Compare & Contrast the Theme of Horror in Frankenstein and Macbeth

Fear is in the core of every person. It is the defense mechanism that keeps us from danger. It is an unpleasant emotion internally warning us that someone or something is dangerous, likely to cause us pain. In gothic literature fear is a topic that the genre is soaked in. It is one of the main elements. Authors use literary devices to make a reader feel, think, and react in a certain way. Mary Shelley and Ann Radcliffe are both prominent gothic writers, with the works Frankenstein and The Mysteries of Udolpho respectively. They are both works that are thought of as key reads in the genre and both have a pervasive theme of fear throughout. The two women portray these very well using literary devices. Both authors explore fear as a theme. Mary Shelley’s novel

This time due to a cowardly action committed out of selfish fear. It is no surprise to me that Banquo’s ghost haunts Macbeth at this table since Macbeth called for two murders to kill him and his son. Banquo’s ghost appearing shows that Macbeth felt guilt and that he was not the completely heartless monster that he appeared to become. When Banquo's bloody ghost sits at the table with the lords, Macbeth tries to believe that he did not kill banquo. “ Thou canst not say I did it. Never shake Thy gory locks at me.” (III,iv,53-54). Macbeth’s episode with Banquo’s ghost reveals how the quest for power had driven his mind into pure insanity. This powerful hallucination driven from the little heart left in Macbeth proved to all the lords that Macbeth’s mind was gone, and that he was not fit to

Audience becomes aware of Macbeth’s corruption when he plans to kill his ‘friend’, Banquo. He describes him as “dispatched” (3.4.15), and later as “safe” (3.4.25). This positions the audience to feel as though Macbeth is somewhat desperate to convince himself that he has acted appropriately despite using corrupt power. Using this stylistic device of language further demonstrates that Macbeth has now been corrupted to the extent that he longer feels compassion for his former companions. This ultimately establishes the representation that Macbeth’s illegitimate power has directly resulted in his destructive nature.

“Never shall I forget that nocturnal silence which deprived me, for all eternity, of the desire to live. Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust.” (34)

Having soon discovered to be great, I must appear so, and therefore studiously avoided mixing in society, and wrapped myself in mystery, devoting my time to fasting and prayer—By this time, having arrived to man’s estate, and hearing the scriptures commented on at meetings, I was struck with that particular passage which says: “Seek ye the kingdom of Heaven and all things shall be added unto you.” I reflected much on this passage, and prayed daily for light on this subject—As I was praying one day at my plough, the spirit spoke to me, saying, “Seek ye the kingdom of Heaven and all things shall be added unto you. (Gray 9)

Mary Shelley makes us question who really the “monster” is. Is it the creature or Victor? While the creature does commit murder, he does not understand the consequences of his actions. He is like an infant who is unfortunately left to learn about the workings of society, and his place in it, on his own. He has no companions and feels a great sense of loneliness and abandonment. The creature voices his frustration and anger and seems to try to project his feelings of guilt onto Victor, as if to show him that he is the ultimate cause of the creature’s misery while he is simply the victim of Victor’s manic impulse. Shelley utilizes words, phrases, and specific tones when the creature vents his misery to Victor and this evokes, amongst the

I can compare Frankenstein to the movie I saw by Tim Burton, Frankenweenie. They are similar but instead of a human body, it was a dog and the mad scientist was a young boy named Victor Frankenstein. The young Victor Frankenstein brings his dog back to life after being hit by a car for a science fair project while the real Victor Frankenstein wanted to create a real life human. Just like the real Frankenstein monster, the dog brings trouble. In the book, the mad scientist, denies the monster but in Frankenweenie, the young boy convinces his family and friends to like his creation. Some of his classmates had known the young Victor Frankenstein creation and was intrigued to do the same experiment like his but it went out of the standards of

Macbeth's second hallucination involving Banquo's ghost was most likely due to a form of a post-traumatic stress disorder.  The traumatic events of Duncan and

Power as a corrupting force has been present from the beginning of time and is often revealed in many works of literature. In the novel Frankenstein by Marry Shelly and Macbeth by William Shakespeare, corruption of power is well brought forth in the characters in both texts. In both stories, characters reveal power as a corrupting force through their thirst of knowledge. Characters also reveal power as a corrupting force through character change. In addition, the character’s action justify how corrupted they really are. Therefore, power corrupts the individuals because of character’s extreme ambition which leads to

     Romantic writer Mary Shelley’s gothic novel Frankenstein does indeed do a lot more than simply tell story, and in this case, horrify and frighten the reader. Through her careful and deliberate construction of characters as representations of certain dominant beliefs, Shelley supports a value system and way of life that challenges those that prevailed in the late eighteenth century during the ‘Age of Reason’. Thus the novel can be said to be challenging prevailant ideologies, of which the dominant society was constructed, and endorsing many of the alternative views and thoughts of the society. Shelley can be said to be influenced by her mothers early feminist views, her father’s

When perceived in detail, it can be observed that the moment when Macbeth first acknowledges Banquo’s ghost coming to haunt him for his deeds, the moment when Macbeth’s sanity starts to slip, only then can one truly see the directors’ line of thought. Beginning with (3.4.50) and leading up to (3.4.107) the difference becomes quite apparent, and what can be noted is that while Polanski’s version of Banquo’s ghost is intended to give the audience an immediate shock, his form moving with hostility, pale and lifeless, surrounded by blood and gore, fire-in-eyes. On the contrary, Goold instead chose to use the feelings that an unsettling and eerie atmosphere invokes in order to convey this crucial point in the plot. Polanski’s ghost immediately begins moving towards Macbeth as if preparing to unleash a bloody vengeance,

Mary Shelly’s depiction of Victor Frankenstein and Shakespeare’s illustration of Othello show the similarities and difference how tragic heroes fall by their tragic flaws in different ways. Throughout the novel, both characters made a flawed mistake which led to their misfortune and tragedy. Shelly illustrates Frankenstein as a recalcitrant scientist who was fascinated by the secret of life. He creates a monster to life, and refuses to admit to anyone the horror of what he has created. In the other hand, Othello is a general trusted by many of his companions. He was manipulated by his friend Iago, who accused Othello’s wife Desdemona having an affair with Cassio. Othello kills his wife, and committed suicide after finding out Desdemona’s

Mary W. Shelley’s brilliant gothic story, Frankenstein, is one that emits the prevalent theme of light versus dark, in which possesses obvious characteristics of a novel written during the romantic era. The novel tells the account of the overambitious Victor Frankenstein, who created a monster in hopes that he’d be known for crafting something human from the body parts of corpses with physical and mental advantages in society, basically playing the part of God on Earth, but through the auspices of science. Instead of creating a “normal” human, his creation ended up being a disfigured creature who he then neglects. Upon his abandonment, the monster seeks revenge on Victor after being cast away by society due to harsh physiognomy in which

been a time for such a word" (Shakespeare V, v, ll 17-18). The loss of

In gothic fiction, the author endeavors to manipulate the emotions of a reader and somehow control the reader to perceive the sensations the main character is experiencing. Throughout the narrative, the main character endeavors to evoke sympathy from the reader. The author does this by making the main character, of the narrative, experience a series of emotions such as resentment, apprehension, distress, or even a morose depression that the reader may perceive or comprehend. Therefore, Gothic literature is able to enthrall the reader and even take the reader on an adventure of multifarious sensations. In the narrative of Frankenstein, by Mary Shelley, the monster, Victor Frankenstein synthesizes a monster, feels depressed, and is enquiring Victor on why he would create such an atrocious being then leave him in desolation without the care of a companion. "You are in the wrong," replied the fiend; "and, instead of threatening, I am content to reason with you. I am malicious because I am miserable. Am I not shunned and hated by all mankind? You, my creator, would tear me to pieces, and triumph; remember that, and tell me why I should pity man more than he pities me? You would not call it murder if you could precipitate me into one of those ice-rifts, and destroy my frame, the work of your own hands. Shall I respect man when he contemns me? Let