Compare And Contrast The White Duster And The Duchess Of Malfi

The issue of race is one filled with controversy and passion, even today in the twenty-first centaury. In today’s day and age it is more shuttle and underground then it was in its most recent ‘hay-day’. In our time today we see it as more of a shameful, offensive and intolerant thing, but it was the norm in the early 15th and 16th century. Today those people that are outwardly racist are seen as outcasts. In this essay I will tempt to show how even though it was the norm in Victorian England, Shakespeare already had another mind set, and was trying in this creative way that the mind set of the people was not correct even for that time. How and why did Shakespeare purposely portray Othello the Moor as a tragic hero, like Hamlet or King

• A fear of foreigners during Elizabethan times fostered misogynistic and racist values, which is evident in the way Othello’s blackness becomes a symbol of alienation to which all characters in the play must respond.

Shakespeare's tragedy, Macbeth, is a play that transcends time due to its timeless and universal themes. The themes presented in this play are just as relevant to modern audiences as they would have been to contemporary Elizabethan audiences. The play has been able to maintain its textual integrity, withstanding the fact that it is now performed out of its original context to remain a successful play for modern audiences. The issues of heroism, abuse of power and the deceptiveness of appearances are all key within the play, conveyed through the use of dramatic and literary techniques, are issues which still resonate with contemporary audiences. Shakespeare has tested the parameters of the conventional tragedy that was extremely popular during his lifetime and in doing so has created text, which is still relevant today.

“all the editors and critics agree in supposing this play spurious…for the colour of style is wholly different from that of the other plays, the barbarity of the spectacles and the general massacre which are here exhibited can scarcely be tolerable…That Shakespeare wrote any part…I see no reason in believing” (Fentiman).

This derives from the play as a recount of historical events with a known outcome and a medium for propaganda in support of the monarchy, an avid determinist. Nevertheless, the aforementioned tension is prevalent throughout and epitomised by the paradoxical pun ‘I am determined to prove a villain’. Uttered with a tone of poise and self-assuredness, the term ‘determined’ implies a conscious statement of purpose and a preordained villainy. Thus Richard is aligned with the stock character of the Vice, an instrument of predestination, and the innovative Machiavel, an advocator of humanism. Despite this, the ultimate decline of Richard is consequential of the reign of determinism. The directly antithetic correctio ‘I am a villain. Yet I lie, I am not’ yields an implicit self-doubt and acknowledgment of an inability to fulfil his humanist purpose. Providentialism thus displays precedence over self-determination. This is in direct contrast to Pacino’s docudrama, composed for a secular modern American audience disengaged with traditional notions of determinism. A greatly diminished and altered portrayal of Margaret, the primary instrument of determinism in the play, is expressive of this. Pacino devalues her curses by reducing her to a ‘sort of ghost of the past’. A frenzied montage of informative discourse and the activity of the play complete with

“Othello” is a tragic play of jealousy, racism and struggle for power. Right from the beginning, Shakespeare has created vigorous dialogue and conflicting situations. There is a direct contrast between black and white in this play, with black meaning something negative and evil and white meaning pure and fairness. The clash between these two colours leads to severe hatred and enmity between a few people.

In William Shakespeare’s play Macbeth evil is conveyed in many ways through characters, themes and settings. Many themes are explored in detail contributing hugely to the sense of evil with characters being used along with these themes to create evil within the characters. These themes and characters are shown in different settings at different times consequently affecting the mood and atmosphere of the play.

There is no denying that Shakespeare is a definitive playwright. He has presented us with classic works that have set the precedent for drama and the theatre. Among Shakespeare’s more notable plays are his tragedies. In the tragedy his protagonists are often given flaws in their character and hence, are suitably named tragic heroes. The downfall of these protagonists is often a result of their own character flaws and unfortunately, they suffer a doomed and unhappy ending. While the tragic hero is flawed they must also be honorable and worthy of the audience’s understanding and sympathy. On a quest for righteousness the tragic hero often goes through immense suffering which is why the audience can feel bad for him. For the most

In the play “Macbeth” we strongly agree about the statement “The most effective villain is one who attracts and repels.” Our essay includes or talks about the most effective villain which is Macbeth due to his crimes that he has committed and how he has changed throughout in the play. A theme that most supports this statement is “Appearance vs Reality,” of Macbeth. We will also include examples of the different appearances of Macbeth in different situations. To back up our statement there will be quotes which express the appearance of emotions on Macbeth’s face at time or situation and connect it with reality. “Did he really mean what he said or did?” The essay will also discuss about the different language features which are used in the quotes like, repetition.

Our paper focusses on the significance of God and justice in John Webster's plays, in particular The Duchess of Malfi, and how god and justice are not particularly evident in his tragedies. The Duchess of Malfi is one of those Italian stories, full of hatred, wrath and wickedness, of which the Elizabethans were so fond. Firstly, we will begin with an outline of Elizabethan Revenge Tragedy; where the passion of revenge, motivated by subsidiary passions of anger, jealousy, pride, ambition or envy, was not held to be a crime, but rather the most befitting and just way to right a wrong, as was evident in the case of Bosola, who Killed Cardinal and Ferdinard on realizing that he has been duped by them into committing a grave sin of killing the innocent Duchess. In the God-fearing Elizabethan Age (1558-1603), with the word of God so expressly

Racism seems to be a big concern in Shakespeare’s tragic play, Othello. Because the hero of the play is an outsider, a Moor, we have an idea how blacks were regarded in England, in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy, where Othello is coming from is not mentioned, yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African, Ottoman Turk or Arab. In this paper I am going to analyze some episodes involving a prejudicial, racist attitude and try to discuss whether Shakespeare was a racist or not. Even though the play is full of offensive definitions of black

Dramatic techniques play significant roles in William Shakespeare’s Macbeth, allowing for the idealistic perception of the historical audience to develop into a further empathy with the characters in Macbeth. Shakespeare achieves this by playing on beliefs held in that era, such as the Great Chain of Being, and interweaves them to bring further emphasis to his themes of ambition, masculinity and the conflicting moralities/idealisms in fair and foul actions/in what can be defined as fair or foul.

Villains play a very important role in every literary work. Whether they exist as people, circumstances, or even nature, their purpose is to provide a problem to be solved by the “good guys”. Without villains, no piece of literature would be worth reading. Abigail Williams in Arthur Miller’s The Crucible and Iago in Shakespeare’s Othello are master villains. Both antagonists are fuelled by thoughts of revenge, and rely heavily on deception and manipulation to get what they want.

work. These themes and many more will be explored throughout this paper in an attempt

In the play “Macbeth” by William Shakespeare, the characters of Macbeth and his wife Lady Macbeth could be described as a “dead butcher and his fiend-like queen”. Through the various actions committed throughout the play and the characteristics they are shown to have, Shakespeare sparked debate on whether or not this quote, which carries many negative connotations, can be seen as a true summation of the two main characters. There are many characteristics that must be considered, which Shakespeare establishes by use of techniques such as imagery and irony. Also necessary to consider is the reasons for Macbeth’s actions, and whether or not he is driven mostly by his own ambition, by the domination of his wife or by the influence of the witches.