Compare And Contrast Creon In Oedipus The King

The author of Oedipus, Sophocles, introduces a worthy rival to the main character Oedipus.Tiresias, who considers himself to be an equal to the Great King. Tiresias admits, “You are a king. But where the argument’s concerned // I am your man, as much as a king as you.// I am not your servant, but Apollo’s.”(Sophocles) While simultaneously trying to defend his honour and bring justice to Thebes, Oedipus argues about the integrity of Creon’s source. Tiresias retorts Oedipus’ impulsive accusations, in a studious, and King like manner.Tiresias’ diligent retaliation is dramatically significant because it develops Oedipus’ character; Oedipus is humanized and revered less as a God because of his flaws. The power dynamic shift causes the audience to become more judgemental of Oedipus since someone is holding him accountable for his behaviour. Additionally, the passage adds to the mystery of the plot and creates suspense, through Sophocles’ use of paradox, and imagery which cause the mood to change and creates a compelling story. Both of these elements cause the audience to pay attention to the drastic changes in character, and mood, to highlight the major theme of pride, power, and fate. Ultimately, the passage is intended to show the ignorance of Oedipus, and the awareness of Tiresias, who are symbols for the pervasiveness of fate.

Creon then tries to warn Oedipus about his condemning, “To slur a good man’s name/With baseless slander is one crime-another/Is rashly to mistake bad men for good./Cast out an honest friend, and you cast out/Your life, your dearest treasure.” [pg42]. As Creon tries to convince him to go about things in a more timely, and sensible way Oedipus hears none of it and still pursues his march of getting to the bottom laying the blame elsewhere all along the way. As Creon and Teriesas both note suggestions to Oedipus’ involvement he still pursues further investigation without the littlest consideration at his own guilt. This lack of foresight, and understanding again is another cause to Oedipus’ self-inflicted downfall. However, there are many factors that contribute his downfall that he could not have prevented and were truly acts of fate and destiny. His self-assurance to his wisdom that was bred by his “mother-wit and not by bird-lore” (as he takes a stab at Teriesas pg 37) really comes to surface during his encounter with a riddling Sphinx. This inflated view of his wisdom later leads to his downfall. But it was only by fate that he ignorant Oedipus was awarded a IQ freebie from the

Creon has more of a reserved personality. He likes to discuss things in private and talk things over before discussing information with the general public. When Creon brings word from Apollo that the murderer of King Laius must be punished, there is a short discussion between Oedipus and Creon about whether or not to publicly announce Apollo’s declaration.

In Oedipus Rex, Oedipus believes Tiresias and Creon are working together to overthrow him. During this time Creon gives a prolonged speech, how he doesn’t want to be the King, but in Antigone, Creon is seen as a unswaying sovereign, unwilling to listen to anyone. Creon is likewise blinded by his own corruption. His excessive pride gets the best of him. Antigone, Haemon, and Tiresias warn Creon

     Oedipus and Creon are alike in yet another way. They both committed vile acts of hubris. Both of them went against the gods for feckless and pointless reasons. Oedipus committed hubris by insulting Tiresias. He accuses Tiresias of “betraying us, destroying Thebes” (177). Tiresias is a prophet of the gods. He is just telling Oedipus what he has seen. Tiresias’s refusal to tell Oedipus his secrets only results in more name-calling and humiliation. Oedipus calls him the “scum of the earth” (178). Oedipus is so enraged by his prophecies that he accuses him of “helping to hatch the plot” (178). Oedipus suspects that Tiresias is being bribed. “Who primed you for this? Not your prophet’s trade” (179), he says. Oedipus’ rashness lead him to accuse Tiresias, a prophet of the gods and a wise seer, that he is corrupt and a fraud. This is obviously

CrHow is Creon’s character introduced through his opening speech in the First Episode (lines 159-195) and how does this speech create tension?

Creon, who is Iocasta’s brother, claims in Oedipus the King that he does not wish to have the power and responsibility of being king. Towards the beginning of Oedipus the King, Oedipus has announced that Creon is to be banished from Thebes. Oedipus was exiling Creon because he said that Creon and Tiresias were trying

The tragic heroes Creon and Brutus are lessons against being too prideful to listen to others and conversely, being too gullible. In the tragedies Antigone and Julius Caesar, by Sophocles and Shakespeare, the characters Creon and Brutus are similar tragic heroes. Both have noble statutes, and are driven to make their nations prosperous, but their fatal flaws, Creon’s pride and Brutus’s overt idealism and trustingness, cause their downfall. Furthermore, before their downfall, both realize their mistakes, but despair at the knowledge that they cannot change the course of action they have taken.

In the story of Antigone, an argument of who is the tragic hero between Antigone and Creon exists. I firmly believe Creon is the tragic hero of the play. Creon becomes the typical fallen hero in Greek drama. He faces many conflicts, internally and externally, and undergoes quite a bit of painful emotions. One might say Antigone should receive the title of being the tragic hero, but Creon plays a more significant role by learning his lesson the hard way and ending up as the classic tragic hero who loses everything at the end of the dramatic play.

He thinks everything through with intelligence and reason. For example, as Oedipus rants, Creon stays calm and collected instead of firing back. When Oedipus says Creon is plotting against him, he tells Oedipus “No. Reason it out, as I have done. Think of this first: Would any sane man prefer power, with all a king’s anxieties, to that same power and the grace of sleep. Certainly not I.” In Oedipus at Colonus he is much more ambitious. He decides things quickly and irrationally.  For instance, he kidnaps Oedipus’s daughters when Oedipus denies to return to Thebes and when the chorus threatens him he says “Your city will have war if you hurt

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

When Oedipus hears that he is the killer, his pride is wounded for he cannot accept the truth. His judgment is so blurred that he also begins to view Creon as a traitor for using Tiresias. Creon’s words sum up Oedipus’s rage when he said, “Oedipus, your husband, he’s bent on a choice of punishments for me, banishment from the fatherland or death” (715-717). Jocasta is even surprised with Oedipus’s unusual character, as she said, “For the love of God, Oedipus, tell me too, what is it? Why this rage? You’re so unbending” (767-769). The reason why Oedipus pride is so wounded can be because his negative experiences with the Gods. As a baby, he was condemned to death, yet he survived and learned the horrible truth of his prophecy. In attempt to escape that life, he lost belief in the word of the gods because he refused that the prophecies should come true. This struggle between God and Oedipus only tears his moral beliefs as he has to be stone cold to survive his tribulations. This meant giving no consideration against people who presently posed a great threat to him.

In the play Oedipus the King, by Sophocles, a man named Oedipus is trying to figure out what is causing a plague in the city. Throughout the play, many people are trying to give him clues that he is the cause for marrying his mother. Realizing this, Oedipus stabs out his eyeballs and leaves the city. In the play Antigone, by Sophocles, Antigone buried Polyneices, and Creon wants to have her killed because of it. Tiresias, the blind prophet, tries to persuade Creon that the gods actually want Polyneices buried. Creon then wants to release Antigone, but she had already hung herself. The rest of the family then commits suicide. In the end of both plays, Creon and Oedipus both suffer due to blindness vs. sight.

Some characteristics Oedipus shows while he is a king is his impatience, his ability to act rashly, and how quick he likes to take action. One example of this is on page 18 of The Oedipus Cycle when he says, “What a wicked old man you are! You’d try a stone’s patience! Out with it!” Oedipus says this after Teiresias refuses to tell him what he knows about the murderer of the previous king of Thebes. Instead of trying to persuade him further or just accept that Teiresias won’t tell Oedipus what he wants to know, his impatience causes him to act rashly and start insulting the seer. Another example of Oedipus’s tendency to act quickly appears on page 28 when Oedipus says to Creon, “You murderer! Do you think I do not know that you plotted to kill me, plotted to steal my throne?” Prior to their conversation, Oedipus asks his brother-in-law, Creon, to bring Teiresias to him so they may ask him what he knows. After Teiresias refuses to share what he knows with Oedipus, he eventually tells him that Oedipus is the murderer that he is seeking. Just from this, Oedipus quickly comes to the conclusion that Creon urged Teiresias to say this in order to usurp the throne. Another example of Oedipus’s rashness appears on page 43 of The Oedipus Cycle, “The groom leading the horses forced me off the road at his lord’s command; but as this charioteer lurched over towards me I struck him in my rage . . . Swinging my club in this right hand I knocked him out of his

After a long established rule as king, a plague afflicted the land. Over the years, Oedipus had “delegated much of his authority, in complete reliance on his efficiency and dependa-bility” (Peterkin 265) to Creon. In trying to relieve his subjects suffering, Oedipus sends his valued right hand man, Creon, to consult the oracle. Oedipus was hoping to receive some revelation as to why his kingdom was suffering so. Upon his return, Creon prudently wanted to speak privately with Oedipus. During this exchange, Creon is presented as a cautious, yet matter-of-fact kind of person. The King would not hear of a private conversation as he wanted everything to be in the public’s eye, so as not to hide the truth. Creon reveals, as tactfully as possible, that the Gods were angry that King Laios murder went unpunished. This is what was causing the plague to besiege