Compare Homosexuality And Homoeroticism In Elizabethan Theatre

Though same-sex relationships have been a prominent aspect of many cultures almost since the beginning of time, there has historically been a significant taboo surrounding the phenomenon in the Western world. "From the Fourteenth Century on, Western Europe was gripped by a rabid and obsessive negative preoccupation with homosexuality as the most horrible of sins" (Boswell 262). The majority of people did not understand or accept the idea, and consequentially did not have an appropriate way of talking about it. Over the years, as various cultures identified and even implemented practices currently associated with homosexuality, there arose a need for common terminology. Until the eighteenth century, it was referred to through the practices

Throughout history homosexuality had been seen as a sin and a punishable action. In the bible, in

In medieval and Elizabethan England, homosexuality was not only looked down upon, but was a crime punishable by law. Found perpetrators, including the famous King Edward II, were horribly punished. Edward was killed by “the slow and painful insertion of a red, hot poker into his anus”, along with his lover, who “had his genitals cut off and burned” (Sanders). Such is the world in which a bisexual William Shakespeare lived. Though he married Anne Hathaway at the age of 18, he was rumored to have had extramarital affairs with numerous men while in London (“Shakespeare’s Sexuality”). Gay men are present in many of Shakespeare’s plays, most prominently Twelfth Night. A sailor named Antonio falls in love with a man of noble birth named

It was not until the twelfth century that homosexuality started to be condemned. This condemnation proved to live through then until now. Due to the fact that America incorporated these early views into its early laws, even the most bland of today's sex acts were seen as unlawful (“Homosexuality and Mental Health”). Since then, these laws have changed, however, there is still a primarily negative connotation on homosexuals when coming from a church or legal standpoint concerning the masses of America.

Romantic desire is struggle ingrained within William Shakespeare’s Twelfth Night, strained by the nature of homosexual love. The depths of human sexuality are explored in Twelfth Night through the relationships between Duke Orsino and Viola as Cesario, Olivia and Viola, and Sebastian and Antonio. Twelfth Night represents homoerotic love in both radical and conservative ways, while furthermore questioning the boundaries of gender and disguise depicted by the relationships featured in the play. Shakespeare’s work is profound, since the play acknowledges homosexual love without punishment, and challenges if love is truly determined by gender, while also upholding

“You’re gay,” a term now used so freely to not only insult peers but to take a stab at the homosexual community. But was this homosexual stigma always prevalent in history? Over two thousand years ago, the ancient Roman state ruled most of the known world. During those five hundred years, emperors rose to power and fell, a republic formed and was destroyed but what perhaps is one the most important aspects of Roman society is free love.

Reforming Sodom unravels the origins of homosexuality in relation to the Protestant Bible. White opens the reading by stating that the word “homosexuality” first appeared in the Revised Standard Version Bible in 1946. From this fact, we are left wondering why there was this change in verbiage and what did the Bible say prior to 1946. White seeks to answers these questions and in doing so, she challenges scholars to think critically about religious texts. Throughout, White exemplifies other works that align with her notion of sexuality and religion intertwining; Rebecca Davis’ My Homosexuality

By completing the readings assignments of Shakespeare assigned to me by this class, I have achieved broader positive assumptions about Shakespeare, as well of understanding how Shakespearean plays apply to modern day society. Although I have had moderate experience in the readings of Shakespeare in High school, such as the reading of Othello. By participating a completing readings about Shakespeare’s plays and attending lectures discussing sexuality regarding Shakespeare, I have gained a greater overall understanding of Shakespeare. Through Shakespeare’s plays, overall, I have gained a greater understanding of what Shakespeare attempts to convey in his plays.

These sentiments continue until the medieval period, where Henry VIII formalises penalties and outlaws homosexual activity by passing the Buggery Act of 1533. The Act defined buggery as ‘an unnatural sexual act against the will of God and man’. This is a pivotal point, as it is no longer just a prohibition or social taboo, but these activities can be punishable with the death penalty.

With every great story line comes a theme. William Shakespeare created an art of intertwining often unrecognizable themes within his plays. In Shakespeare’s play, The Merchant of Venice, one hidden theme is the idea of homosexuality. This theme might not have even been noticed until modern Shakespeare fans discovered them. According to Alan Bray’s book, Homosexuality in Renaissance England, “the modern image of ‘the homosexual’ cannot be applied to the early modern period, when homosexual behavior was viewed in terms of the sexual act and not an individual's broader identity.” (Columbia University Press). This difference between homosexuality as a “sexual act” and an

While the concept of homosexuality did not exist in the United States, changes were happening in Europe with the issue. Right around the 1870's affectionate relationships between males acquired a label.

In 'Twelfth Night’, gender and sexuality in many ways add to the play’s themes of madness. 'Twelfth Night ' is a reflection of renaissance thought and culture, the renaissance was a transitional period from the medieval to the radical Elizabethan era. The culture of the time was a contradictory one, as from one aspect it was influenced by the patriarchal medieval time, where women were under the rule of men and seen as needing the protection of men, however, from another perspective, the culture was a changing one as women were starting to receive education and many humanists believed that women should be given more rights. The play reflects these attitudes and often challenges the social hierarchy and establishes ideas on gender roles, sexuality and cross-dressing. These factors indeed undermine the expectations of male and female behaviour, and in turn further the play 's theme of madness which has a comedic effect on the audience due to the shock humour it provides.

Drama changed literature and theater into what it is today. I. History of Elizabethan Theater a. forming of theater 1. medieval church 2. mystery and morality b. actors 1. rogues and thieves 2. acting guilds II. Influences and people a. commanding actors 1. Shakespeare 2. Burbage b. other 1. wars of the roses (other historical influences) 2. laws restricting theater III. The theaters a. prices 1. seating 2. stage b. the theater and the globe 1. locations and characteristics 2. Burbage and other accomplishment Elizabethan Drama During the reign of Queen Elizabeth I, England underwent a dramatic change in priorities. The importance of art and literature became highly prevalent. The impact of the Elizabethan drama and

Homosexuality is not a 20th century situation but has been in history from the age of ancient Rome, Greece, Egypt, and even China. The attitude toward homosexuality always has been a variable, depending on the social, cultural and morality, or even the political development (Barnecka et al., 2005). Back in Greek history the concept of relations between two men was seen as the highest form of love, whereas the Judaic view always was against and frowned upon these relations considering it immoral and illegal. However, when the Roman rule was destroyed and the Christians took over Europe, homosexuality was seen as perverse (Woodward, 1997).

“In roughly built playhouses and cobblestone inn yards, an extraordinary development took place in England in the 1500s.” (Yancey, 8). At that time, an opportunity combined to produce literature achievement never before witnessed in the history of drama and theater. The renaissance, helped spark this movement by inspiring scientific and artistic creativity throughout the land. Models began writing dramas that portrayed life in both realistic and imaginative ways. This created work later captured the attention of the world that changed the English drama. The many aspects of Elizabethan theater helped to shape the acting and theater world forever.