The Roger Corman film adaptation of Edgar Allan Poe story “The Pit and the Pendulum” is artistically valid because Edgar Allan Poe was scary, creepy, dark, insane and had madness. Edgar Allan Poe showed scary throughout the book and the movie. It is also artistically valid because they showed darkness, and Edgar Allan Poe had darkness in the story and the movie showed darkness. The Pit and the Pendulum showed scary by having Nickolas, the main character of the movie, pass out and turn into his father Sebastian. Also, when Elizabeth was calling for Nickolas and she led him to her coffin. When he got to the coffin she stuck her hand out of the coffin and came out of it. It scared Nickolas and he ran. The last scary part in the “The Pit and
The chaotic life of Edgar Allan Poe is reflected in his work. The stories The Pit and the Pendulum, and The Cask of Amontillado, are both written using Edgar Allan Poe’s life as a reference. They show elements of his dark depressing life where his mother died of tuberculosis and his dad died as well before he was three. He was then raised as a foster child by his two brothers, Francis and John. He then became a writer of short stories which everyone told him was a mistake. It is also unknown how Poe died which adds yet more mystery to his life. As can be seen, Poe’s life was very dark and dim. This mood is portrayed in Poe’s stories as well. In Cask of Amontillado, Poe writes about a man seeking revenge on his friend and ends up changing him up in the catacombs and then sealing him down there with a wall that he built. The Pit and the Pendulum also has dark elements to it. This story revolves around a prison who fights the battle between jumping into the unknown or letting himself be tortured. Edgar Allan Poe’s writing style in The Pit and the Pendulum and The Cask of Amontillado express conflicts developed by dark and claustrophobic settings, develops a dark mood and tone similar to his own life's mood through dark diction and an immersive point of view, and finally develops a common theme of danger of the unknown by using a limited point of view including ominous, unexplained elements.
The Pit and the Pendulum is about a man who is sentenced to THE PIT during the Spanish Inquisition. The story starts out as describing his trial and quick sentence to THE PIT. Next as he is in
In this story, Edgar Allan Poe (such as in many of his works) uses the setting to create a dark image inside our minds. He makes this specially through darkness, therefore the character makes a connection with death. “The physical setting oppresses him in the visions of his graveyard” (1).
The unit question asks whether or not the hero of Edgar Allen Poe’s “The Pit and the Pendulum” would realistically be able to escape the descending blade swinging on a pendulum. The question is a matter of time, is it feasible for the protagonist to escape the pendulum with the allotted amount of time. Based on standard deviation and testing a pendulum of the same scale as the one mentioned in the story, the answer is no. The protagonist mentions that he believed 10-12 periods of the pendulum would result in the blade coming in contact with his torso. Using the formula developed in class for the period of a pendulum, it would take the 30 foot pendulum described in the story about 72 seconds to complete 12 periods. Testing the actual 30 foot yielded similar results within 1-2 seconds of 72 seconds. Therefore, it is fair to say that the hero is working with 72 seconds to free himself. This does not seem like enough time to develop an escape strategy, act on the strategy, and leave without getting hit bit the pendulum. The method the hero describes involves thinking about the situation and then employing the help of nearby rats. He also mentions, “Yet one minute, and I felt that the struggle would be over,” as if to imply he had 1 minute to spare. Since he was reflecting and then enticing the rats to gnaw through the rope it is not likely that it took only 12 seconds to escape. 72 seconds does not seem like enough time for the hero to complete his escape. However, the thickness of the rope and speed of the rats are factors that could affect the outcome.
Edgar Allen Poe uses imagery in such a way that makes the reader feel as if they were truly in the shoes of the characters. He uses his words to get across his often grotesque or lurid descriptions and create feeling within his readers which are often adjacent to distress or rage. In his short story “The Pit and the Pendulum”, he applies descriptive image words to demonstrate to the audience how the judge's’ garb appeared as they posed over the narrator as he awaited his fate. When the narrator discovers he is trapped in a dungeon with a pit, he begins to surmise he is doomed to spend eternity in the netherworld. Through both of these situations, the readers feel apprehension and later delight at his brilliant machination for escape. Another
The “Pit and the Pendulum”, is a short story written by Edgar Allan Poe in 1842, describing a person in the most dire of situations, awaiting death in a pit. The story is set during the time of the Spanish Inquisition, where the narrator has been sentenced to live in a pit and await death. During this time he continually wonders what will happen to him, until looking up, awaking from a drug-induced sleep, he sees a swinging scythe, positioned directly over his heart, dropping at a crawling rate. The narrator barely escapes the pendulum, then runs and almost falls into the pit, before being saved by a French General. Although there are both instances of physical and psychological torture in the story, the psychological
Edgar Allen Poe wrote “The Pit and the Pendulum” in 1843, during the middle period of the gothic literature era. The gothic literature era had heavy influences in horror and the macabre, which ties in with the ideas of Poe’s tone and themes. Poe was an author known for his horror poems and short stories, including titles such as “The Tell Tale Heart” and “The Masque of Red Death.” (“Edgar Allan Poe” 1). Poe’s works are known for their descriptive style and suspenseful plots.
feel isolated and afraid. Moreover, the narrator of “The Pit and the Pendulum” also experiences
Purpose Statement: To write a 900 word analytical essay over Edgar Allan Poe’s short stories, “The Pit and the Pendulum” and “The Masque of the Red Death”
Taking into account the previous descriptions and the definitions of horror and terror we will try to identify which of these stories presents horror and which one may be said to go deeper by portraying terror. The Pit and the pendulum is characterized by having a narrator who seems in absolute use of his mental faculties. As it is mentioned above, this character is aware of what is happening around him and by having a peak of his logical thoughts and feelings the reader experiences the struggle of the narrator to stay alive in a much more personal way. The fact that this character is sane, integrated and coherent in his thinking is one of the reasons why the reader may sense the terror of the story on a whole other level.
Additionally, “The Pit and the Pendulum” is a nail-biting narration of a prisoner being kept in a dungeon. Unaware of what his fate will be, the narrator assumes he will suffer death by hanging, until he explores his unlit surroundings and finds he is in a dungeon with a deep pit in the floor and a pendulum like scythe swinging from the ceiling above. Left to die, the narrator is saved in his last moments of despair by General Laselle who has taken over the prison as part of his crusade to end the inquisition. Perhaps one of Poe's most aspirant pieces of writing, the narrator in the “The Pit and Pendulum” never relinquishes himself to what the reader may view as an inevitable, certain death.
The theme in “The Pit and the Pendulum” is death and hope. This is displayed in the poem when the narrator realizes the razor sharp pendulum that has been over him swaying from side to side is not an image, and is getting ready to kill him at any second. In the “Pit and the Pendulum” on page 276 it states, “It was the painted figure of Time as he is commonly represented, save that, in lieu of a scythe, he held what, at a casual glance, I supposed to be the pictured image of a huge pendulum, such as we see on antique clocks.” This means the whole time the narrator was in the dungeon he thought the pendulum was nothing but an image of time. When the rats bite through his restraints, he has a feeling of hope that he will escape and not die He feels the same thing
Stephen King once said, “We make up horrors to help us cope with the real ones.” Bram Stroker, H.P. Lovecraft, Mary Shelley, and Edgar Allan Poe may have been a few of the greatest authors of horror to ever live. Out of all of these authors, Poe may have written the most freighting tales. All of his stories are considered horror, but some of them have more horrific qualities than others. “The Pit And The Pendulum” is one of Poe’s most famous works. “The Pit And The Pendulum” by Edgar Allen Poe meets three qualifications of a true horror story.
As a master of short stories of horror, Edgar Allan Poe is knowledgeable, learned and imaginative. He could skillfully manipulate the words in his literary works to create everything people can think of. The masterful use of the symbols, objects intensify the readers’ nerve as the typical elements of horror in Poe’s short stories, and therefore it is also a feature which makes Poe 's stories different from other writers.
As you can see, Poe has the narrator terrified of death in the pit. At the same time he has