Compare The Dream Of The Rood And The Bible

Although the Bible’s description of Jesus and his crucifixion has not been changed, the perception of the people about Jesus has been changing throughout the ages. The poem “The Dream of the Rood” is good example of a unique view of Jesus and his crucifixion. The poem is referred as “one of the first and most successful treatments of the crucifixion” in Old English poetry (Burrow 123).

The foundation of the Christian faith is cradled within truth of the virgin birth, life, and resurrection of Jesus Christ. As diverse as the world-wide Christian culture is, the truth in the birth and life of Jesus stands without border and language limitations. Just as each individual life story can be adapted to be relevant for a variety of audiences, the birth story of the Messiah was also. The Gospels of Matthew and Luke are an example of the well-rounded and diverse narration of the birth story of Jesus—Matthew’s narration spoke to the history of the Jewish people and Luke presented to the citizen of Rome.

One of the many things that puzzle people even today; is how Jesus was portrayed and how he became a part of history throughout the centuries. Fortunately, within the book Jesus Through the Centuries, written by Jaroslav Pelikan, readers are able to get a sense of what societies viewed Jesus as and how he was/is important to many aspects of the world such as; the political, social, and cultural impact he had left. As Pelikan discusses this very topic and theme in his book, we see how there’s a connection between his audience in this book and Jesus’s are closely similar. When he got his motivation to write about Jesus through the Centuries, Jaroslav had an open audience, which was intended for anyone of all ages, races, and beliefs to read

The crucifixion of Christ is treated differently within the bodies of Old English and Middle English literature. The values of each era's society are superimposed on the descriptions of the sacrifice of Christ on the cross. Christ is depicted either as the model of the hero, prevalent in Old English literature, or as the embodiment of love and passion, as found in Showings by Julian of Norwich.

Let’s talk about the world about 2,000 years ago. It was a world where the mass of people were illiterate, taxes were extremely high, and the leaders would cheat and kill to feed their ever growing need for power. We all can relate to having a good storyteller in our lives, most were read to at night by their parents or are parents themselves that read to their children. What is the purpose of storytelling? It’s simple, comfort. A good story can ease your psychological unrest as well as offer a moral purpose. Sometimes you can even relate a story to your own life and offer an explanation to something you may be experiencing. This is exactly what the four gospels, Matthew, Mark, Luke and John were. They told their stories of Jesus to offer comfort to their people in a time when people could not pick up a story and read it themselves. It is part of human nature to have the desire for a good story. This paper will describe several events that were written by great storytellers in the bible.

Charles B. Hodge, Jr., is a prolific writer and a minister of the Church of Christ. He closes each chapter of The Agony & Glory of the Cross with “The Cross…there is no other way!” Thus, I have taken Reverend Hodge’s declaration for the title of this review. He further explains his thesis of the importance of the cross: “Jesus could not save Himself and still be our Savior. There is no way but the cross.” The unique approach to teaching the New Testament – and Christs’ journey to Calvary – requires several readings, analysis, and return to biblical text.

In the Gospel of Matthew, the infancy narrative contributes a large sum of background information of Jesus that contributes to the development of Matthew’s Christology. In order to analyze how Matthew develops the Christology, we have to cut the infancy narrative into sections. This paper will discuss background information of the writing of this Gospel, literary elements of Jesus’ miraculous conception that reinforce his Jewishness, how Magi and literary devices help to understand Matthew’s Christology, what important biblical hero the infancy narrative parallels, and what foreshadowing is caused from this infancy narrative. Comparatively, the use of divine intervention in dreams to fulfill prophecy has been a key focus of the infancy narrative in order to create an unusual birth narrative and develop the unique Christology that Matthew envisioned specifically for the Jewish Messiah.

The subject of religion has captured the attention of artists for centuries, working its way throughout the years, in and out of various of styles and movements. The artists of this era often found themselves reliant on this subject matter due to Churches being a steady Patron throughout the Renaissance all the way to the Baroque period. Whether it was because of the rich cultural impact to society or the enforcement of strong divine beliefs, depicting biblical narratives have struck an everlasting cord within this medium. Two particular ones, in fact: The Deposition from the Cross (Entombment of Christ) by Jacopo Pontormo and The Entombment of Christ by Michelangelo Caravaggio. Both of which provide an excellent example of how culture and artistic style combined can alter the message of the same iconic scene and still evoke different emotions.

The cross, once plain wood, is now “exalted over all forest-tress” (91) and risen to the status of a lord. The Dreamer is seeing for himself the validity of Christ’s claims of rewarding his faithful servants. So the Cross, it seems, is now further gift-giving and reciprocating by telling the Dreamer that he has been given a gift by Christ, who died for his sins. The Dreamer interprets the telling of this story by the Cross as a gift, and so in return for this gift that the Cross has given him, the Dreamer tells the story of his dream to others in order to tell the tale and let others know of this great gift that was given to all of humanity by Christ. Its resplendence in its appearance to the dreamer is testament to the validity of its sacrifice in going against traditional Germanic servitude, which is important to addressing the comingling of cultures in The Dream of the Rood. This is certainly not heroism and faithful retainership as the Anglo-Saxons were used to it, but the Dreamer’s vision of the Cross in all its glory gives credence to Christ as a lord and gift giver.

Incorporating traditional Anglo Saxon beliefs of heroism with the image of Christ on the cross allows the poet of The Dream of the Rood to effectively communicate the benefits of Christianity to pagan warriors. By comparing characteristics, duties, and treatment of heroes in Beowulf and the Battle of Maldon to the depiction of Christ in The Dream of the Rood, it becomes evident that the image of Christ is altered to mirror that of heroic warriors. Through this melding of heroic beliefs and Christianity, the poet of Rood is able to show how Christ can become the ultimate ring giver or Lord.

The Jesus that is portrayed in the Gospel of Mark has the lowest Christology out of the three books being analyzed. The Gospel of Mark has a low Christology because of the human nature that it applies to Jesus’ character(class notes).

Prometheus is a 2012 science-fiction movie directed by Ridley Scott. In this movie, a group of humans leave earth in the year 2093 on a ship called Prometheus for a distant planet in search of the creators of humanity or engineers. While watching this movie, one can notice many Judeo-Christian themes and references to Christianity’s Jesus Christ. Based on these references, the movie can be seen as an allegory/symbolic representation of Jesus Christ, the crucifixion and the sins of the world. This essay highlights religious references in this book and explains their symbolism.

Writers for many centuries have depicted the greatest event of history, Christ's sacrifice in many ways. Fantasy writers, especially, have symbolized it as either the sacrifice of a lion on the Stone Table, a mighty warrior battling a red dragon, or less obviously, the destruction of a ring, and numerous other ways. However once writers chose to directly write about Christ's sacrifice without using symbols. Nonetheless even these writers differed greatly in their portrayal of Christ's sacrifice. Among these, William Langland, who wrote Piers Plowman, and the poet who penned “Dream of the Rood” both discuss Christ's sacrifice vividly and poetically. While Piers Plowman and “Dream of the Rood” share many similarities in their portrayal of Christ

Many Americans flocked to see Mel Gibson’s movie, “The Passion of the Christ.” On over 2.000 screens across America the viewed the “harrowing depiction of Jesus' last 12 hours in wide-screen vivid color.” (Allen 2004) People viewed images of Jesus being flogged, crucified and left to die. This violence caused some Christians discomfort with theology, and some Jews’ fear that it will “incite violence against them because of its portrayal of Jews’ involvement in Jesus’ death.” (Allen 2004)

In the Anglo-Saxon literature, the scop has a privilege of retaining history, culture and social values of that society. In many cases the scop exercises the power to create stories which reflect the values of that society. The Rood in the ¡°The Dream of the Rood¡± also tells a story of which affects its society and people. The existence of this witness that reports the suffering and the glorification of Christ proves necessary for the people to believe. The Rood becomes a hero that preserves an event that proves crucial to the society. As the Rood observes the suffering of Christ, it also shares with him the pains of crucifixion. In other words, the Rood takes part in Christ¡¯s crucifixion which pertains to the salvation of the souls.