Being confident can sometimes get you through tough times but sometimes can make others think you’re conceited. Being resilient helps you to move on through tough times. Being direct can help you to get a point across. In One Art by Elizabeth Bishop, the speaker is someone who has lost but moves on. In Circe’s Power by Louise Gluck, the speaker is Circe and on his journey, Odysseus and his men came upon her, and she turned them into pigs. In One Art by Elizabeth Bishop and Circe’s Power by Louise Gluck, both speakers have a confident tone towards their audiences. On the other hand in One Art the speaker's tone is also resilient towards a loved one, whereas in Circe’s Power the speaker’s tone is direct towards Odysseus. In One Art by Elizabeth Bishop and Circe's Power by …show more content…
The speaker's tone in One Art is confident towards a loved one because they know that they will be able to move on in their life. When the speaker is giving advice to the audience, the speaker says, “None of these will bring disaster.” (Bishop line 9). This proves that the speaker knows that everything will be all right. The words “disaster” means something very bad so the speaker knows that nothing bad will happen. The speaker is confident because they know that nothing absolutely terrible will happen. When the speaker is talking to the audience, the speaker says, “It's evident / the art of losing's not too hard to master” (Bishop Lines 17-18). This proves that the speaker knows how to handle loss. The words “not too hard to master” means that the speaker has gotten used to loss. The speaker has a confident tone because loss is not too difficult now and that they are not afraid to lose. The speaker's tone in Circe's Power is confident towards Odysseus because she thinks that she is right about what actually happened to Odysseus's men. When explaining what happened to Odysseus’s men, Circe says, “Under the care of / Me
Circe gives him a life of ease and self-indulgence on an enchanted island. In Phaecia, Odysseus is offered the love of a young princess and her hand in marriage. The Sirens tempt him to live in the memory of the glorious past. Calypso, the goddess with whom he spends seven years, offers him the greatest temptation of all: immortality. In refusing, Odysseus chooses the human condition, with all its struggle, its disappointments, and its inevitable end. And the end, death, is ever-present. But he hangs on tenaciously and, in the midst of his ordeals, he is sent living to the world of the dead to see for himself what death means.” (Lawall,
Circe gives Odysseus a golden cup of honeyed wine for when Odysseus does not turn into an animal Circe, knows that he is Odysseus. Circe helps Odysseus and his men by telling Odysseus the dangers of their journey ahead. Circe says, "Son of Laertes and the gods of old, Odysseus, master, mariner, and soldier, you shall not stay here longer against your will; but the home you may not unless you take a strange way round and come to the cold homes of Death and pale Persephone. You shall hear prophecy from the rapt shade of blind Tiresias of Thebes, forever charged with reason even among the dead; to him alone, of all the flitting ghosts, Persephone has given a mind undarkened" (Applebee et.al 925). In conclusion, Circe is an archetypal hero because she gives Odysseus advice and aids him to Persephone who tells him how to return to
Even as he suffers, the parallel of his grief to that of the woman’s dissipates for we are privy to the knowledge that Odysseus is likely to have once been a man who cut down the father of another home. Though the language of grief is universal, spreading itself to Odysseus in likeness, the application of it remains ironic because the self-pursuant and capable hero persists in the blindness that his own hands brought about the same pain in many
The tragic heroes Creon and Brutus are lessons against being too prideful to listen to others and conversely, being too gullible. In the tragedies Antigone and Julius Caesar, by Sophocles and Shakespeare, the characters Creon and Brutus are similar tragic heroes. Both have noble statutes, and are driven to make their nations prosperous, but their fatal flaws, Creon’s pride and Brutus’s overt idealism and trustingness, cause their downfall. Furthermore, before their downfall, both realize their mistakes, but despair at the knowledge that they cannot change the course of action they have taken.
When Odysseus returns to Ithaka, his curiosity in viewing whether people remembered and missed him drives him toward testing people. His own beloved wife, Penelope, is apart of his trial making. Without approaching her in his true form and telling her who he is, he rather has a conversation with her lying that he entertained Odysseus. From the deceiving stories of Odysseus, Penelope listened as “ her tears ran and her body was melted… as Penelope wept for her man, who was sitting there by her side” (287. 205). Causing her so much sorrow and grief through Odysseus’ trials. He even has “ pity for his wife as she mourned for him” (287. 210). In his reckless curiosity he generates more pain and suffering upon her fragile self than deserved. Also, Odysseus tests his father in curiosity “to see whether he will know [him] and his eyes recognize [him], or fail to know [him]” (350. 217). However, Odysseus takes it too far, using words of mockery, and even seeing his father break down in tears over him, Odysseus continues in his deceit. Speaking to the extent that Laertes “ caught up the grimy dust and poured it over his face and grizzled head, groaning incessantly” (353. 315). In those days such was the epitome of mourning, to cover ones face in ashes and dirt. Out of Odysseus’ reckless curiosity, Laertes who is already old and weary has to endure mockery and mourning from his own
The example of Odysseus’ raid on the city of the Cicones—and the loss of six men from his ships that results from it—shows a starting point in Odysseus’ evolution of humility by showing a a pre-suffering few of Odysseus—that of a man who encourages the sacking of a city—and a post initial dose suffering view of the same man—a man who blames his crew for the aforementioned suffering instead of taking responsibility himself. On his path home from the Trojan War, the fighter Odysseus—still filled with the greed and seeming invincibility of a victor came across a set of bystanders to the war known as the Cicones “There [he] sacked the[ir] city, killed the[ir] men, but as for the[ir]
Odysseus lets his arrogance cloud his judgement, putting both his life and his crew men’s lives at risk. His arrogance becomes apparent during his stay at the city of the Cicons where “[he] sacked the town and put the people to the sword” and later he and his men were attacked by the Cicons (92). He goes as far as to accuse his crew, he diverts the blame because he “said that we had better make off at once, but my men very foolishly would not obey me” implying that if they had listened to him they wouldn't have had to fight with the Cicons (92). Doing this he speaks to his men in a cruel manner, redirecting the responsibility towards his men. He blames the entirety of his crew, except himself, for the deaths of the other crew members. In this predicament Odysseus is self centered, self righteous and nothing short of obnoxious. Not only is he disrespecting his crew men, he's depreciating them. Seemingly implying that everything he and his men have been through on their journey home was meaningless compared to his importance. While Odysseus strives to be of higher importance than his men, he also shares their weakness of overindulgence. Odysseus scorns his crew for not listening to him at the city of Cicons ostensibly to raise his own power as a better man than his crew; however, Odysseus and his crew have commonalities that provide as setbacks in their
In the Odyssey, Odysseus’s crew believed and trusted him with their lives, but Odysseus did not tell them of the last prophecy. “The Ithacans set of. Odysseus does not tell his men of Circe’s last prophecy-that he will be the only survivor of their long journey.” (Homer 3:1066). Wiesel gives the example of how no man is perfect all the time. This is shown many times in the Odyssey. When Odysseus slays the Cyclops’s eye he boast and teases the Cyclops. Even after his men beg him to stop patronizing the Cyclops, Odysseus continues. “Cyclops, if ever mortal man inquire how you were put to shame and blinded, tell him Odysseus, raider of cities, took your eye: Laertes’ son, whose home’s on Ithaca” (Homer 3:1057). In my third paragraph, Jason Shen talks about how our heroes are just like us. Our heroes make mistakes and experience emotions. Odysseus gave in to humanly emotion when he decided to stay with the beautiful goddess Calypso. Odysseus didn’t fight back because he was discouraged. “The old soldier is in despair: He has spent ten years (seven of them as Calypso’s not entirely unwilling captive) trying to get home” (Homer 3:1038). Jason believes our heroes are just normal people who happen to find themselves leading influential lives. “Salt tears rose from the wells of longing in both men, and cries burst from both…” (Homer 3:1083). At this moment, Odysseus has just been reunited
Odysseus is very confident throughout The Odyssey. For example, when Odysseus and his crew are stuck in the cavern on the island of the cyclops, Odysseus tells the giant his name is Nohbdy in this quote, “Cyclops, you ask my honorable name? Remember the gift you promised me, and I shall tell you. My name is Nohbdy: mother, father, and friends, everyone calls me Nohbdy” (9.270-274). This shows that Odysseus knows his plans always work, and he’s confident that the cyclops will fall for it. This also shows that Odysseus can do anything because of his confidence, even tricking a giant cyclops
• Shakespeare’s idea of the tenuous and transitory nature of power is shaped by a context where the nation was anxious due to the unexpected death of Elizabeth.
The Odyssey By Homer takes us on an interesting adventure of the main character's journey home to his wife. On the way home he is sidetracked by a wide variety of characters. During Odysseus journey, Penelope and his son Telemachus were trying to fight off the suitors a group of men who think Odysseus is dead who are trying to marry Penelope. After 21 years of Odysseus being gone, he appears home in the form of a beggar and kills most of the suitors ending in a bloodbath.
Whether Odysseus is exaggerating a certain scene or characteristic of himself as to come off more strong and hero-like, or Odysseus is leaving out information that adds to the understanding of the story, the story that is told and how it is perceived by the audience depends on and is directly correlated to the situation Odysseus or another character is currently in, who his audience is, and what is it that he wants from the audience. For instance, when telling his story to the Phaecians, Craig Russell claims that “Odysseus’s concern would have been not what “really happened” in the past, but rather what is most beneficial in his present”. Odysseus was focusing on evoking certain emotions and impactful pathos upon his audience in this situation, so that the Phaecian’s might have sympathy for him, feel in awe of him and trust him. Therefore, Odysseus uses storytelling based on the situation
The tale of Oedipus and his prophecy has intrigued not only the citizens of Greece in the ancient times, but also people all over the world for several generations. Most notable about the play was its peculiar structure, causing the audience to think analytically about the outcomes of Oedipus’ actions and how it compares with Aristotle’s beliefs. Another way that the people have examined the drama is by looking at the paradoxes (such as the confrontation of Tiresias and Oedipus), symbols (such as the Sphinx), and morals that has affected their perceptions by the end of the play. Nonetheless, the most important aspect is how relevant the story is and how it has influenced modern ideas like that of Freud and other people of today.
Without her he would have died. He falsely said that he escaped and didn’t get any help. Another example of this was when Odysseus was told to watch out for the whirlpool, Charybdis, and a sea monster, Scylla by Circe. With Circe’s warning in mind, they got to the whirlpool and sea monster but didn’t brace for the worst. He also put on his armor, which he was told specifically not to do, to defend himself from the monster.
How did you come to those conclusions? A good example is when Telemakhos grew tired of the suitors and his mother’s mourning, he admonishes her, “Ulysses is not the only man who never came back from Troy, but many another went down as well as he. Go, then, within the house and busy yourself with your daily duties, your loom, your distaff, and the ordering of your servants; for speech is man’s matter, and mine above all others- for it is I who am master here” (Book 1).