Compare And Contrast Peisetairos And Euelpides

This is the story of the sacred twins, Thaues and Taous, and the events that lead to them becoming the attendants of the Apis bull, as recounted in a letter written by Ptolemaios to Ptolemy VI.The film is a tale of murder, betrayal, theft and the gods, and includes scenes daily Egyptian life that create ties between the modern viewer and ancient Egypt. One of the central themes of the film is the economic activity that surrounds spiritual life in Egypt and the temple complexes. Another major theme is the legal structure that developed in Egypt around economic activity and family law. These two aspects combine to form the major structure underpinning the girl’s narrative, creating a fascinating look at life in Ptolemaic Egypt.

Throughout Aristophanes’ “Clouds” there is a constant battle between old and new. It makes itself apparent in the Just and Unjust speech as well as between father and son. Ultimately, Pheidippides, whom would be considered ‘new’, triumphs over the old Strepsiades, his father. This is analogous to the Just and Unjust speech. In this debate, Just speech represents the old traditions and mores of Greece while the contrasting Unjust speech is considered to be newfangled and cynical towards the old. While the defeat of Just speech by Unjust speech does not render Pheidippides the ability to overcome Strepsiades, it is a parallel that may be compared with many other instances in Mythology and real life.

Explanation: The gods are trying to do whatever they can to try to let Odysseus get return home to Ithaca. In addition the gods like Athena are helping Telemachus and Odysseus. This is foreshadowing that Telemachus and Odysseus will meet because of the help of the gods.

The two myths, Phaethon and Daedalus and Icarus, describe the fatal mistake of 2 foolishly ambitious young boys. Throughout the two texts the authors, Bernard Evslin and Geraldine McCaughrean, who respectively rewrote Phaethon and Daedalus and Icarus, use the literary elements of characterization and imagery to convey their shared theme. Through the use of characterization and imagery, both mythological protagonists, Phaethon and Icarus, demonstrate a common lesson that a prideful disregard of the warnings from those who are older and wiser can quickly lead to disastrous consequences.

As Hephaestus is notified of Thetis’ arrival, he explores what their relationship has meant to him. Hephaestus recalls that “Thetis saved my life when the mortal pain came on me after my great fall…” (P. 480) After Hephaestus falls out of Zeus’ good graces, Thetis is able to lend her helping hand, displaying the hierarchical dynamic between the gods. The gods are indebted to each other, the likely reason that Hephaestus felt as though he needed to make Thetis the ornate shield. The duty and obligation to each other fuels the mutualistic relationships between the gods. Thetis’ motivation to help Hephaestus was not solely out of kindness; rather Thetis saw the opportunity to make a strategic move and put Hephaestus in her debt, knowing that she very well could use his services in her future. Hephaestus describes the pain that he felt as “mortal pain” signifying a distinction between the discomforts and vulnerability of mortals and gods.

Among other animal imagery, birds appear frequently throughout the story in times of crisis. The birds often foreshadow dangers that lie ahead. For instance, when Robert's team takes a wrong turn, "the fog is full of noises"(80) of birds. Then the birds fly out of the ditch and disappear. Robert and Poole know that "[there] must be something terribly wrong...but neither one knew how to put it into words. The birds, being gone, had taken some mysterious presence with them. There was an awful sense of void--as if the world had been emptied" (81). The birds return and when Robert nears the collapsing dike and "one of the birds [flies] up cut[s] across Robert's path" as if it is trying to prevent him from going any further. Robert does not heed the warning and almost dies in the sinking mud.

At the bird’s appearance and apparent vocal articulation, he is at first impressed, then saddened. He compares this evening visitor as only another friend which will soon depart, just as “other friends have flown before” (58). But the raven again echoes quite aptly his one-word vocabulary, thus leading the man on to think more deeply about the possibilities that exist at this juncture. Somewhere deep inside him, he has realized that it doesn’t matter what question he poses, the bird will respond the same.

Now Theseus is older and is in his father’s palace in Athens, the fame seeking youth decided to set his sights on a new journey. A journey which would lead to him being loved and remembered by all the people of Athens. During this time Athens had a severe problem, the neighboring island Crete would attack them every so often. The king of Athens decided to try and compromise with Crete. He stated if Crete left Athens alone for nine years they would send fourteen Athenian youths seven male and seven females as a sacrifice to Minos to be fed to the Minotaur king Minos pet. The king of Athens goal was to build a strong navy, so they could defend themselves from Crete. Surprisingly the king of Crete Mino kept his word and never attacked Athens. Now nine years had come, and it was Athens turn to keep their word. The king of Athens was conflicted as he knew the value of keeping one's word. Theseus seeing this as the perfect opportunity to earn new fame and liken his image in Athens volunteered as the seventh male Athenian youth. Theseus’s goal is to slay the Minotaur and save his fellow Athenians. Theseus promises his father, he will return alive and when he does, he will change the color of the sail on the ship from white to black. In the event the sails stay black his father should assume Theseus has met his demise. After the Athenians arrive in Crete they are welcomed by King Mino’s and princess Ariadne, upon seeing

He wonders why the birds are just waiting in the sky as if they are waiting for a command, why they are restless, and he thinks it is strange that they are little birds and they are the type of the birds that normally keep to their own territory and don’t have a history of attacking people . When he looks out toward the coast, he sees the birds flocking in his direction and he believes that for some odd reason, they are going to come down to the

Hesiod’s Theogony has transcended generations, delivering to vast audiences the traditional stories of the Greek gods as well as ancient Greek conceptions of the world. One particularly well known aspect of the Theogony, the section that tells the tale of Prometheus, is unique in that it has little intrinsic worth; its value is in its ability to enhance other stories and conceptions. Across the globe, people know well the story of the one who deceived Zeus and stole fire for man, but few recognize its role in Hesiod’s work as a whole. The story of Prometheus serves two primary purposes for Hesiod and his audience. First, it solidifies Zeus’s position as king of the gods, providing one of the first characterizations of his temperament, and

     Upon the arrival on the mountain top, each man sent out a dove, which returned because it found no place to land. Then, Gilgamesh sent out a swallow, which also returned. When Gilgamesh sent out a raven, it did not return. He knew the raven had found a place to land and food to live off of. So the

Probably the most notable use of birds occurs when after ten years, Sula returns to the Bottom accompanied by a “plague of robins”(89). The word plague indicates that the birds represent a wave of sickness that Sula brings alongside her. The citizens of the Bottom recognize the birds as a sign of evil, but choose to accept its wickedness rather than try to rid of the robins. “But they let it run it’s course, fulfill itself, and never invented ways to either alter it, to annihilate it or to prevent its happening again. So also were they with people” (90). Here, Morrison is comparing the townspeople’s feelings both towards the evilness of the robins and towards the evilness of Sula. They welcome Sula’s return to the Bottom the same way they they welcome the birds. Sula’s personal experiences with wickedness are also acknowledged through the robins as Sula

The horrifying pregnancy mortality rates and health disparities that exist between races are striking as well as terrifying to me. Although I was aware of the existence of health disparities, I was still taken back by the discrepancies in pregnancy-related mortality ratios of “12.7 deaths per 100,000 live births” in white women, to “43.5 deaths per 100,000 live births” in black women (CDC, n.d). Through root cause analyses, as well as reflection on the analogy provided in Levels of Racism: A Theoretic Framework and a Gardener’s Tale, it is clear that in order to effectively address and make positive change in the aforementioned ratios, we must focus on correcting institutionalized racism, personally mediated racism and internalized racism.

The birds flew, flapping "their useless wings" as they hit the ground, dead. Wild beasts are becoming timid, from fright, and poisonous snakes were becoming "stingless". These animals are becoming food for the men, who are now, desperately, becoming savage scavengers. However, the animal food supply doesn't last long, and the men start turning on themselves. Humans were now capable of cannibalism, as survival becomes the only consistent goal: "men dies"…"their bones were tombless as their flesh". This is exaggerated even more as once faithful dogs have turned on their masters, devouring their flesh and sparing nothing. All except one dog, who "kept the birds and beasts and famish'd men at bay" from his master's corpse, not letting any scavengers touch them, until the dog succumbs to starvation and dies. This symbolises the demise of any last moral emotion that the world had left.

the bird in the fifth and sixth verses, and so the bird returns to its