Compare And Contrast Point Shirley And Dover Beach

“The Sound of the Sea” is a sonnet by Henry Wadsworth Longfellow, describing the sounds of the sea and relating it to human inspiration. Through only auditory images of the sea and other powerful natural forces, Longfellow effectively alludes to the nature of human inspiration. Through detailed and sensory imagery, Longfellow communicates the subtle details of the human soul and how inspiration functions.

Burroughs talks about how the sea is contradictory on its own, in its immensity. It mocks its victims “with the most horrible thirst”, and it smites everything like a hammer, while sometimes caressing like the hand of a lady. The breaking of its waves is violent, yet as it reaches the sands it reminds us of the rustle of a child's

Without the ocean, life as humankind knows it would be impossible. The ocean has provided the man a bountiful amount of resources. It is easy to think that the big blue is man's friend. Though with ninety-five percent of the ocean unexplored, it is easy to think that it is more than sandy beaches and volleyball. Stories such as “The Sea Devil” and “Edward’s Rocks” express the idea that the sea, as beautiful as it is, can also be equally as powerful and mysterious. Though stories share similarities they also have differences between their protagonist, conflict, and settings.

The poem I will be analysing today is Song of the Surf by Dan Ashlin. Ashlin is a born and bred Australian poet who writes modern poems. I believe that I have a strong connection with this poem because of how much I personally love the beach with the soft sand and the ferocious waves. In my opinion this poem isn’t just about the waves in the ocean, but how the ocean has its own life and story to tell.

So we ask ourselves, how does poetry gain its power? To answer this question, we examine the work of poets Harwood and Plath. ‘The Glass Jar’, composed by Gwen Harwood portrays its message through the emotions of a young child, while the poem ‘Ariel’, written by Sylvia Plath, makes effective use of emotions to convey artistic creativity and inspiration.

Sir Edward Elgar composed the song cycle, Sea Pictures, in 1899. The five songs in this cycle that will be discussed in detail in this paper are: “Sea Slumber Song” by Roden Noel, “In Haven (Capri)” by Caroline Alice Elgar, “Sabbath Morning at Sea” by Elizabeth Barrett Browning, “Where Corals Lie” by Richard Garnett, and “The Swimmer” by Adam Lindsay Gordon. First, the life and early influences of Elgar will be explored, followed by a close look at the text of each poem in the song cycle. A compositional music analysis will be discussed as it pertains to providing a distinct picture of the imagery goals chosen by Elgar for his audience.

In Gift from the Sea by Anne Morrow Lindbergh, Anne depicts her experiences during her vacation on a beach. She uses aspects of the beach as metaphors that relates back to humanity. These personifications can also be related to similarities between humans and the environment. Throughout the book, there are lessons to be learned from the sea, which are essentially the “gifts” from the sea. The narrator uses shells or different features of the beach to describe how humans can learn from the sea and how the relationship between humans and nature has changed.

The beach is prevalent in this poem because the setting takes place at a beach. The beach represents the direct segregation the grandmother dealt with, as described in the

We witness her unpredictability by standing on the shore watching the joy of the surfer as [his] ‘Muscle of arm thrust down long muscle of water;’ yet the joy is short lived as she becomes worried about the growing menace of the water when she says, ‘Turn home, the sun goes down; swimmer, turn home.’ Wright’s tone shifts and we feel her anxiety standing on the beach, imploring the surfer to come back to us as she replaces the growing swell with a ‘grey-wolf’. The personification reinforces our fear for the safety of the surfer. The ocean has become unpredictable, wild and malevolent towards the man in the water who was once powerful, now metaphorically reduced to a ‘broken toy’ against the ‘pebbles and shells.’ of the land. The surfer, once able to manoeuvre his body through the water, is now vulnerable to the raging water. Judith Wright’s appreciation and respect for the natural world is demonstrated as she serves up a warning to us mere mortals that though we may have split the atom and engineered amazing feats of ingenuity, we cannot harness or control Mother Nature. As the sea rages in Wright’s futile war between man and surf, Oodgeroo Noonuccal simmers and stews about the damage White Australia has inflicted on the land of her

    The Ariel-period poems of Sylvia Plath demonstrate her desire for rebirth, to escape the body that was "drummed into use" by men and society. I will illustrate the different types of rebirth with examples from the Ariel poems, including "Lady Lazarus," "Fever 103," "Getting There," and "Cut."

Dover Beach intrigued me as soon as I read the title. I have a great love of beaches, so I feel a connection with the speaker as he or she stands on the cliffs of Dover, looking out at the sea and reflecting on life. Arnold successfully captures the mystical beauty of the ocean as it echoes human existence and the struggles of life. The moods of the speaker throughout the poem change dramatically as do the moods of the sea. The irregular, unordered rhyme is representative of these inharmonious moods and struggles. In this case, the speaker seems to be struggling with the relationship with his or her partner.

When I was a little girl at early of my age, I spent a wonderful time with my grandma near a sea in my hometown during the last two months of her life. That was the first time we saw the smile back to her face since we got the news that she got intestine cancer. Back to that time I was deeply impressed by how being around the sea was capable to change people’s emotion in such a positive way. The poet, Pablo Neruda, in his poem “The Sea” illustrates how the sea teaches a trapped man a lesson on how to be released from struggling to find freedom and happiness. The three crucial poem-writing elements, sound, structure, and figurative language make the power of sea more vivid just like a picture we could see and have physical feelings about. And when we try to get a deeper understanding of the poem, it is the sound that we hear first.

Indeed, this sound of sadness is an ancient entity since Sophocles long ago/ Heard it on the Aegean, and it brought/ Into his mind the turbid ebb and flow/ Of human misery. The eternal note of sadness has been important to writers and philosophers throughout time. Arnold believed this same sound existed in all the seas around the world. The waves, sounding of despair, also symbolize the curtailment of religious values. In stanza three the speaker describes the diminishing faith of religion in England: The Sea of Faith/ Was once, too, at the full, and round earths shore/ Lay like the folds of a bright girdle furled. At one point Englands faith was like a high tide. It was similar to a belt being placed around the world, holding it together. During this time people believed in their religion, thus leading England into a state of order and tranquility. However, now the speaker only feels a troubled sense of blankness: But now I only hear/ Its melancholy, long, withdrawing roar,/ Retreating, to the breath/ Of the night-wind, down the vast edges drear/ And naked shingles of the world. This passage emphasizes a mood of uncertainty and alienation in the world. In stanza four, the speaker ends on a note of melancholy. Love is offered as a possible solace from the sadness of the world, but quickly this idea is abandoned for the world,

The appearance of Dover Beach at this time is only of what the human senses can envision. The speakers looks beneath the surface of Dover Beach and unveils the true nature of the sea. When Arnold stops to really listen to the sea, “he only hears the sea’s melancholy, long, withdrawing roar.” (9). Arnold justifies the theory that things are not always what they appear to be. The world only ‘seems’ to be beautiful, but is ‘really’ a place of conflict, chaos and dangerous misunderstandings.

In the second part of the poem, Arnold uses the same method of writing, however he speaks of human history to further support the mood of the "Sea of Faith" and it's "eternal sadness". Arnold writes of Sophocles hearing the "eternal sadness" on "the Aegean" with it's "turbid ebb and flow". This appeals to the sense of hearing and causes the reader to almost hear powerful waves crashing to the land below. Sophocles saw the waves as sounds of "human misery". Arnold is portraying the parallel thought between the speaker's feelings and Sophocles same sadness over the changing of the land. The metaphor of the tides and the sea is suggested by the sounds and view of the speaker's window, but Arnold uses Sophocles as another example of nature's strength over the entire world. Arnold uses this to illustrate the speaker's despair and helplessness over his situation. Arnold uses this writing to exhibit the conflict between the land and the sea, and how more than just land suffers from the destruction. Arnold wants to show how deep the speaker's emotions run for his home.