Similarities Between Redon And David Hockney

Many artists explore their personal journeys within their artworks, as a way of understanding their emotions and the world around them, as well as discovering their identity. Sarah Fordham’s art is inspired by her experiences including her travels around the world, and also as a way to make sense of her thoughts, ideas and emotions. These elements are displayed in bright colours, incorporating symbols and patterns in her work. Her two artworks being analysed are called “The Big Call” and “Pokeepskie”.

A person’s childhood could eventually lead them to either a success or failure. Two men, later to become widely known across the globe because of their success, have had situations that helped developed them during their childhoods. Two such men would be Frederick Douglass and Vincent Van Gogh. Both excerpts from Narrative of the Life of Frederick Douglass, an American Slave by Frederick Douglass and Vincent Van Gogh: Portrait of an Artist by Jan Greenberg and Sandra Jordan, the reader gets an insight into their childhoods. Frederick Douglass was born an American slave, and became an abolitionist. Vincent Van Gogh, lived a normal childhood in the Netherlands, and became a famous painter after death. The childhood of Frederick Douglass lead to his success while the childhood of Vincent Van Gogh did not lead to his success while he was still alive.

The blue, as Marc prescribed, gives a peaceful note to the agitated atmosphere. He recollects an illusionistic portrayal within which he seeks to form a rich colour composition that reflects the vitality of his subject. The principal achievement in Red Horses is this portrayal of the uninhibited energy of nature using completely naturalistic colours.

Van Gogh based his paintings on the observable world around him, but he wanted to paint beyond the superficial reality of nature and express its mystery and power through an impulsive and spontaneous approach to painting. Self Portrait (dedicated to Gauguin) exhibits this desire. Although based on an observed scene, van Gogh uses non-naturalistic colors for expressive purposes. For example, van Gogh’s choice to paint a self-portrait on a baby-blue/light turquoise background was a radical step away from a naturalistically-colored background that would be seen in a Realist self-portrait (i.e.

In this essay, I will be comparing and contrasting artists Pablo Picasso and Van Gogh, considering their intentions with their artwork. Van Gogh and Picasso two of the most famous artists out there and still are to this day. Uncountable books have been published and dedicated to them and their lives and careers of being true artist. Their art has changed the way people view things and the world around them.

Romare Bearden’s art exhibition “Vision and Activism” portrayed his perception of society and the need to put in motion social change. The Black History Museum is where I observed his art collection. The set up of the pieces were by category and was not congested because there was a moderate amount of space between each piece. For first impressions the two art pieces titled “Noah and the Seventh Day (Prevalence of ritual series)” and “The Family” is highly detailed and the use of tone exhibits dramatic traits in the first piece while the second piece has tranquility. The subject matter for “Noah and the Seventh Day” is culture and for “The Family” is a focus on African American lifestyle. Intently scrutinizing “Noah and The Seventh Day” the setting is outside among the sea and animals are on a boat. The color is subtle, slightly vibrant, and uses cool tertiary colors. The texture has a grainy and hard effect as if he stippled using a paint brush. The shapes are organic but the water had strong emphasis where the lines gradually got deeper and broader away from the horizon. On the contrary, “The Family” setting took place inside of a house with women gathered at the table preparing food. The colors are subtle, earthy, and include warm tertiary colors. The background texture has a fine and smooth appearance. He included recognizable shapes such as cylinders, rectangles, and squares. By Bearden applying cross contour, pointillism, and cross

Jackson Pollock was a legendary, novel, abstract expressionist who has created numerous paintings through his drip-style, action painting technique (Goodnough, 2012). Theosophical influence arose from Phillip Guston and Thomas Hart Benton, while in the early stages of the artist’s life. Muralists, such as Jose Clemente Orozco and Diego Rivera were also admired and studied by Pollock. He was captivated by the unorthodox techniques of David Alfaro Siqueiros which contributed to the abstract style of Jackson Pollock (Solomon, 1987).

Powell, a professor of art and art history at Duke University, calls Motley a "pioneering provocateur" who experimented with color and movement while "dealing with subject matter that might have been considered politically incorrect.” (Appleford) The figures in Motley’s work were always hurrying, gesturing, or going someplace. Throughout his career, Motley showed interest in capturing natural light and producing artificial light, especially in night scenes.

Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no

Non-conformist to traditional art forms, Conceptualism challenges the viewer to delve into the mindset of the artist. It is often seen as multidimensional as it forces the audience to decipher the artists intentions. This art movement has been completely rejecting the standard ideas of art since the mid-1960’s. Since then, many artists have made a name for themselves by self-consciously expanding the boundaries of art. Many of these artists have said they’ve linked their work to artist Marcel Duchamp.

The artists Jean-Honore Fragonard and Jaques-Louis David both successfully embody their respective stylistic differences. Fragonard’s style of painting is Rococo, which is characterized by its softness, asymmetry and curviness. Contrasting these ideals is David’s style of painting, Neo-Classicism. Neo-Classicism is synonymous with strong gestures, symmetry, and solidness. Two works that best exemplify the ideals of each style of painting are Fragonard’s The Swing, 1767 and David’s The Death of Socrates, 1787. Although at first glance, it is easier to focus on how each work is different to the other, one can argue that they are similar in theme. Both

In the short story, “A Red Dress 1946” by Alice Munro, Color imagery is used for signifying a girls point of view of her world and her own self by using the color red which represents nonconformity. The narrator has only a slight interest in being red, but she really wants to be blue, just like everyone else. Munro writes, “When I was asked a question in class, any simple little question at all…that I had blood on my skirt”.(2) The narrator is just so nervous about being red she is thinking of bad things that can happen with the color red. She is thinking of all the bad times the color red could do a girl badly, just like a girls period could leak at any moment. In “A Red Dress 1946”, a short story by Alice Munro, she uses Color Imagery to show the significance of the narrator’s view of the color red and all the “Evil” about it.

Red appears to dominate the painting and serves as an eye-catching color. The use of intensely saturated colors draws the attention to the front couple. Additionally, the red color plays with the mind of the onlooker without them thinking about it. It suggests deep passion, anger, and struggle. The artist intends to relay his feelings about the event to the viewer. His outlook consists of disgust towards the great depression that leaves many taken advantage of due to desperation.

Each artist is an individual with a unique style, and although these styles can be similar in practice – the individuality of the artist often proves the discriminating factor for a successful artwork. Self-portraits are beneficial when looking at the individuality of the artist as there are two aspects to look at – the artist’s style, and the artist’s view of him/herself. The latter can provide a brief insight into the mental situation of the artist as well as any apparent influencing factors of the artwork. This view can often also include fragmental insights into the society and culture of the time. Rembrandt van Rijn and Vincent van Gogh are 2 artists of whom are well represented by this statement.

Everyone has been created unique and there is no other that is the like anyone else. People think different, dress different and like and dislike certain things. This is similar to the artists of the nineteenth century including Pierre Etienne Theodore Rousseau and Joseph Mallord William Turner. They are both artists during the nineteenth century and were painted at the same time; however, there is a difference between their styles, their point of view, and the scenery. However there are similarities between the two paintings. The paintings that will be compared and contrasted are “Under the Birches, Evening” and “The Campo Santo, Venice.”