Compare And Contrast Catherine Earnshaw And Jane Eyre

“Jane’s relationship with Rochester in the early part of the novel is based not on love but control, manipulation and secrecy. She does well to escape”

We first encounter this relationship between Jane and Rochester during their first dramatic meeting. She encounters him when he falls off his horse and she is required to give him assistance. Jane’s first impression of his face is that ‘He had a dark face, with stern features and a heavy brow’. This may portray the dimness in his face awaiting to be enlightened by a woman which, in this case Jane. Further on in this chapter, unaware of who he is, on her return home, Jane is amazed to discover that the gentleman she assisted in the road was her employer, Mr. Edward Rochester. Jane’s future relationship with Rochester is most clearly set out in their first meeting. Although without any money, reserved and socially dependent, Jane is not

Charlotte Bronte plays with gender archetypes in shaping the relationship that lies at the heart of her novel. Both Jane and Rochester possess unconscious qualities that are both feminine and masculine which result in a syzygy, or a wholeness of the unconscious. They are two fragmented selves who complete one another. By fusing these two elements, the masculine(animus) in Jane and the feminine (anima) in Rochester, Bronte shows us a new intimacy. In Jane Eyre, she has created a romance that transcends the ordinary and becomes mythic.

When Rochester proposes to Jane she gives in to love. But then becomes afraid of loosing her autonomy and self image. "And then you won't know me, sir; and I shall not be your Jane Eyre any longer, but an ape in a harlequin's jacket--a jay in borrowed plumes" (Bronte 263). Jane says this to Rochester after he elaborates to Jane about giving her jewels to make her even more beautiful then she already is. But as Jane sees it, if she puts on something that isn't her, she will loose her image of herself, and in addition, her autonomy. She would loose her autonomy because she would be allowing someone to make a decision for her when she is perfectly capable of making it. Her fear of losing her autonomy motivates her refusal of Rochester's marriage proposal. Jane believes that "marrying" Rochester while he remains legally tied to Bertha, Rochester's wife at the time, would mean rendering herself a mistress and sacrificing her own integrity for the sake of emotional gratification.

As a feminist, Jane is able to protect herself when she is in a situation where she needs to be defended. For instance, when her brutish older cousin John hurls a hardcover book at her head, she pounces back by attacking him in defense. She also faces no difficulty in successfully defeating her cold-hearted aunt in a verbal fight, just at the tender age of ten. Jane is surely unafraid of the consequences that she has to face on actions that she believes as rightfully done. This amazing trait remains even as she proceeds into adulthood and meets the love of her life. She is able to deal with, and even stand up to Mr. Rochester’s unreasonable verbal attacks directed at her. She clearly shows her dauntless side of her personality, by speaking her own mind when Mr. Rochester demands for the money that he had given her. Jane refuses clear cut, and Mr. Rochester asks to then at least let him see the cash. Jane refuses again by retorting that he is “not to be trusted.” Jane has an honest and truthful soul who knows how to speak for herself, unlike many women during this period of time. Jane is never concerned about what other people would think of her if she tells them the exact truth about everything. She is able to inform her departure by cancelling off the wedding between herself and Mr. Rochester after what she had witnessed and experienced. Jane cries out “you are a married man-or as good as a married man, and wed to one inferior to you- to one with whom you have no sympathy- whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union: therefore I am better than you- let me go!” Jane is able to truthfully utter her thoughts, her true opinion without being afraid; even if it was to someone she dearly loved. When Mr. Rochester angrily cries out, “Jane, be still; don’t struggle so, like a wild frantic bird that is rending its own plumage in its

There are not most indications that Mr. Rochester has romantic feelings towards Jane throughout the chapter although it in the end of the chapter on page 114 Mr. Rochester request that Jane participates in his social excursions in “ I expect you to appear in the drawing room every evening.”

Though Jane is well educated and possesses the etiquette and training of a person in upper class society, social prejudices limit her because she is simply a paid servant, in their eyes. While at Thornfield, Jane falls desperately in love with the owner of Thornfield Hall, Mr. Rochester. Jane is Mr. Rochester’s intellectual contemporary, but her social status prevents her from being his true equal. In the novel, Jane proclaims, “Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart!” (Bronte 637). After Mr. Rochester finally proposes, Jane is hesitant to marry him because she feels as if he would be lowering himself to marry her. This feeling greatly increases after Jane discovers he is married to Bertha Mason, and that he keeps her locked away in Thornfield’s attic due to her insanity. Mr. Rochester proposes that Jane becomes his mistress, which, according to Victorian society, would be more fitting since Jane is a plain governess. Jane realizes that she can never compromise her morals that way and leaves Thornfield. While on her own, Jane still strives to gain independence, discovers new kin, and learns she has a wealthy uncle who has left her a large inheritance. After her loneliness and longing for Mr. Rochester becomes too great, she returns to Thornfield. Jane is

Although she knows Blanche and Rochester are not in love, she believes they will marry due to money and class. Ingram is equal to Rochester, and Jane is not. She knows she cannot unlove him, but "all his attentions appropriated to a great lady who scorned to touch [Jane] with the hem of her roses as she passed" (Bronte 211). In Jane 's mind, she is no match for Blanche, and she refuses to marry Rochester because they are not equal. After Jane and Rochester become engaged for the first time, he attempts to spoil her with gifts and special treatment. However, Jane will not accept. First, he takes Jane to Millcote to buy her accessories. When he looks at her with "passionate pleasure" she looks at him and threatens that he "need not look in that way...if [he does, she 'll] wear nothing but [her] old Lowood frocks to the end of the chapter. [She 'll] be married in this lilac gingham" (309-310). She refuses these gifts as she believes she should not be treated higher than her actual class. She also refuses to dine with Rochester at his request.When he asks her to join she tells him that she has "never dined with [him]; and [she] sees no reason why [she] should now" (311). Rochester then begins to question what she wishes to become of her salary and other days to which she responds that she "shall just go on with it as usual. [She] shall keep out of [his] way all day"

In the critical essay, “Almost my hope of heaven’: idolatry and messianic symbolism in Charlotte Bronte's Jane Eyre,” Joshua analyzes the theme of idolatry and messianic symbolism in Jane Eyre. Joshua believes that Jane Eyre is a novel that revolves wholly on religion. He argues that, “one of the novel's purpose...is to show that human relationships are successful only if the partners in the relationship avoid the dangers of idolizing each other” (Joshua). I strongly agree with his opinion. One main reason Jane denies Rochester’s proposal is because she does not want to be inferior to him. When Rochester and Jane argue over whether or not Jane is going to let him order her around she says “‘I like to serve you, sir, and to obey you in all that is right’” (Bronte 250). From the beginning, Jane sees Rochester as a sort of messiah. Due to this, she refuses to marry him for she believes they will never truly be equals. However, as the novel progresses, Jane goes through internal developments that enable her to realize that her and Rochester can be equals. She realizes her self-worth and finds a balance between her principles and feelings. In one of the final passages of the novel, Jane says that her and Rochester have been married for ten years and she is “[her] husband’s life as fully as he is [hers]” (Bronte PAGE NUMBER). Here, we can see the Jane and Rochester are equals. This supports Joshua’s claim, for their relationship is only successful because of their equality. Rochester is no longer Janes “master” and she still remains her own-self.

Rochester that though they may not be “equal” in social status, they are “equal” in thought and feelings. “Equal” is a term marked by justice, honesty, and bias, and something that everyone is entitled to. Jane Eyre is letting Mr. Rochester know that she is entitled to be happy, and that she finds her happiness in him. Upon this exclamation, and her fearlessness to express her sentiments, Jane and Rochester get engaged, and Jane, once again, gets what she wants by having taken action.

The love relationship between Jane and Mr. Rochester is not one to be called "at first sight", because at their first encounter, Jane does not seem to feel any kind of attraction towards the one who in the end will become her husband. Their love grows steady, it is not spoken and it is built with baby-steps, through gestures I believe the two protagonists are not completely aware of. Jane finds Mr. Rochester fascinating in a good and bad way, at the same time: "The ease of his manner freed me from painful restraint; the friendly frankness, as correct as cordial, with which he treated me, drew me to him" (Chapter 15). A new territory is revealed before Jane's eyes and her strict religious beliefs seem to fade in front of her growing passion for her master. The passion I am arguing about is so strong that it eventually makes the heroin think of nothing but her ideal lover. Passion is physically present in the novel through the symbol of fire, first in the night when Rochester's bed is set fire and finally, when the castle of Thornfield burns to the ground. In the first situation the reader surprises an intimate moment between the protagonists, when Jane rescues her master and he speaks to her in a manner which confused and yet gave her wings: "Strange energy was in his voice, strange fire in his look. [...] But he still retained my hand, and I could not free it. I bethought myself of an

Furthermore, Jane says “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (Chapter 27, Bronte.) This statement greatly represents the growth that Jane has undergone. She no longer dreads the solitude that once haunted her because she respects herself enough to realize that she did not deserve to experience such great dismay. Through independence and self-recognition, Jane has discovered the importance of loving oneself. Without the reliance on the thoughts of others, the once extremely troubled girl found bliss through a lack of outside control. In regards to her relationship with Mr. Rochester, Jane understands that she must leave him behind to maintain her own well-being. She does not allow the wealth or proclaimed love from Rochester to skew her decisions and she does not linger to dominate the life of her lover. Instead, she moves forward to continue her endless pursuit of happiness and independence.

Wide Sargasso Sea was Jean Rhys’s effort to retell and complicate the unresolved character of Bertha Mason, the “lunatic creole” presented to us in Charlotte Bronte’s classic novel, Jane Eyre. Bronte’s Jane Eyre was one of the first feminist critiques of the Victorian era. It scandalised and shocked society by presenting the reader with an independent woman who defied societal ideals of self-control. Through her depiction of Antoinette in Wide Sargasso Sea Rhys responds to Bronte’s feminist stance through a post-colonial lens 119 years later. Both novels are feminist works, however each author approaches feminist concerns in a manner

Rochester. At first Jane sees him as rude and disrespectful due to his cold and gruesome remarks, but it is her fight and how Jane stands up for herself that leads to one of the most known relationships in literature. Eventually Rochester asks Jane for her hand in marriage but at the scene of the wedding, we come to learn, that Rochester is already married to an insane woman, living in his attic, named Bertha. With this Rochester asks Jane to run away with her to Europe, this is exactly where Jane is faced with a very hard decision between following her heart as everyone wants to do, or keeping her respect and dignity. We can see the respect Jane now has from Rochester when he says to her, “I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character” (Bronte 354). This shows that Jane has gained Rochester’s respect and the ‘stubbornness’ in Jane’s character is the best thing for her, for without this trait Jane could never gain respect from others, especially men, in his novel. Knowing that Jane has decided to leave her, Rochester begins to persuade Jane to stay with him. He says, “Oh, Jane, this is bitter! This – this is wicked. It would not be wicked to love me” (Bronte 355). Jane replies, “It would to obey you” (Bronte 355), showing that she will not give into his pleading, regardless of how much she loves him because to obey him would lead to the loss

Comparison between the novel Jane Eyre by Charlotte Brontë, and the homologous film from 1996