Compare And Contrast Emily Dickinson And Much Madness Is Divinest Sense

    Figurative language plays a key role in the poem, as well. The best example is  The Morning after Death,  which sounds a lot like  mourning after death.  In fact,  mourning  could even replace  morning  and the poem would still make sense. Another example occurs in the second stanza, when Dickinson uses the words  sweeping  and  putting.   By using such cold, unfeeling words when describing matters of the heart, the author creates a numb, distant tone. She really means that after someone dies, one almost has to detach oneself from the feelings of love that once existed for the deceased.

Emily Dickinson’s poem, “After great pain, a formal feeling comes-“is a profound portrayal of the debilitating process of grief human beings undergo when confronted with a horrific tragedy. The response to that ultimate pain is the predominance of numbness, “After great pain, a formal feeling comes-/The Nerves sit ceremonious, like Tombs-“(1-2). This is a poem that must be read slowly to become saturated in the melancholy, the dehumanization of suffering as it affects each aspect of the body without reference to the chaotic emotionality of it. The abundance of metaphors within Dickinson’s poem provides the means to empathize the necessity of numbness. It is also through the use of punctuation and capitalization, depicting the presence of a

One of the prevalent themes of Emily’s work is death. Since she wrote about her inner world and troubles, death as a theme could not be avoided. Emily Dickinson had to face the losing friends to death. Several deaths of family members, including her mother, father and a nephew helped contribute to the theme in her poetry. These events affected her health but she found a way to cope with the idea of death with her poetry. She developed an attitude towards death, seeing it as a transition from mortality to immortality. She accepted its inevitability and tried to make peace with the idea itself. This kind of comprehension was something Emily needed in order to cope with the loss of her loved ones who had been her only support and company in her isolated lifestyle. The theme of death is shown in the poem I picked for the research paper. In the poem called “How Far Is It To Heaven”, by Emily Dickinson it again deals with death but heaven and hell is included. This poem has only a few lines but it gets straight to the point and the theme of the poem hits you right in the face. One example is clear from the first two lines where it asks “How Far Is It To Heaven?” (Line 1) and “As far as Death this way” (Line 2). The poem is so simple but portrays a powerful message to the reader. Another huge theme of

Emily lost her cousin whom she was very close to and considered her a very close friend. Edgar lost his mother and his dad also left at a very young age which affected him tremendously also. Since they both lost loved ones it influenced the things they wrote about, which is why they both wrote about death as much as they did. Because Poe and Dickinson lost loved ones in the beginning of their lives it made them the writers they became. Edgar Poe and Emily Dickinson both isolated themselves from the world because of the loved ones they lost and because they were afraid of death. Emily isolated herself by hiding out in her house. Poe isolated himself not by hiding out but by keeping his feelings in. The topic of death was obviously of great interest to both of them, which was an uncommon trait in literature at the time. Poe wrote about not understanding death and about what happens afterwards. Dickinson just wrote about death itself, and the many ways you can die. They both were incredibly criticized when publishing their work. They also had difficulties getting out the original copies due to alterations before publishing to fit the “rules of literature” at the time.

Dickinson’s tone seems to portray suffering throughout the beginning of her poems, but gradually develops into a more hopeful and optimistic attitude

Emily Dickinson, recognized as one of the greatest American poets of the nineteenth century, was born December 10, 1830 in Amherst, Massachusetts (Benfey, 1). Dickinson’s greatness and accomplishments were not always recognized. In her time, women were not recognized as serious writers and her talents were often ignored. Only seven of her 1800 poems were ever published. Dickinson’s life was relatively simple, but behind the scenes she worked as a creative and talented poet. Her work was influenced by poets of the seventeenth century in England, and by her puritan upbringing. Dickinson was an obsessively private writer. Dickinson withdrew herself from the social contract around the age of thirty and devoted herself, in secret, to writing.

Emily Dickinson, born in 1830 in Amherst, Massachusetts, is regarded as one of America’s best poets. After a poor experience at Mount Holyoke Female Seminary, where she was regarded as a “no hope,” her writing career took off in full swing. Although her family was more conservative, regular churchgoers, and socially prominent town figures, Dickinson preferred a socially reserved lifestyle that renounced the traditional values of her day (Baym, 1189-93). The iconoclastic spirit pervasive in Emily Dickinson's poetry reflects her conflict with the traditions of New England society.

One of the prevalent themes of Emily’s work is death. Since she wrote about her inner world and troubles, death as a theme could not be avoided. Emily Dickinson had to face the losing friends to death. Several deaths of family members, including her mother, father and a nephew helped contribute to the theme in her poetry. These events affected her health but she found a way to cope with the idea of death with her poetry. She developed an attitude towards death, seeing it as a transition from mortality to immortality. She accepted its inevitability and tried to make

Emily Dickinson concentrates many of her poems on the theme of death, predominantly her own. These “poems about death confront its grim reality with honesty, humor, curiosity, and above all a refusal to be comforted (“Emily Dickinson 1830-1886” 1659). While this was not an out of the ordinary topic during the American Romantic era, Dickinson seemed near obsessive in her focus. Additionally, Dickinson seems questionable in her thoughts on religion, another theme popular during the American Romantic era. Emily Dickinson’s “Because I could not stop for death” and “I felt a Funeral, in my Brain” both explicitly examine the concept of death, the afterlife, and the author’s obsession with the melancholy.

In 'Much Madness is divinest Sense' (435), a definition poem, Emily Dickinson criticizes society's inability to accept rebellion, arguing that the majority is the side that should in fact be considered 'mad.' The perception of madness and insanity are a common theme among Dickinson's poetry, as she fought against society's tainted view of herself as crazy. She focuses on how judgmental society is on non conformist views when she describes the majority as 'discerning' (line 2). As similar to most of her poetry, she writes in iambic meter and uses slant rhyme, as lines one, three, and seven end with 'Sense', 'Madness', 'dangerous', and lines six and eight, in 'sane' and 'Chain' in seemingly rhyme scheme. Dickinson credits the majority

Ms. Dickinson seemed very at ease with death as if it were but another point of our existence. In her later works she concentrated more on death because her own personal life was marked by a succession of deaths, loosing those that she was close to and these events in her life caused her to write about death as if it

Emily Dickinson and Edgar Allen Poe were both nineteenth century gothic poets known for their lifelong fascination with the theme of mortality, but their style and approach to writing could not be more contrary. Although death is inevitable, the idea of it was a painful subject for many in this particular day in age; death and illness was much more common. These two poets not only spoke about death in the majority of their literature, but they were obsessed. Poe and Dickenson were from around the same time period and region, and the way they spoke about mortality had different effects in their communities. Dickenson’s free-flowing style in her writings about death and nature was elegant and subtle, while Poe wrote articulate and flamboyant tales of horror and insanity. These poets may have had similar interests, but the way society received their work was completely different.

Emily Dickinson once said, “Dying is a wild night and a new road.” Some people welcome death with open arms while others cower in fear when confronted in the arms of death. Through the use of ambiguity, metaphors, personification and paradoxes Emily Dickinson still gives readers a sense of vagueness on how she feels about dying. Emily Dickinson inventively expresses the nature of death in the poems, “I felt a Funeral, in my Brain (280)”, “I Heard a fly Buzz—When I Died—(465)“ and “Because I could not stop for Death—(712)”.

We are immediately made aware at the beginning of the poem that there is nothing out of place about this day except that they lost a family member. Dickinson was letting it be known that while the rest of the world continued as usual, they sat there in a room watching one of their suffering family members take her last breath. Death makes life different somehow. As Dickinson states, “-this to Us Made Nature Different” (lines 3,4), she tells us that when her family member died it changed them. This poem shows the raw emotion of sadness and the effect of grief overtaken her in just 6 short stanzas.

Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense