The Muse Urania watched the dying light That faded like her love's delight, And as death took hold, She felt her soul grow old, Contrasting with epic Calliope Whose eternal youth killed Urania's amity. Melpomene haunts her, as wel,l And Urania can't escape Hell, But as tragedy struck She knew she would have no luck Holding on to what little joy She had before she was played like a toy Love came back with lyric vengeance That forced Urania's heart to pay penance Through songs that were hollow And sorhymes full of sorrow, And she wished that Euterpe Would let her words set her free. If Urania's pain weren't murderous, Thalia would have been wondrous. But comedy's company Burned love with irony, And words of humor hurt endlessly When love
In the end, Romeo and Juliet’s erotic and manic loving, made them perfect to die as tragic heroes. Although Juliet was presented as a mature and knowledgeable young lady, she still suffered the effects of being an Eros lover. Also, Romeo being more childish and impulsive than Juliet led himself to the tragedy of his death. All in all, the pair’s style of love was the main cause for their tragic
The character Medea is a well known character throughout Greek culture due to Euripides’s Medea and Apollonius’s Argonautika. Jules Dassin’s A Dream of Passion presents the story of Medea in a modern way, allowing myth and reality to intertwine. Because the film is based on the myth, the two main characters in the film, Maya and Brenda, share many qualities to Medea, such as killing of their children. Common themes, such as the position of women in society, are also presented in both mediums. These similarities show that Euripides and Dassin are conveying the same ideas using different methods.
Sarah Ruhl’s play, Eurydice, is a devastating story battling love, grief, life, and death. Although it is set during the 1950’s, the play manages to encompass the ancient Greek myth of Eurydice and Orpheus. The three most evident themes of this play are recurring death, fleeting happiness, and the power of love. The main conflict in this play is ultimately about the painful choice that comes with death; this is often caused by the King of the Underworld. One of the most impressive parts of this play is the ability to change the way the play is perceived through design.
For the women in ancient Greece, justice was far from reach. In the Greek society, men were allowed to abandon their wives in order to marry younger ones and Medea was not invulnerable to this fate. Despite all of her devoutness to her husband, he relinquished her for someone new. “Oh how unhappy I am, how wretched my sufferings. Oh woe is me. I wish I could die”, Medea cried out at the horrendous news (page 3, line 9). Euripides created a tragedy that many women during the ancient Greek time could relate to.
127). However, this view of Lamia sticks to the gizzard of some critics who view her as a demon, “an evil embodiment of the wasting power of love, a belle dame sans merci” (127). Keats’ complex and sympathetic translation of Lamia’s character and journey through the poem has often been overlooked by critics who tend to associate Lamia’s sexuality with evil. Lamia is actually deprived of her humanity by Lycius’ limited and subjective understand of her instead of Keats who in reality humanizes his serpent-woman by giving her a voice to express her predicament. She has the power to attack other people’s dreams. On one of her endeavors, she joined Lycius’s dream of finding the perfect bride who will offer him the domestic bliss he is yearning for. In order to become Lycius’s image of perfection, Lamia feels she must renounce her physical existence and hide her true identity
Urania the muse of astronomy she is often associated with Universal Love and the Holy Spirit. Urania dresses in a cloak embroidered with stars and keeps her eyes and attention focused on the Heavens. She is usually represented with a celestial globe to which she points with a little staff. There is a Urania Society, for the improvement of oratory skills, composition and aptitude
Symposium is a gathering hosted by Agaton to celebrate his first tragedy award for playwriting. Each of the guests gave a speech about love. The speech dealing with questions about what is love; interpersonal relationships through love; what types of love are worthy of praise; the purpose of love; and others. A series of speech about the love ended by the entry of Alcibiades, known as a wealthy aristocrat of Athens for his good-looking, and political career. He entered the discussion drunkenly supporting by a flute-girl, follow upon his speech about love. His unexpected entrance and speech dramatically changed the mood left from Diotima’s serious dialogue with Socrates about the ideal love. The first five speeches contradicted each other and were reconciled in Diotima’s speech, especially her speech about “Ladder if love” and “love of wisdom ”, which implies the delicate relationship between Alcibiades and Socrates.
The Greek mythology presents Medusa as a monster, with the power to turn anyone who looks into her eyes to stone and with snakes that replicate her hair. But, in the poem by Mary Sarton “The Muse As Medusa” we see an incomparable image of Medusa to the Greek mythology. In this poem Medusa helps the speaker through a difficult time. The speaker depicts herself through her poem as someone who is lost, sad and defeated by the world around her. The speaker sees herself in Medusa, where they are both misinterpreted by the world around them. Medusa being powerful is able to cope with the world's misconception of her and shows the speaker how that's possible. The speaker takes into account how the world is the one that misinterpreted them and
Euripides Medea is a play that largely embodies themes of sex and gender within Greek life, marriage and society. Lars Von Trier, Danish Screen writer, controversially took on and altered Euripides' classic Medea in the form of film. Although complex and compelling, Von Trier's film fails to capture major themes and qualities presented in the text version of the infamous Medea and relay them to an audience. Through the use of close reading and comparison, it can be proved that Lars Von Trier's film depiction of Euripides' Medea does not allow an audience to see the complexity and major themes of gender and masculinity that Euripides originally portrays to his audience, but rather depicts a story of lost love and femininity within the protagonist.
The myth of Eurydice is a sad story in which two lovers are separated by death. After his love dies, Orpheus journeys into the underworld to retrieve her, but instead loses her for good. Playwright Sarah Ruhl takes the myth of Eurydice and attempts to transform this sad tale into a more light-hearted story. However, despite humorous lines and actions throughout the play, the melancholy situation of the actual tale overwhelms any comicality present. Although meant to be funny, Sarah Ruhl's “Eurydice” can be seen as a modernized tragedy about two lovers who are separated forever by a twist of fate.
For this anthology about love I have chosen, and mainly centred around the topic of love that is forbidden. With this type of love, comes many struggles and questions that I’m sure must go through the minds of people in this situation. This is what happens with Romeo and Juliet in the Play written by William Shakespeare in 1591. It will be a romance that will strongly challenge them, but as we see it will not break the bond of love they have for each other. In this task I will try to describe the pain, happiness, frustration, forgiveness, anger, and joy through a collection of shorts texts that come with the topic of persecuted, and forbidden love.
In life, one of the most baffling motifs that presents itself is the feeling of love. Whether you take it when you have it or be scared and back away is up to you. However, when you decide to take it and embrace it freely, this is when is when people finally decide to open up and be their true self. In the play Romeo and Juliet by Shakespeare, the author portrays a contrasting theme between how life and death relates with how dramatic their love can be.
When Medea kills her children, audiences react with shock and horror. Any sympathy viewers have built for the woman is, in the words of Elizabeth Vandiver, “undercut” by this act (15). Since Medea is the protagonist, we question why Euripides chose to make her a child murderer. Most scholars agree that he invented this part of the myth. He also lessened her role as witch by drawing attention to her human qualities. This only highlights the infanticide (14) because we cannot excuse her ruthless act as monstrous and non-human. However, Medea remains very human until after she kills her sons. Appearing at the end of the play in the deus ex machina, she takes over not only the position but also the
As the famous Greek playwright Euripides once said: “Stronger than lover's love is lover's hate. Incurable, in each, the wounds they make.” Such ideas are portrayed in one of him most famous plays, Medea. This play is a fascinating classic centered on the Greek goddess Medea. Despite its recent fame, during his time, Euripides was unpopular since he used what would be considered a ‘modern’ view where he would focus on women, slaves and persons from the lower classes. In the play, Medea commits filicide, which initially appears extremely horrendous, but as the audience is guided through the play, they develop sympathy towards Medea. In order to achieve this empathy and enhance the understanding of Medea’s pride and ideals, Euripides