Compare And Contrast The Lottery And The Ones Who Walk Away From Omelas

“The less there is to justify a traditional custom, the harder it is to get rid of it” (Twain). The Lottery begins during the summer. A small, seemingly normal, town is gathering to throw the annual “Lottery”. In the end, the townspeople—children included—gather around and stone the winner to death, simply because it was tradition. The story reveals how traditions can become outdated and ineffective. “I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives” (Jackson). As humans develop as a race, their practices should develop with them. Shirley Jackson develops the

When comparing Shirley Jackson's "The Lottery" and Ursula le Guin's "The Ones Who Walk Away from Omelas", it is important to note that the two short stories are based upon suffering, its morality and consequences. Both pieces revolve around the agony experienced by one person in order to enhance the lives of many; turning a blind eye to the horrors of humanity for the greater good of all affected people.

Shirley Jackson is often regarded as one of the most brilliant authors of the twentieth century. Born in San Francisco in 1916, she spent the majority of her adolescence writing short stories and poetry (Allen). While she is known best for her supernatural stories, one of her most popular works is a short story called “The Lottery”. The lottery takes place in a small village in which once a year on June 24th, the town population is gathered. After the gathering, there is a drawing to see which family is chosen, after the family is chosen, another drawing takes place to see who is stoned to death. In the New Yorker's magazine book review hailed “The Lottery” as “one of the most haunting and shocking short stories of modern America and is one of the most frequently anthologized” (Jackson). This review stems heavily from Jackson’s brilliant use of irony, symbolism, and foreshadowing. However, perhaps what truly stands out is how Jackson is able to wrap all of those elements together as a way to show an overarching theme of the corruption that exists in human nature. While the real source of “The Lottery’s” inspiration is unclear, there has been heavy speculation that the roots lie heavily in the actions of the holocaust and the actions that took place during World War II. Regardless of the source material, a general consensus can be made that the plot of the lottery is a dark reflection of human actions.

When examining the story about “The Lottery”, the audience will often find themselves baffled at the outcome of the story towards the end, as this was not a lottery for money, but for death. The secondary reactions would be laughter at such absurdity or the shake of a head because, honestly, how many people would expect such irony from a seemingly normal text? Questions arise such as why did the people allow this, how can they be desensitized to this, and who started this in the first place? However, if the reader would look back and carefully study the wording of some paragraphs, they will be astonished to find hidden messages about the origination of such a gruesome tradition.

Dystopian stories works depict a negative view of "the way the world is supposedly going in order to provide urgent propaganda for a change in direction”. Often these stories have many themes that can relate to the real world. In the dystopian story “The Lottery” written by Shirley Jackson, many themes such as false hopes,hypocrisy, ritual, and mob mentality are expressed throughout the story. In the story everyone in a small village gather in the town square for the lottery, whoever gets chosen gets stoned to death by everyone in the town including friends and loved ones. The use of different themes throughout the story relate to the literary devices and universal storytelling elements setting, verbal irony, symbolism, and social cohesion.

Shirley Jackson's “The Lottery” is a short story about the annual gathering of the villagers to conduct an ancient ritual. The ritual ends in the stoning of one of the residents of this small village. This murder functions under the guise of a sacrament that, at one time, served the purpose of ensuring a bountiful harvest. This original meaning, however, is lost over the years and generations of villagers. The loss of meaning has changed the nature and overall purpose of the lottery. This ritual is no longer a humble sacrifice that serves the purpose of securing the harvest but instead is a ceremony of violence and murder only existing for the pleasure found in this violence.

Shirley Jackson’s “The Lottery” is a story littered with warnings and subtext about the dangers a submissive society can pose. While the opening is deceptively cheery and light Jackson uses an array of symbols and ominous syntax to help create the apprehensive and grim tone the story ends with. Her portrayal of the town folk as blindly following tradition represents the world during World War II when people’s failure to not mindlessly accept and heed authority lead to disastrous consequences. . Shirley Jackson uses a large array of techniques to help convey the idea that recklessly following and accepting traditions and orders can lead to disastrous consequences.

Shirley Jackson’s short story “The Lottery” is about a bizarre ritual performed in a town in which the townspeople proceed to follow every year. In a black, worn box they place all the names of the community. Once all the names are placed inside, Mr. Summers draws a name. After the name is chosen, this member will be stoned to death by the others in the community. Tessie Hutchinson in the story tries to reject the repetitive tradition of the lottery.

The Lottery is another story of a seemingly perfect town that sacrifices one for the sake of many, but in this instance, the sacrifice is in vain because it is just a superstitious tradition. The citizens of this town were blinded by tradition and rituals of the town even though many have forgotten why they do the lottery. Jackson shows this when she wrote, “The lottery was conducted--as were the square dances, the teen club, the Halloween program--by Mr. Summers. who had time and energy to devote to civic activities” (The Lottery 1). It likens these common and cheerful events such as dances and Halloween programs to the sacrificing of an innocent person to better their year. The village seemed so calm and peaceful, but they were still inclined to sin and did not feel much guilt when stoning. The Lotter depicts a dystopian society because a person is being immorally killed every year and no one is stopping it. The event has become dull and repetitive but is still being followed by the families in The Lottery. This theme is very common in dystopian societies and is shown in the evilness of the Lottery.

According to Helen E. Nebeker, most acknowledge the energy of The Lottery, admitting that the psychological stun of the ritual murder in a modern, rural small-town cannot be easily overlooked. Virgil Scott, for instance, says, “the story leaves me uneasy because of the author's use of incidental symbolism: the black box, the forgotten tuneless chant, the ritual salute to assure the entire recreation of the procedure of the lottery forget to serve the story as they may have.” At that point, they indicate fundamental weakness by acknowledging that Jackson has preferred to give no answer to her story, but it leaves the meaning to our imagination, allowing a good deal of flexibility in our interpretation, while yet demanding that everything in the story has been obtained to assure us how we are to 'take' the ending events in the story. Maybe the critical conflict depicted above comes from failure to see that The Lottery really intertwines two stories and subjects into a fictional vehicle. The obvious, easily discovered story shows up in the facts, wherein members of a small town meet to decide who will be the next victim of the annual savagery. The symbolic hints which develop into a second, sub rosa story becomes apparent as early as the fourth word of the story when the date of June 27th alerts us to the season of the summertime with all its connotation of ancient ritual. From the symbolic development of the black box, the story shifts quickly to climax.

As the plot of the stories unfolds, the greater influence of violent tensions become evident. In The Lottery, people follow the tradition despite its cruelty and absurdity. Although the ritual of the lottery is brutal, the dwellers of the village do not seem to see how barbaric it is because “there’s always been a lottery” (Jackson, 1982, p. 118). Nevertheless, the tensions grow when the lottery begin and every citizen is awaiting for its end. The climatic moment of the story grows when the reader discovers that Tess

that farming is a way of life that is handed down from generation to generation,

Once upon a time there was a little village. In this village three hundred people happily farmed and played and went about their business. The children went to school while the men cut wood or farmed, and the women cooked and cleaned. Every summer in June each of villagers took part in the traditional lottery drawing and one villager was picked for the prize – a stoning. In 1948, Shirley Jackson published this short story known as “The Lottery,” in The New York Times. The story’s plot shocked readers all over America as they learned of the horror happening in such a quaint town. Jackson purposely set this tragic event in this innocent setting to emphasize humanity’s cruelty. Using her appalling short story, The Lottery,

In the short stories “The Lottery” by Shirley Jackson and “The Ones Who Walk Away from Omelas” by Ursula Le Guin, the authors introduce readers to different customs and societies by using different circumstances and techniques but the stories have similarities as well, for example both authors give the societies a troubling issue that the residents believe is normal. Both societies either by death or by torture, sacrifice a civilian for the better of the community but they do it for two different reasons and in two different ways.

In the short story "The Lottery," author Shirley Jackson creates a very shocking and horrifying situation through the use of characterization, setting, and the theme of the individual versus society, which is portrayed in the story as scapegoating. She writes as if the events taking place are common to any town (Mazzeno 2). The story was very unpopular when first published, mostly because of the fact that people did not understand it. The story of the all-to-familiar town, ordinary in every way except for the ritualistic murder taking place has since grown great popularity, even being adapted for television, ballet, and radio (Lethem 1-2).