Compare And Contrast St. Peter's Basilica And La Sagrada Basilica

In this excerpt, von Simson looks at how the writings of intellectuals influenced the development of Gothic architecture. He begins by looking at the writings of St. Augustine and his love for music and how the importance of measurement found in music also applies to architecture. He then goes on to address two important schools of thought that influenced the formation of the Gothic style: The Platonists with their focus on cosmology, and the monks at Clairvaux, including St. Bernard, who focused on spirituality. In this section, von Simson focuses on the former and the connection between the cosmos and the Gothic cathedral. He argues that these medieval scholars saw God as an architect and the cosmos as his cathedral. In his study of both St. Augustine and the Plantonists, von Simson works to identify the ways in which these intellectual schools of thought influenced Gothic architecture.

The shift brought the transformation of thick columns to much thinner and “lighter” columns (Blankenbehler). However, before this architectural movement can begin, Abbot Suger struggled to reconstruct and synthesize the style of the ancient building with his ideas of modern designs. He knew that the freshness of these new designs would bring beauty and spaciousness. He wanted people to be amazed at the transformation of the once small, but soon to be large and wide feel of the basilica. To create the wide feel, Abbot Suger issued the ceiling to have a complicated web of interlocked and pointed vaults. He also chose to have arches with points so that the basilica would not need thick walls to support the arch. Thick walls would make the interior look crowded and small, something Suger did not want. By having the pointed arches, those would take the weight of the ceiling and distribute the weight across rather than being pulled down. This allowed for thin and elegant looking columns, for they were able to support the ceiling because the weight of it was dispersed. He envisioned the structure to have high ceilings, which would be supported with thinner columns (Birth of the Gothic: Abbot Suger and the Ambulatory at St. Denis). Suger also brought in the idea of having tall towers so that the building would look like it was reaching for the heavens. By reaching the heavens, it brought this concept of being closer to God and reassuring the people’s

It's critical that Gothic engineering was fundamentally given to the working of religious abodes. Gothic design is known for the utilization of curves that point strongly upward and flying supports, which allude to structures that hold up substantial dividers. Flying braces make the rich, vertical upward line of Gothic engineering and take into account bigger windows, which Gothic specialists used to showcase splendid recolored glass windows. Renaissance engineering included more Romanesque structures (fabricating a home around a yard, for instance), regularly based around circles rather than the vertical, upward development of Gothic design. In the Renaissance, figure was much more imperative than engineering. Figures, for example, Michelangelo's David demonstrated amazing naturalism and a grasp of the bare human

Both of these cathedrals are representations of the Catholic faith and the cathedrals were renown in their societies. The have been many structural grievances over the years. The meaning and value have been carried on as well.

According to the Letter Two: The Papal Basilica of St. Peter’s, Rome in the Letters to a Young Catholic by George Weigel (2015), New St. Peter’s was built without any systematic excavation of what was underneath Old St. Peter’s. As a result, the 1940’s full-scale archaeological excavation was quietly preceded by Pope Pius XII to make room for the tomb of his predecessor, Pope Pius XI. This said operation, later on, made way for the Scavi (excavations). Thus, unfolding historical tangibility and the teachings of the Gospel as a basis for our stand in our faith as a Catholic was the thesis statement of Sir George Weigel in his article.

“The Medieval Cathedral in its Cultural Setting” made it easier to understand the the significance of the Cathedral. Jean Gimpel, the author of the article said, “In order to understand the cultural significance of the cathedral, the student must know the political, economic, social, aesthetic, and religious environment in which it grew”; which the article did perfectly. The article even discussed the beginning of the cathedral itself by explaining how it was built,

It is important to look at the ancient buildings especially the Pantheon and Hagia Sophia microscopically, these will help us to find out about their similarities and differences as two ancient buildings transformed the architectural industry in Ancient Rome and Turkey. To start with, it is important to arrive at what the Pantheon and Hagia Sophia are;

The San Lorenzo is considered one of the greats of the early Renaissance because of the architectural style used. I used my own antique designs for the columns and the rectangular rows set and stone in the walls. I used the laws of geometry and certain calculated proportions to construct this masterpiece. This is a clear example how the relationship between art and science is seen in my architectural works of art. This church is still one of the largest churches and one of the oldest churches in Florence

The Gothic style was an over exaggerated, awe-inspiring attempt to become closer to God. The worshipper was not only drawn to the altar, but experienced an ascent to heaven at the same time.1 These artistic gems are a grand testament to historical technology and the imaginative approach and vision of skilled craftsmen. The gothic style is one of the most

At first sight the Sagrada Família is awe inspiring and breath taking and with this has become recognized as the universal symbol for Barcelona, Catalonia, Spain's capital city, and is unmistakably one of the most magnificent structures ever erected in this region. Spain is embedded with cultural tradition and it is believed its rich history is traced back somewhere within four hundred years of when Rome was established. Thus, setting forth the foundation and importance of history and the conviction of this culture to wrap their hearts around the place that has become what Barcelona is recognized for. The Sagrada Família's design was perfected by Antoni Gaudi, an architect, who was innovative and forward thinking in his creations and who

Albert Fargas expressed in his book “Symbology of the Temple of the Sagrada Familia”, that temples must imitate nature because according to tradition, they are “cosmic”. The Sagrada Familia is a temple created in the image by imitating the world, nature, and God’s work. It is a sacred space built by humans in devotion to God. Gaudí used nature’s constructive laws of nature to solve architectural problems. The reason for Gaudí using nature in this way and not creating a realistic image of the world, but instead a structural one is because he aimed to produce the intimate and mathematical structures, and to imitate its harmony. Gaudí represented the essence of nature by incorporating plant structures, animal movement and the geometry of mineral crystallization into his architecture.

The research paper, shall be concerned with discussion Gothic architecture in Europe-namely England, France, Germany, and Italy starting from 12th to the 16th Centuries. Architecture was the most original and lasting form of art during the Gothic Period, which lasted for four centuries starting from the mid 12th century. The impetus for this architecture was the Roman Catholic Church, which sought to portray their houses of worship as something which transcended the realm of mankind. It is interesting to note that many of the Northern European areas were predominately pagan, and only recently brought into the Church. The imagery provided by Gothic structural design was something these peoples could more readily understand, as they

From St. Peter’s Basilica in Vatican City to the Cathedral of Notre-Dame in France, architects have designed some of the most beautiful Churches in the world. Expressing every little detail and nuance, they have relentlessly taken the time to develop these remarkable centers of worship. However, tourists of these Churches seem to fail to go “behind the scenes” and appreciate all the decision making and planning used to create these magnificent wonders. Thus, we the architects have put together this detailed synopsis to allow worshipers to appreciate every aspect and feature of The Cathedral of Saint Francis de Sales.

Catholicism expresses its faith and relationship with God through many techniques whether it be art, teachings, scriptures or architecture. Extravagant cathedrals built show our relationship and faith in God. But when theories and ideas about why the styles are what they are. There was a time where the original Romanesque architecture became outdated and Gothic architecture was the new style that showed our faith and relationship with God. Reasons for the extreme change include social reasons, technological reasons and theological reasons.

Around the world, the Catholic faith is celebrated daily in similar and different ways. The Catholic Church throughout the world shares the same liturgy and arrangement but each Church interprets the Gospel differently. Whether it be the music, art located the church, symbols, or the delivery of the message, all services provide a different feeling. The Paschal Mystery is always remembered and portrayed during mass. My home Parish, Saint Angela Merici has a tall building with a very plain look to it but our priests are very skilled and tend to never disappoint. Servite’s service was long and overextended due to the Friars being representative to the Servite order. The two celebrations run similarly but also have contrasts because of diversities within the church and its attendants.