Compare And Contrast Twyla And Roberta In Recitatif

People one can never really tell how person is feeling or what their situation is behind closed doors or behind the façade of the life they lead. Two masterly crafted literary works present readers with characters that have two similar but very different stories that end in the same result. In Herman Melville’s story “Bartleby the Scrivener” readers are presented with Bartleby, an interesting and minimally deep character. In comparison to Gail Godwin’s work, “A Sorrowful Woman” we are presented with a nameless woman with a similar physiological state as Bartleby whom expresses her feelings of dissatisfaction of her life. Here, a deeper examination of these characters their situations and their ultimate fate will be pursued and delved into

Friendships tend to change over time, for better or worse. This is illustrated in Toni Morrison’s short story Recititaf. The relationships of Twyla and Roberta are a rollercoaster from the moment they meet at the orphanage, to their confrontational meeting at the Howard Johnsons, to the picketing during segregation, until the end when they try and sort things out. One of the ways to show the rocky relationship of the two is through their dialog when they discuss their mothers.

We are spoiled to be able to live in the United States in the 21st century where slavery has died, and everyone can be free. For a long time in early America, life for all was not this easy. Sure, our lives now might not necessarily be “easy,” but considering the tragedies and pain in Toni Morrison’s Beloved, we do not even know the definition of a “hard” life. Morrison’s style of writing uses many different ways to compel the reader to feel and believe the tragedies that Sethe and her children went through, but one that is used in a way above all others is the use of repetition. Morrison uses repetition to convey a sense of insanity and the overlying theme of a past that never passes.

     The significance of the role Twyla?s mother plays is just one twist to the way in which the story can be read. This makes the meaning of the story different to every reader. My interpretation of the details left by the author can be completely different to interpretations of someone else, and there are probably deeper meanings to the story that I didn?t even come across. This characteristic is what made this narrative unique and interesting for me to read.

Throughout the short story, Twyla and Roberta have multiple encounters after they are old enough to leave the shelter. In the first scene, Twyla is a cashier at a restaurant as Roberta visits with a few friends. As Twyla approaches Roberta, she attempts to have a conversation to catchup with each other. Roberta presents herself as snobby as her mother was, and laughs at her when mentioning a famous singer Twyla does not know. As years pass by, they run into one another in line at a grocery store. This time, Roberta greets Twyla to engage the conversation. As they talk, the event of Roberta acting snobby at the restaurant is brought up by Twyla. Roberta’s response was “you know how it was in those days: black-white”. As Roberta seems much friendlier, “those days” appear to be over, as they exchange phone numbers before departing.

During the course of the narrative Twyla describes her on and off again relationship with Roberta. The girls first meet during their short stay at St. Bonnie’s, which was an orphanage, they both were 8 years old. Neither of the girls were real orphans, and because of this they were alienated from the other girls, and they became friends real fast. Twyla’s mother is assumed to be a stripper, while Roberta’s mother was much too sick to care for her.

Years after the restaurant incident, Twyla meets Roberta at the Food Emporium. Although Roberta had treated Twyla so harshly years earlier, she is overjoyed to see her. When Roberta meets Twyla, she states, “I got married to a man who lives here. And you, you’re married too right” (1409)? While Roberta has married a very rich man, Twyla has married a fireman named James (1408-10). Because of their marriages, Twyla and Roberta find peace and joy in their lives. Twyla begins to love her lifestyle because of her husband and his family. Roberta begins to live an even more lavish lifestyle than before because of her husband and seems to enjoy every moment of it. Because of mothers’ lack of emotional support, Twyla became very hard on herself and Roberta became self-righteous. Eventually, Twyla and Roberta find their source of validation through their marriages in different ways.

While racial stereotypes contribute to the majority of the short story “Recitatif” by Toni Morrison, Morrison uses these stereotypes to convey a much larger issue. Morrison uses the stereotypes of intelligence, social class, and the character’s behavior and attitude to break the racial code. The two characters, Twyla and Roberta, realize that it is not about race but about their experiences of relating Maggie to their mothers that makes them similar. Many readers try to figure out which character is which race and as they go through, trying to figure out these clues. All they do is realize their own stereotypes.

In 1983, Toni Morrison published the only short story she would ever create. The controversial story conveys an important idea of what race is and if it really matter in the scheme of life. This story takes place during the time period of the Civil Rights Movement. The idea of civil rights was encouraged by the government but not enforced by the states, leaving many black Americans suffering every day. In Morrison’s short story Recitatif, Morrison manipulates the story’s diction to describe the two women’s races interchangeably resulting in the confusion of the reader. Because Morrison never establishes the “black character” or the “white character”, the reader is left guessing the race of the two main characters throughout the whole

Not only that but her questioning of gender role was a concern for her. After her parents were separated, her father’s expectations of her were no longer there and did not speak to one another. After a while, blaming one-self after a separation of the parents is always expected from young children and so Roberta’s feeling that the separation of her mother and father was due to her misbehavior at home allowed her to be not happy. The separation of her parents did not only cause Roberta to feel not happy but also her thinking was shaped in ways that blamed all men to be the exact same way and that on one could be the same. This can be related to what each child feels and thinks if that were to happen to their own family, and unfortunately in our current society there are people that still the same way as Roberta’s father and

Life is filled with tragedies, whether they be subtle or monumental. In society we are constantly surrounded by hardships and situations that test our own individual character, forcing us to react in order to move forward. The main characters in “The Story of an Hour” by Kate Chopin, “A Good Man is Hard to Find” by Flannery O’Connor, and “Where Are You Going, Where Have You Been?” by Joyce Carol Oates each react differently to the various tragedies they encounter, revealing their true identities that lie behind the (facade?)/version of themselves they present to the world. These tragedies that factor into all three works are both presented and interpreted differently in each story: In “The Story of an Hour” by Kate Chopin, Mrs. Mallard rejoices

Society is ever changing and evolving, the interactions between family members and those in a person’s community can change from day to day. Shirley Jackson and Ernest Hemingway explore society and the interaction of people within a society to show the true nature of people. The authors both use short yet intense diction which places the reader within the story. The twists within the plot lines of both essays show the reader life is always unexpected and that although one may believe they know the conclusion they are blindsided by the truth. The two writers have very similar approaches throughout the story hiding the true reasoning behind the story until the finale, yet the way the compose their essays and the way in which societies within those essays act, both writers display how

As people grow up, they shape their opinion of themselves as well as their opinion of others around them. These opinions morph over time into self-worth and value. In Toni Morrison’s “Song of Solomon,” her characters all carry great amounts of influence on one another. Ruth Dead, mother of the protagonist Milkman Dead, lives her life passively and often finds herself at her father’s grave pondering about life. When Milkman approaches her one day about her habits, she responds with a story about his upbringing and her own. Throughout this conversation (p.p.g 124-126) Morrison defines character as being composed of the type of influence one has on others around them. This is explored through Ruth’s changing perspective on her own character as well as the qualities of Pilate and

In the words of Sigmund Freud, “The interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind.” The legendary psychologist saw dreams as an avenue to study one’s underlying motives for action. Similarly, in literature one finds striking significance from the illusions of protagonists that often predict the nature of one’s psyche. Two such examples present themselves in Blanche, from Tennessee Williams’ A Streetcar Named Desire, and the grandmother, from Flannery O’Connor’s A Good Man is Hard to Find. The former tale follows a lady without a home who finds herself reliant on her belligerent and bestial brother-in-law. The latter traces a family’s road trip South and their encounter with a wanted fugitive. Both Blanche and the grandmother find themselves tethered to their idealistic and often times hypocritical fantasies which signify their underlying mental instability and foreshadow their eventual ruinations. Williams and O’Connor examine their protagonists’ delusions through gender, clothing, and nostalgia.

Repression of memories is a psychological concept that has haunted modern psychology for years. Repression of memories also known as “rememory” defined by the mind pushing away traumatic or shocking experiences into a dark corner of a person’s unconscious. As this idea developed and began to be studied more thoroughly, slavery became an institution in which researchers saw promise in drawing conclusions about the dangers of repressing memories. In Toni Morrison’s novel, Beloved, the character narratives of Paul D and Sethe exemplify the dangers of repressing memories. Both disconnect from and push away unwanted emotional traumas or experiences from their past. However, this effort doesn’t pay off and their repression of memories is not successful. Through the use of symbols such as Paul D’s tobacco tin and Sethe’s scars and lost child, Morrison demonstrates how repression of the past isn’t effective and how it always comes back to haunt a person who doesn’t correctly cope with their trauma. Paul D and Sethe live unfulfilled lives as a result of repressed memories.