Compare And Contrast The Modern Man And Ernest Hemingway

Ernest Hemingway had been an exquisite writer since the early to mid 1900’s. With an upbringing of a hard-working man who had been a journalist in World War 1 and loved to travel. He suffered from many injuries later in his life, but pushed through it. From it all, this created a strong man and writer with extremely meaningful, and well-known pieces. Hemingway fought through extreme obstacles to become what he always desired, a writer; as seen in his struggles of war, women, and mental illness. All of these issues in his life, made him a strong and heartfelt writer, who left an impact of great pieces to be read for centuries to come.

“The Love Song of J. Alfred Prufrock” by T. S. Eliot is a poem I would not recommend anyone still trying to hang on to his or her youth. T. S. Eliot’s poem, about a man named J. Alfred Prufrock, is a pessimistic poem looking at the seemingly wasted life of an aging man. The poem is told from the viewpoint of a very sad man named J. Alfred Prufrock. The poem takes place in the city of St. Louis, which T. S. Eliot does not portray in a very good light. T. S Eliot’s creation of a depressing mood, powerful metaphors, and the character of J. Alfred Prufrock all result in a very disheartening poem, not enjoyable to the middle-aged reader, especially male readers.

Edmund Wilson, Cleanth Brooks, Jr. and Robert Penn Warren provide a clear view to Ernest Hemingway’s writing. The criticism shows little opinion and looks deeper into the literary elements of Hemingway’s stories. In Wilson’s review of In Our Time he calls Hemingway’s work “..odd and original..”(Wilson). Wilson describes the unique quality of Hemingway’s story which involves not only a series of literary works but also “a set of brief and brutal sketches”(Wilson). These sketches involve many violent times that Hemingway had experienced I his lifetime. The word brutal would accurately describes the scenes that were drawn out and the book may have been seen as too violent for many readers at the time it was published and to this current day. Wilson believes that Hemingway’s stories follow the bases that “The condition of life is pain, and the joys of the most innocent surface are somehow tied to its stifled pangs”(Wilson). This abstract thought “in art made the beauty of Hemingway’s stories”(Wilson).

When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.

In "The Love Song of J. Alfred Prufrock," T. S. Eliot reveals the silent insecurity of a man, for whom the passing of time indicates the loss of virility and confidence. Throughout the poem, Prufrock struggles with his fear of inadequacy, which surfaces socially, physically and romantically. The desire to ask some "overwhelming question," of the one he wants is outweighed by his diffidence, reinforcing his belief in his shortcomings. Ultimately, this poem is the internal soliloquy of someone who attempts to know what he wants and how to get it, but whose social paralysis and lack of self-assuredness prevents either of these possibilities.

T.S Eliot's The Love Song of J. Alfred Prufrock is an examination of human insecurity and folly, embodied in the title's J. Alfred Prufrock. Eliot's story of a man's "overwhelming question", his inability to ask it, and consequently, his mental rejection plays off the poem's many ambiguities, both structural and literal. Eliot uses these uncertainties to develop both the plot of the poem and the character of J. Alfred Prufrock.

Throughout his years, various women had walked into the famous writer Ernest Hemingway’s life. Yet these same women never remained with Hemingway for long and soon enough walked out on him, with the exception of his last and final wife. Thus the love life of Ernest Hemingway proved to be a complex one. However the time each woman had spent with Hemingway did not simply end with their break-ups; instead the women’s brief relationship with Hemingway served to be a great source of inspiration for the famous writer. As a result, Hemingway's depiction of women in his literary works was influenced and inspired by these various women in his life.

T.S. Eliot was an outstanding author and an exemplary representation of the ideas of modernism. "The Love Song of J. Alfred Prufrock," despite being one of T.S Eliot 's earliest publications, still manages to remain one of the most famous. He uses this poem to not only draw out the psychological aspect of members of modern society, but also to draw out the aspect of the time that he lived in. The speaker of this poem is a modern man who feels alone, isolated, and incapable of making decisive actions for himself. Prufrock desires to speak to a woman about his love for her, but he hesitates the entire way there. In this poem, the theme I have chosen is fragmentation, which we can see throughout the entire structure of the work. It 's evidenced by not only his writing style, but the use of space and time and the personality of Prufrock.

“The Love Song of J. Alfred Prufrock” by T.S. Eliot perfectly captures the soul of the modern man of his era. In this poem, Eliot delineates Prufrock as being a figure of elite status, fighting internal battles against his mind of how he is supposed to be seen in society. Throughout the poem, Prufrock attempts to figure out if he should stay a man of society or become the person he has always wished he could be; however, he possesses a conscience that does not allow him to stray too far from conformity. He sees the potential qualities of conformity all around him, like having his own religious beliefs, having a relationship, and becoming his own self, but his fear of what other people of his class might think and his uncertainness of what might happen prevents his fantasy from becoming a reality. Through these qualities, Eliot paints a picture of the inside of Prufrock’s mind to get a glimpse of how society used to be; bowing down to acquiescence and dismissing the notion of individuality.

The Love Song of J.Alfred Prufrock is a long and challenging poem that seems rather disjointed and confusing upon first reading. It seems as though us readers will never understand the deeper meaning of the poem without getting inside Eliot's head and seeing his thought process for ourselves. However, through digging deeper and examining the piece closer we can find that this is meant to be an ironic and tragic tale of a man who feels isolated and incapable of decisive action. It is ironically called a "love song" because Prufrock longs to profess love and affection to a woman, but is too afraid to do it.

T.S. Eliot’s “The Love Song of J. Alfred Prufrock” draws attention to the idea that time is of the essence. On the surface, Prufrock is portrayed as a man who is incapable of making decisions and lacks self-confidence. This is evident through his passive nature, where he continuously delays having to talk to women because he believes there is enough time. Written in the era of modernism, the reader is capable of unraveling that the poem’s true purpose was not only to show Prufrock’s inability to make decisions when it comes to love, but to show the desolation that one faces in times of a modernistic transition. Eliot depicts Prufrock’s transition phase through a gloomy and solemn tone, incorporating imagery, metaphor and synecdoche to

“The Love Song of J. Alfred Prufrock” by T. S. Elliot is a poem that tells a character’s story with the use of emotions and imagery. The character J. Alfred Prufrock is first introduced as taking a walk and describing the surroundings such as vacant streets and dreary sights. Women are also introduced as talking about Michelangelo. The setting is covered in a yellow fog that stretches over every detail of the town. Prufrock’s emotions at first seems to be confident with the ladies. As the poem progresses, Prufrock is seen more as an average middle-aged man, but also a sad honest man. He seems to stick to a routine and does not stray from it much. His bland personality is not much of an appeal to the women, thus making him pathetic. In “The Love Song of J. Alfred Prufrock”, T.S.

In the poem, The Love song, written by T.S. Elliot, J Alfred Prufrock is a man who is very lonely and insecure. He goes throughout his life wishing for a change, but never stepping up to the plate and actually making a change. The title of the poem portrays to the reader that the poem is going to be full of love and romance. The reader soon found out later that the poem is just the opposite from the title, a sad, lonesome man who is not only lacking love, but also lacking self confidence and self esteem.

Many of the passages of the novel reflect his life. Hemingway writes: “But man is not made for defeat," he said. "A man can be destroyed but not defeated.” This has been shown through his life, as Hemingway wrote the novella to prove he wasn’t finished as a writer. This is also reflected during his time in World War 1. Hemingway was wounded by Austrian Mortar fire, and yet despite his injuries or “defeat,” Hemingway carried a wounded italian soldier to safety. Hemingway wrote: "When you go to war as a boy you have a great illusion

“Hemingway’s greatness is in his short stories, which rival any other master of the form”(Bloom 1). The Old Man and the Sea is the most popular of his later works (1). The themes represented in this book are religion (Gurko 13-14), heroism (Brenner 31-32), and character symbolism (28). These themes combine to create a book that won Hemingway a Pulitzer Prize in 1953 and contributed to his Nobel Prize for literature in 1954 (3).