Compare And Contrast Dark Romantic And Transcendentalism

Dark Romanticism is a literary subgenre which emphasizes on a sinful side of a human; the authors who followed this movement were interested in psychology and morality. Edgar Allan Poe, who was strongly interested in self-destructive human nature, and Herman Melville, whose themes of mystery and madness are also very remarkable, were other famous representatives of this literary movement. Sometimes Dark Romanticism is said to be close to the Transcendentalism literary movement, though they are quite different. Transcendentalism

When writing “The Fall of the House of Usher,” Poe used the setting outside of the mansion to illustrate the theme of the fear of death. From the outset, the Rodrick Usher’s home is portrayed in a way that gives the reader a feeling of alarm. For example, the narrator mentions the house gives him a feeling of “insufferable gloom” (Usher 1). By pointing this out, the reader begins to feel on edge as the connotation of “gloom” is unwelcoming and distressing. The home is also said to have “vacant eye like windows” (Usher 1) which make the narrator

The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of

Romantic literary texts focus on the expression of emotion. Authors during the Romantic period developed and integrated the idea of the individual being the main focus in life. Romantic authors focused on the individual being at the center of their own happiness and destiny and evil dwelling outside mankind. Dark Romantics believed that evil is not only found in nature and in other people but evil also dwells inside every human being. Dark Romantics argued that earlier writers had ignored the darker side of

In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The

The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.

Usher represents the inner self of Edgar A. Poe, he is the personality for which Poe knew, and possibly became. Poe quite possibly became Usher but he did not realize it until he re visited his inner self and mind. “Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting” (236). Roderick Usher can represent Poe’s madness, Poe knew him in the past but finally along his journey he is coming to terms with his insanity. Edgar is excepting his madness although he still is frightened by the truth. “The writer spoke of acute bodily illness-of a mental disorder which oppressed him-and of an earnest desire to see me, as his best, and indeed his only personal friend” (236). Poe realized that his insanity did exist but he needed to address it and come to terms with it.

Poe’s use of personification, the act of giving human characteristics to nonhuman things, assigns the house of Usher a powerful and evil presence. In the first paragraph of the story, the narrator describes the

Roderick Usher is a victim of circumstance. The House he has known his whole life seems to have turned against him. Poe

After evaluating the work of Edgar Allan Poe’s The Fall of the House of Usher, he utilizes with imagery to build up the feeling of terror. First of all, the passage is about an ill man, Roderick Usher, who invites his old friend of his to come meet him. In this passage both him and his sister, Madeline Usher, are the last remaining of the Usher race and is diagnosed with an unnatural illness. The narrator begins to feel terror with the supernatural things going on in the house of Usher and the illness of the Ushers. Although the narrator feels the sense of terror from the moment he entered the house, through the use of imagery, Poe is able to bring emotion to the reader. Throughout the passage, the author continues to build up the sense of terror by asserting the image and setting of both the passage and the atmosphere. For instance, he starts the passage by stating “a dull, dark, and a soundless day...clouds hung oppressively low in the heavens” (Poe 194). In relation to the previous quote, the quote illustrates the image of the atmosphere and the setting of the story. In particular, because Poe expresses the sense of terror by describing the atmosphere as dark, quiet, and gloomy, the reader can get an image of the surroundings and get the feeling of the darkness and horror. In addition, according to Poe, during the first glimpse of the house of Usher, the narrator describes it as gloomy and unpleasant. In particular, Poe states “the shades of the evening drew on… a sense of insufferable gloom” (Poe 194). Additionally, the description of the house adds on to the sense of terror that Poe established in the beginning of the story. Based on the past two quotes stated by the author, the reader can begin to picture a dark and dull day with a gloomy house adding on to the darkness. Lastly, in regards to Edgar Allan Poe, the house of Usher is

Transcendentalism was largely influenced by the earlier Romantic Movement which was filled with innovative and imaginative ideas. Similar to the Romantic's Transcendentalist wanted to break away from the old European models of organized institutions such as religion and politics. There was also the strict confines of the Age of Reason's rationalist way of thinking that stirred up a rebellious reaction within the literary traditional period of Transcendentalism. Transcendentalist believed religion and politics negatively tainted an individual’s innocence.

“The Fall of the House of Usher (1939)”, arguably Edgar Allan Poe’s most famous short story, is a tale centered around the mysterious House of Usher and its equally indiscernible inhabitants. These subjects are plagued with physical and mental degradation – the Usher siblings suffer from various abnormal ailments and unexplained fears, while the house itself seems to be tethering on the edge of collapse. The gothic elements in the story are distributed generously, and the plot is increasingly ridden with the supernatural as it progresses.

In the 19th century, two significant different genres in American literature emerged: Transcendentalism and Dark Romanticism/Anti-transcendentalism. Towards the middle of the 19th century, the Transcendentalism movement became significant in literature. Thus, as a reaction to the widespread movement, Dark Romanticism was founded. Transcendentalism was based on logical thinking and human’s consciousness, whereas, Dark Romanticism was different in many aspects.

The Fall of the House of Usher is a story “of sickness, madness, incest, and the danger of unrestrained creativity. This is among Poe's most popular and critically-examined horror stories” (Gordon). For example if you were to close your eyes while someone was reading the story you would see the house “decaying” in your imagination (Poe). From the start of the story the narrator’s strange “insufferable gloom” is introduced. He notes the darkness of his surrounding (Gordon). The stories are very deeply described and felt.

When the unnamed narrator of “The Fall of the House of Usher” first arrives at the Usher household, he refers to the building as being “melancholy” before adding that upon seeing the structure “a sense of insufferable gloom pervaded my spirit” (49). Through the narrator referring to the building as being “melancholy,” rather than simply saying that he feels “melancholy” looking at it, the house is personified by being ascribed human emotions. Whereas if he had said that he felt “melancholy” from looking at it, his explaining that the house makes him feel a “sense of insufferable gloom” would merely be an elaboration upon his own feelings upon seeing the house (49). However, because the “melancholy” is being attributed to the house itself and not to the narrator, what is being communicated is that because the house itself is “melancholy,” the narrator feels gloomy through a sense of empathy (49). The