Compare/Contrast of Bram Stoker's Dracula and Polidori's the Vampyre

It’s never exactly rare to find an iconic vampire in vampire literature. Dracula, from Bram Stoker's novel, and Lestat, from Interview with the Vampire, are far from the same but they do appear as similar in readings. They both appear as powerful leaders in the novels. As vampires they share very similar characteristics but the novels surrounding them show less similarities. For example the other turned vampires don’t share the same characteristics and have different outlooks of being a vampire. Although these two novels can be seen as similar, they possess many differences through formatting, setting, and the vampires’ perception of their lives.

As the first character writes about his personal experiences we find that proves to be very effective, in the way the writer is able to portray the gothic theme to the reader. The first example would be Jonathan's journey to Eastern Europe,

Since the beginning of time vampires have been categorized into different "types” and are portrayed in different ways throughout several books. This paper will focus on three vampires from the following books: Dracula by Bram Stoker, and I am Legend by Richard Matheson. Dracula is considered to be the traditional vampire, where it all started, and the vampires in Matheson’s book, follow somewhat Stoker’s concept, but is more of a modern “type” of vampires. Certain vampire elements have been presented, but others have been completely removed or altered. In addition, elements along with appearances are used to infer if the vampire is a form of “the other”. There are two types of vampires; the traditional or modern vampire which can be distinguished based on the elements present in their storyline.

The 1992 movie adaptation of Dracula is quite loyal to the book. However it made quite an exaggeration in Dracula and Mina’s connection. Also there are fabricated parts in the movie, particularly the way it begins having the origin of Vlad the impaler that is not technically found in Stoker’s writing. Character of Dracula is not that scary as it was in the book than being projected visually in the screen. Perhaps to have a more impact in viewers’ emotions. Some scenes were also fractured in the movie, for instance is Mina’s and Lucy’s stay in Whitby which never occurred in the book. Even so, the film had interpreted the book well and it although some scenes were fractured, it did not depart much

The first writer to introduce the vampire in literature was Lord Byron in the eighteenth century, but the most significant writer to develop the myth was Bram Stoker. He is the „father” of the vampire as he gave a complete description of the vampire in his most famous book” Dracula”. After the release of the book, the myth of the vampire became extremely popular amongst writers and as a consequence the books whose main

Jonathan Harker starts off the book with his journal of his travels to meet count Dracula, and begins to regret ever leaving home soon after. Jonathan is very observant, noting details throughout his journey; he remembers foreign words to look up, many details of the journey to the castle, and sees “a faint flickering blue flame” many times off in the distance

The novel, Dracula, was written by Bram Stoker in the late eighteen hundreds. The setting of Dracula is during the end of the nineteenth century, in England and Eastern Europe. The entirety of the novel is based on a vampire with heinous intentions that he casts upon a group of English citizens whom decide to rid the town of his evil. While reading the novel it is apparent that the genre is horror and gothic and that the tone is very dark and dramatic. Bram Stoker does this in a very intentional way. Therefore, discovering the ways Stoker implements Dracula into the criteria of the gothic fiction genre is simple.

Bram Stoker’s Dracula does not follow the norm of the nineteenth century novels, that is, it is not written in a straightforward narrative but instead comprises of a collection of letters, journal entries and diary scrawls. Apart from that, it also includes a ship's log, numberless clippings from newspaper and also, a "phonograph diary.” This form of writing invariably helps in developing the “mystery” aspect of this horror novel since it either gives us no information about a particular thing or gives us information from various points of view so that it is impossible for the readers to come to one conclusion and they keep playing with different possibilities in their minds.

Dracula by Bram Stoker is the original vampire book, the one that started it all. From it derived the now so beloved and famous teen-romance vampire genre, with novels like Twilight. However, Dracula is not remotely like the sparkle-in-the-sunlight, falling-in-love-with-mortals vampire any more than Harry Potter is like the Wicked Witch of the West. Dracula is a gothic horror novel set in Transylvania and England during the Victorian Era. Letters, diary entries, and newspaper clippings from the viewpoint of several characters tell the story, allowing for a wide variety of viewpoints that highlight happenings in Dracula as well as present the social issues pertained within. While it contains action, suspense, horror, and romance, it also displays the corruption within the everyday society. The way the women are presented, interacted with, and how Count Dracula affects them brings forth the issues within the Victorian society, especially the men’s treatment of women and the different social and gender roles, which Stoker uses to highlight the situational irony found within the novel.

Bram Stoker`s “Dracula” is one of his most prominent work, originally published in 1897. Forming part of the gothic literature; the novel focuses, through the character of Dracula, on the theme of Supernatural and Religion in an era largely dominated by Science and Rationality. This critical essay, will therefore demonstrate how Dracula, portrayed as the “other,” is essentially different from the rest and, how he subtly manage to incite people and challenge values and ideals of the British Society.

Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are

Dracula essay Lawson Insilo Dracula as a theme has been around for a while now, yet he still has the ability to influence the gothic culture. Everything from hit books and movies like Dracula Untold to popular television shows like True Blood originate from this classic tale of blood-lust and demons. The vast majority are drawn directly from Bram Stoker’s novel. Yet many movies like: “Dracula” (1931), “Dracula” (1979), “Nosferatu: Phantom der Nacht” (1979), “Bram Stroker’s Dracula” (1992) are based on the Dracula theme. But could we say that 1992 version by Coppola is good adaptation to the novel?

On the basis of the evidence currently available, it seems fair to suggest that Polidori’ s The Vampyre is not just a story of a monstrous figure of the vampire from folklore tradition waiting to be destroyed by a wooden stake through the heart, it is rather that kind of nineteenth century vampire whose literary presence is highly loaded with metaphorical connotations. For instance, Lord Ruthven’s presence in the

Bram Stoker’s ingenious piece of work on writing Dracula has set the expectation for gothic novels all over the world and time to come. The mindset of writing Dracula through the Victorian Era really sets the tone for the reader by creating a spine-tingling sensation right through the novel. With this in mind, Stoker wouldn’t have been able to succeed his masterpiece without the effective uses of symbolism, imagery, foreshadowing, and its overall theme.

The legend of the vampire has emerged countless times within human imagination over the past few centuries. The first available representation of the mythical creature in prose fiction can be found in John Polidori’s “The Vampyre” (1810). It was not until eight decades later that Bram Stoker popularized the existence of this figure with the publication of “Dracula” in 1897. The folklore of the vampire has come a long way since and can be found in today’s popular media more frequently than ever before. However, with due course of time, the representation of the creature has taken alternate routes and today’s vampires are noticeable different – socially and physically – from their predecessors. One effective path to trace this