The eighteenth century had two painters, Albert Bierstadt and who drew landscapes. The main gallery at Bowdoin Museum of Art was of the night, and the paintings were of the night with a moon in the sky. At the Museum of Fine Arts in Boston, Massachusetts, there were numerous amount of different of paintings. It was hard finding a painting of a night sky and moon in the museum. The comparison of two paintings at two different galleries in two different states will be the Cloudy Study, Moonlight of 1860 and the Eruption of Vesuvius with destruction of the roman city of 1824. The Cloud Study, Moonlight has a landscape on the bottom half of the painting with a river, three mountains, and trees. The other half of the painting is the dark sky with …show more content…
The first painting has a volcano that has lava rocks spewing out from the top of the mountain, and the lava going down the mountain into a roman building that is burning. On top of the mountain, is the lava coming out and a pillow of dark clouds coming out that goes to the right side of the painting. The lava is coming down in two streams and then connect to smash against the roman building that is still standing in the painting. The lava also lights up the entire painting making the viewer be able to see the roman building in the middle of the painting. The second painting has three mountains that are stagnant and are not spewing out lava. Instead, the mountains are their to emphasize that there is a river below the mountain because most maintains have rivers. The top of the mountain is light from the moon reflecting off of it, and the bottom of the mountain is dark from the light not portraying off of it. This mountain has grass and is not destroyed by a flowing lava river. The Eruption of Vesuvius is with destruction of the roman city has two trees while the Cloudy Study Moonlight has a line of pine trees below the mountain. The trees in the first painting are still standing from the eruption on the bottom of the painting, and the trees intersect at the middle. The trees
The work is very smooth and fluid making it appear much like a photograph. The oil is not built up on top of itself keeping it very two dimensional. The colors vary between dark and light throughout the painting. In the top right corner, the sun, outside the painting, shining down, aluminates the castle and also the lone tree at the bottom left corner. Besides the back cliff, the rest of the painting is in shadow and displayed in a much more melancholy tone. The colors that Cole focuses on, to display the sharp contrast between rock and nature, are mostly dark greens and gold. The striking blue of the river stands out dramatically from the rest of the colors and draws the eye after the initial citing. The grey in the cloud is the only place where I can find that shade of gray in the work, and it sets itself apart from the snow white clouds in the background. The color helps draw the eye immediately to the castle on the hill. My eyes then fallow the flow of the river down to the tree, which is illuminated by a beam of sunlight.
The focal point of this painting is the tree that lies central on the canvas. It is also the foremost feature in the picture with the town, sea, and intense foliage falling far behind
Hockey is one of the hardest sports to play. You can get on a basketball court and know how to run. You can get on a soccer field and know how to kick a ball. You can get on a baseball field and know how to swing a bat towards a ball, but you cannot get on a hockey rink for the first time and not know how to skate. All of these sports are hard, and it takes a while to get good at kicking a soccer ball or swinging a bat. But in hockey, skating is a whole different category that you have to be good in to be good at hockey. What Wayne Gretzky did to the sport of hockey is truly amazing. Wayne Gretzky revolutionized hockey through his amazing skill at the sport, made an impact on the hockey community through his attitude on and off of the rink, and inspired many young players to try be as good as him.
As indicated by the shape in the foreground, the lines that signify the contour of the rocks and freestanding structure merge. The lines lead the eye vertically as it meets the center. When looking at the painting as a whole, the viewer can see how the artist uses straight
4. Space- Perspective is demonstrated in many ways. This artwork takes up almost the whole canvas. The horses on the edge look like they were maybe even squeezed in. All of the characters in this artwork look to be congregated to the middle of the painting, besides the villages in the distance. Linear perspective is used in the placement of the villages in the background and in all the men and horses, which are grouped in the middle of the screen. Looking at the features in the painting I notice the use of overlapping and vertical placement, which both imply depth. The horses overlap each other as well as the gentlemen and other elements of the painting. The brown horse’s head overlaps the black one hiding its mouth. The villages and hills in the background appear to be very far away (diminishing size); they look smaller and distant from the rest of the main aspects of the painting.
The six trees are very evident when you first look at the painting more often than not it will be the first thing that catches your eye. There are multiple rivers around the painting nevertheless they are all connected in some way. One of the other main focal points that grabs the eye is the white
The foreground of the painting displays quite a few important formal quality details. The lower right quadrant exhibits a comparatively focused escalation in the chiaroscuro of the tree trunks. The crustiness of the deep earthy tones and the lushness make the lower right quadrant appear darker and more jungle-like. In opposition, there are some blue hydrangeas in the same vicinity that provide for a visually appealing contrast to the darker tones that surround them. The blue hydrangeas manifest themselves as wild and uncultivated.
-In the 1700’s a new middle class emerged. Mass print became a thing as well. Every day people started to purchase art works to display in their homes. It was a way for them to express their status and national patriotism. The diversity in patrons had a great impact on the arts of the 15th – 18th centuries. With new patrons and the demand for art work, artists were able to capture more than just religious scenes. They were able to create landscapes and everyday life in their work. Artists were commissioned by the new middle class to create art work that they were able to hang in their houses. For instance, artist Joseph Wright of Derby’s painting “A Philosopher Giving a Lecture at the Orrey (1765).”
The Cleveland Art Museum is a prominent art gallery that is found Cleveland, Ohio. This museum from the states carries a large array of artwork (paintings, drawings, photographs, sketches, sculptures, etc). Though, these works of art do not focus primarily on one time period. This particular museum holds creations that stem all the way back to Ancient Egypt. From this particular art gallery (that can also be found online), a work of art from this gallery will be looked at. However, there will be a certain specification. The reason behind this specification is based around the book Tender Is The Night. Being one of Scott Fitzgerald’s outstanding books, this novel was set in the early 1930’s. Hence, I will be focusing on a painting made/done in the early 1930’s.
The first work that I am evaluating is "The Starry Night" by Vincent van Gogh which was created in June 1889 and is currently located at the Museum of Modern Art in New York. “The Starry Night” was painted during the post-impressionist period, and is one of several that Van Gogh produced while staying at the asylum in Saint-Remy in southern France. According to Soomo Learning (2017) the piece is "a vision of dynamic spiritual movement from temporality to eternity" (Section 2.4.2 Art Gallery). The painting depicts an imagined view of the town of Saint-Remy, with a Dutch style church at the center and rolling hills in the background. It appears to be just before dawn with bright stars, Venus, and the moon set in a vivid blue swirling sky. Contrasting the bright stars and brilliant blue sky is a dark looming cypress tree that occupies the left side of the image and contains a flamelike appearance.
The painting that I chose to write my formal analysis on is called “The Café Terrace on the Place du Forum, Arles, At Night”. This piece was created by Vincent Van Gogh in Arles, France and was completed sometime in September of 1888. This painting is oil on canvas, and it is currently housed in the Kroller-Muller Museum located in Otterlo, The Netherlands in Europe.
These three pictures all have very different stories in them, which creates for different vanishing points. In some paintings or drawings it can be hard to find a vanishing point due to the different time eras of the artists. Overall, the vanishing points allowed me to zone in on the meanings behind each painting and allowed me to come up with a story as to what’s going on in the
Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the
This painting is divided into three equal parts by the arches in the background and the characters correspond to each of these arches (TV12). The father is in the middle portion of the painting. The lines of perspective created by the tiled floor, draws our attention to the swords that the father is holding and the vanishing point lies just behind the handles of the sword. Our angle of vision is such that we are looking directly at the main figures groups, particularly the father. A single light source from the left of the picture illuminates the characters and also focuses our attention to the father holding the sword. This creates a ‘theatrical’ effect. The background is simple and stark so our attention is focussed on the figure groups in the painting. The painting has a wide tonal range that makes the composition logical and balanced. The colours used in this
The first thing I notice in The Starry Night is the sky in the background because it stands out the most. There are many shining stars, the big bright crescent moon and wind swirls painted throughout the blue sky using contrasting colours like orange, yellow and white. Through the swirling wind, thick curve lines are flowing across the sky to form this spiral-like formation. Eleven yellow stars which look like huge fireballs lighten the whole art piece by contrasting with the cool blue, dark night sky that contains a variety of shades of blue and grey. There is also the crescent moon at the top right-hand corner that is bigger and emits an even brighter light compared to the rest of the stars. Next, I notice the giant cypress tree on the left side because of how its proportion is a lot bigger than everything else in the rest of the painting. It blocks out part of the sky and the village located at the bottom. The village houses are tiny and painted in the shade. It is compact and is close to the hills and its surrounding objects which makes the houses blend in and become unnoticeable.