Compare Blake And William Wordsworth

In ‘London’ Blake presents the theme of power through a reportage. The narrator wanders through a ‘chartered street’ and by ‘the chartered Thames’. This shows that in the narrator’s eyes the streets are owned and even an aspect of nature such as the River Thames is in ownership of someone. These owners that Blake refers to is the state who are believed to have acquired so much power that they can own natural landmarks. Due to this power, the people in ‘London’ wear metaphorical ‘manacles’ that are ‘mind-forged’ which shows they have trapped themselves due to the pain and suffering the higher class has caused them. Also, the repetition

these “female follies,” on men and argues, “From the tyranny of man, I firmly believe, the

William Blake was a renowned poet whose works continue to be recognized long after his death. Blake was more than a poet he was also a painter and printmaker. Often his engraving art would act as the accompanying image to his poetry. Throughout his lifetime the British poet wrote several poems. The vast majority of Blake’s work was centered on strong religious themes or human existence itself. However in the works Sick Rose and London neither of these common themes is present. Though the two poems are different in content they both share an

One way that Blake uses to convey his anger on what he sees is through

Sometimes, things that seem opposites at first glance turn out to be more similar after a second look. This is the case for the poems London, 1802 by William Wordsworth, and Douglass by Paul Laurence Dunbar. The major differences in these poems combine with the similarities to show the timeless need for revolutionary authors.

The topic of death is either suppressed or masked in both poems. Both poems are very strong and powerful pieces, which allows readers to connect to the issues being told. Throughout “London”, Blake not only implies the difficult times that London went through during the Industrial revolution, but also how many died during this

William Wordsworth existed in a time when society and its functions were beginning to rapidly pick up. The poem that he 'Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye', gave him a chance to reflect upon his quick paced life by taking a moment to slow down and absorb the beauty of nature that allows one to 'see into the life of things'; (line 49). Wordsworth's 'Tintern Abbey'; takes you on a series of emotional states by trying to sway 'readers and himself, that the loss of innocence and intensity over time is compensated by an accumulation of knowledge and insight.'; Wordsworth accomplishes to prove that although time was lost along with his innocence, he

The second and final work I am critiquing is from a book entitled, ‘The Life of William Wordsworth: A Critical Biography’ written by John Worthen. I have selected a chapter which pairs nicely with article mentioned above. The chapter features both Wordsworth and Coleridge as well. However, it is not as critical as the article, it is more biographical and informational which is to be expected in a biography. The chapter focuses on the years 1806 to 1807. It begins with the mention of the death of Wordsworth’s brother, John. According to Worthen, this deeply effected Wordsworth and he had little success with the poetry he was writing during this time. Worthen then, points to ‘Elegiac Stanzas’ which confronts his late brother’s death, displays a new sense of reality, and again redeems him as a poet. Worthen states, “The poem makes the narrator 's youthful state of ecstatic, thoughtless love for the natural world — ‘of lasting ease, / Elysian quiet, without toil or strife’ — utterly unreal, in contrast with the realities of life as he now knows them. A ‘fond delusion of my heart’ he calls that old love, ‘to be pitied’ not believed in” (328). The author implies that the death of his brother drastically changed his worldview. The bleak reality of a world without his brother led to Wordsworth becoming more mature and wise after experiencing loss. The author then shifts to discussing ‘Tintern Abbey’ and his reflections during a time of youth. I believe that the author mentions the

A Comparison of Poems About London 'London', by William Blake, and William Wordsworth's untitled poem, composed on Westminster Bridge, are two different poems written with different styles and techniques to portray their feelings towards London. They are both written in the romantic era and are very passionate in the way they convey their (as both are written in first person) differing opinions on London. Wordsworth's sonnet shows all the positive points and that in his opinion London is an admirable place. However, Blake speaks of a much bleaker London, which contrasts greatly in opinion. Rather than writing his poem on opinion, he uses fact to inform and protest against what he feels is wrong

In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.

London by William Blake is a poem characterised by its dark and overbearing tone. It is a glimpse at a period of England's history (particularly London) during war and poverty, experienced by the narrator as he walks through the streets. Using personification it draws a great human aspect to its representation of thoughts and beliefs of the narrator.

William Blake’s poem “London” takes a complex look at life in London, England during the late seventeen hundreds into the early eighteen hundreds as he lived and experienced it. Blake’s use of ambiguous and double meaning words makes this poem both complex and interesting. Through the following explication I will unravel these complexities to show how this is an interesting poem.

During the Romantic Period, poets believed themselves to be very politically aware and important. William Blake and Charlotte Smith are those amongst those Romantic Poets who took it upon themselves to educate the public on the events of the time; particularly the established Church, the Industrial Revolution and the Slave Trade in Haiti: ‘[Poetry] speaks to a divided society in an attempt to constitute its readers as citizens of what [Geoffrey] Hill calls… the just kingdom… and the commonwealth’.

Wordsworth, like many beggars, is found outside of the house of the protagonist, only he comes with a much stranger request. He asks to look at the bees in the grugru trees of the boy’s yard. As odd as it is, B. Wordsworth divulges in the boy that he is “the greatest poet.” He spends the majority of his days admiring with his gaze the wonders of Nature; an assortment of bugs and even morning glories, and cries over them. We learn, from the curiosity of the boy, that the ‘B’ in the poet’s name stands for Black, and that his brother is “White Wordsworth” and they “share on heart.” White Wordsworth is the name given to the famed poet of the Romantic Age, Williams Wordsworth. Seeing that he calls him ‘White’ based on his skin colour, we can carefully deduce that ‘Black’ is not his real name. It is a name taken on by him. In the face of invasion, Black forsakes his Trinidadian identity and embraces a new, more ‘appropriate’ one, based on a traditional English poet. Like his ‘brother,’ we see the strong admiration for Nature in

One of the most popular themes for Romantic poetry in England was nature and an appreciation for natural beauty. The English Romantic poets were generally concerned with the human imagination as a counter to the rise of science. The growing intellectual movement of the 18th and 19th centuries placed scientific thought in the forefront of all knowledge, basing reality in material objects. The Romantics found this form of world view to be restrictive. They felt that imagination was crucial to individual happiness. The imagination also provides a common human bond; a means of sympathy, of identification. However, the absence of imagination, the Romantics felt, would lead