Benedick are presented between the rather normal relationship of characters Hero and Claudio. Shakespeare presents Beatrice and Benedick’s obstinacy towards the rather obligatory act of marriage and also their particularly similar personalities that cause reason for their familiar act of squabbling; he does this whilst also presenting two characters that are completely interested in marriage and who are hardly intellectually capable of squabbling in a similar manner. As the play unfolds both characters remain combative with one another but as love becomes the better of them, they begin to reveal that somewhat secretive sensitivity
Although Beatrice and Benedick are not yet shown as in love, a Shakespearian audience would not have thought it usual for a woman like Beatrice to be speaking as she was about Benedick. However, today it is perfectly normal for Beatrice to be talking like she is, so at the moment, the two relationships are more satisfying to the different audiences. Beatrice and Benedick's relationship has another problem. They both like to use their wit and intelligence to try and outsmart people, and mainly themselves.
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
On the other hand Benedick and Beatrice’s relationship is different; their relationship is not superficial but deeply rooted within them. They enjoy insulting each other as Benedick says to her ‘what my lady disdain! Are you yet living?’
Differences between Beatrice and Hero in the early scenes of Shakespeare’s play ‘Much Ado about Nothing’
However, upon hearing of Beatrice’s love for him he is suddenly perplexed and it does not take him long to decide that he will give that affection back in return. How easily persuaded Benedick is. This may come from the way Claudio, Don Pedro, and Leonato (Benedick’s associates) depict Beatrice as the most wonderful woman in Messina. They talk of Beatrice as if she were the most magnificent woman so that Benedick will do exactly what he does indeed do. When Benedick hears of this he must be thinking of what he has said before about his desire for the perfect woman. In his speech he says that “the lady is fair . . . / . . . And virtuous. . . / . . . And wise[,]” which is exactly what Benedick demands in the woman that he will choose to be his wife. However, Benedick only believes these things about Beatrice because of what Claudio, Don Pedro, and Leonato have said about her. They only said them to convince Benedick that Beatrice was deserving of him and that she loved him with all her heart. They told Benedick just what he wanted to hear. It is a scheme made of lies, but it works because Benedick is persuaded and begins to agree with what they have said. By doing this he is already influencing himself to follow the opposite path from the one that he has adhered to for years. Here he is already starting to fool himself into believing Beatrice is the one for him
Like many of Shakespeare's other heroes, Benedick has a comic and serious side. I think he combines everything Shakespeare seems to like in a character; he is amusing (his witty banter with Beatrice is where most of the humour in this play revolves around) and he is also able to laugh at himself- he takes in good humour like the teasing of his friends about his cynicism about matrimony. He is loving too, (an example of this is his poem to Beatrice) and also deadly serious is his love for her- he renounces his male comradeship to "kill Claudio" as she demands- he is prepared to give up his current, enjoyable way of life for her. He is also loyal to the prince, in that he despises Don John, but he is most loyal to the one he loves, something the majority of Shakespearean heroes personify (even those who go astray eventually return to their love- Romeo never wavers from his purpose in loving Juliet). His relationship with Beatrice is another ideal held up to us by the playwright. Beatrice chooses Benedick, she pleases herself, not her family, and as a result, their relationship is much more equal and evenly balanced. It is this relationship, and not the other, quite stereotypical romance, which Shakespeare makes the main thread of this drama.
The Love between Benedict and Beatrice is a strong love hate relationship after their previous ties had failed between each other. Heros plan is to trick Beatrice into entering the orchard and overhearing their conversations about her. Through their conversation Hero, Ursula praises the virtues of Benedick and to point out the flaws in herself(Act 3 Scene 1). By doing this Hero is able to convince Beatrice to her love of Benedick. However the same time Claudio and Don John are talking of Beatrice's secret love for Benedick. After this occurred both characters realize their true feelings and began to fall for one another through the deception played out by Hero and
From the very first scene in the play, Beatrice is shown as a character who is very prideful, and very protective of it. Benedick's line "What, my dear Lady Disdain! Are you yet living?"(1.1.114) gives a clue to how much pride Beatrice has. Benedick's reference to Beatrice as "Lady Disdain" shows how Beatrice thinks she is
Where Hero is polite, quiet, respectful and gentle, Beatrice is feisty, cynical, witty, and sharp. In “Much Ado About Nothing” by William Shakespeare Beatrice is a foil to Hero because of their contrasting personalities, actions, and diffences in relationships. BP1- Upon reading the play you can’t help but notice that Beatrice and Hero have contrasting personalities. Hero is presented as a typical
Benedick’s attitude to love & marriage in ‘‘Much Ado About Nothing’’ In the play ‘‘Much Ado About Nothing’’ by William Shakespeare, the character of Benedick shows mixed emotions towards loves and marriage throughout. In the two extracts we studied, Benedick shows a large contrast of opinions: In Act 1 Scene 1, Benedick portrays strong feelings of contempt towards love and marriage, whereas by Act 2 Scene 3, Benedick has completely changed his views and he is prepared to make the commitment and marry Beatrice, a woman he appeared to dislike in the beginning of the play and who seemed to have mutual feelings towards Benedick. Act 1 Scene 1 portrays that Benedick has a very negative attitude towards love and marriage. When conversing with
In the play of Much Ado About Nothing, the characters of Benedick and Beatrice have a love-hate relationship. On the surface, it appears that their relationship is built on a war of wits and insults. However, in Benedick’s soliloquy, the reader discovers that at the core of their insults actually lie the true feelings of love. It is also apparent that Benedick even sees loving each other as a competition, in that he wants to love her to a point of outdoing her love for him. Not only is Benedick constantly warring with Beatrice, but he is also undergoing an internal struggle, which is made quite apparent in Benedick’s soliloquy in Act 2 Scene 3.
All throughout the beginning of the play, both Beatrice and Benedick use sarcasm and hide their true feelings for each other, which is the first example of tricky in their relationship. Both of them have vowed never to marry anyone; Benedick stating: "Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor." (1.1.232–35), while Beatrice says, "No, uncle, I'll none. Adam's sons are my brethren, and truly I hold it a sin to match in my kindred." (2.1.59–60.) Their friends see that they are the perfect match for one another, and plan to trick them into confessing their love for each other. When Benedick is in the orchard, he overhears Don Pedro, Claudio, and Leonato talking about how Beatrice is in love with him but is afraid he will mock her if she tells him. Benedick believes them, saying, "This can be no trick." (2.3.217.) He then goes on to say, "I will be horribly in love with her." (2.3.230–31.) Later, Beatrice hears Hero and Ursula talking about how they can't tell her that Benedick loves her because she is a scornful person. After Hero and Ursula leave, Beatrice states:
the rest of his life rather than marry a woman. Beatrice in a way is
In Shakespeare’s play, Much Ado About Nothing, written in the early 15th century, the relationships between Benedick and Beatrice and Hero and Claudio are the key to the play and create a lot of tension and comedy. The two relationships are interesting in different ways, and this essay will explore this in terms of the language used, the plot, characterisation and how the two relationships stand thematically.