Compare Zohra And Nacropolis

Thus, he treats her like a child and “laughs at [her]… ” and calls her a “‘...little girl’” (Gilman 90, 94). For these two female characters in “A Rose for Emily” and “The Yellow Wallpaper”, their struggles are a direct result of male dominance, and their coping mechanism escorts them away from the world that devalues them.

Middleton and Dekker collaborate to write The Roaring Girl, which concentrates on a real-life London woman named Moll Cutpurse. Moll was reputed to be a prostitute, bawd, and thief, but the playwrights present her as a lady of great spirit and virtue whose reputation is misrepresented by a small, convention-bound civilization. In the play, as in reality, Moll dresses in men’s attire, smokes a pipe and bears a sword representing a colorful and in the underworld life of Moll Cutpurse. She stood London on its head with her cross-dressing and gender-bending behavior, and illegal pursuits. Her defiance of women in this play is exceptional. Also, she is perhaps one of the only players to be scrupulously true to herself; some of the other characters display very hypocritical aspects. Such unorthodox and unconventional role, Middleton and Dekker implies, leads to her spotted standing. She is a roaring girl; An audacious and bold woman-about-town. But beneath this absence of femininity, is a courageous, high-principled woman. Moll interposes in the central plots and is associated in skirmishes with many of the characters, consistently showcasing her ability to stand up for the downtrodden and wronged. Therefore, Moll creates a 'third space ' that identifies her as importantly freed in her navigation of space and social relations.

In fact, most of them are unidentified and the reader may not identify a specific person that speaks in the different chapters. Thus, the audience may understand it is an embodiment of females focusing on structuring the major theme of the book, which is gender inequality. Additionally, the description of the female characters is equivocal such that the reader has to picture the image of the women. Although the author provides various photos in the book, there is absence of an explanation. Before this, the writer only concentrates on telling the story (Kim,165). Additionally, the author uses poetic approach to explain the setting in the book, which gives the novel distinct styles of writing. In fact, the poems are only meant to provide the reader with a description of the mothers and daughters, and this creates a distinction in the narrative. Resultantly, the audience perceives that when a poem appears in the reading, the author is probably narrating the plight of women. Notwithstanding, the novel uses visual art technique to communicate to the audience. in many instances, the author does not provide a description of an individual such that the reader has to imagine the person. In doing so, the readers are in suspense but the author offers a drawing that may be used to demystify the situation. in support of this style, it is apparent that the visual art may have

The people had been fertilized in tubes and divided into five classes. They all satisfied with their conditions and lived all their lives as what they had been conditioned to be. Just under this “brave new world”, human had lost their personal emotions, lost their love—sex had replaced love, lost their religions, lost their right to think and their creativities. I like this book better than Girl with a Pearl Earring is not only because of the edification it gives to me but its philosophical property and the great imaginary space it provides which the other one does not have. Although its writing style might seems dull and harder to understand compared to the other, but the various topics it involved such as art, science, religion, common sense, solitary, reflection, moral, stimulation, sex and suffering would make you get more than what you read. The story of Girl with a Pearl Earring described an obscure love story between maid Griet and the painter Vermeer. “I felt as if my parents had pushed me into the street, that a deal had been made and I was being passed into the hands of a man. At least he is a good man, I thought, even if his hands are not as clean as they could be.” The delicate descriptions about the character’s inner activity made this book more beautiful and mysterious. The weakness of the book is just the

The restricted roles of women, are explored by Chevalier in Girl with a pearl earring, through literary techniques which convey women’s complete lack of power, forever stuck on the outside of a man’s world, trapped and anxious with the little power they manage to obtain.

In the dram “Trifles” Glaspell uses symbolism and irony to prove how men’s lack of empathy toward women cause their downfall. This is the investigation drama where some officers are investigating a crime scene where a woman, Mrs. Wright, reportedly murdered her husband and while the officers were investigating they brought their wives to collect some clothing for her. By what they were saying, the officers were laughing at their wives because they thought they were paying attention to unimportant things, thus ‘trifles’. Where all the wives solved the case and the men did not.There is an obvious segregation between the men and the women, social, psychological, and physical.“Nothing here but kitchen things”.This was the first belittling comment

Mansfield’s description throughout the narrative is intriguing and captivating, pulling the reader into the drill hall and making them sway to the “oft, melting, ravishing tune” as though they themselves could have been Leila. Moreover, her use of description allows her to create the character of the “fat man” and utilise him to portray the idea that “happiness [doesn’t] last for ever.” Because she describes him as the fat man, who is old and wearing a coat that “looked dusty with French chalk”, she creates an evident contrast between the beautiful characters she initially described. Through this imagery, Mansfield subtly portrays Leila’s fears of losing the beauty of this first ball and emphasises that in fact, beauty doesn’t last. However, Mansfield plunges the reader back in to the dance, such that the almost

“Later that night when Thomas roller over and lurched into her, she would open her eyes and think of the place that was hers” this proves the point that she cannot even express herself sexually because she does not feel as if she has control in the situation.  Her mind wanders elsewhere, in a place where she is her own master, instead of what is reality. Additionally, the main character’s husband shows some selfish tendencies in the fact that he may not notice his wife’s discontentment with his affection.  However, this may also present the lack of communication between man and wife and therefore may cause a sense of isolation from her husband.

Susan Glaspell uses a variety of symbols in her play to demonstrate the stereotypical view and treatment of women by men during the start of the twentieth century. She intricately portrays the female characters in her story as intelligent, but passive due to the fact that males dismiss their ideas and conversations as unimportant. The play, Trifles, uses multiple symbols to show how men fail to recognize the intelligence of women, and oppress the feminists’ way of thinking throughout society.

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.

In addition, the feminist view of sexuality is evident throughout Rossetti’s poem. Laura and Lizzie’s magical experience portrays the pursuit for sensual awareness while struggling between physical identity and spiritual salvation. Furthermore, “She clipped a precious golden lock, she dropped a tear more rare than pearl, then sucked their fruit globes fair or red, sweeter than honey from the rock” (ll. 126-29) and “sucked until her lips were sore” (l. 136). With blatant sexual undertones, this pivotal moment signifies the character’s transition from maiden to woman or innocence to experience. Additionally, this exchange could be a metaphor for Laura’s relinquishment of her sacred virginity. As Laura falls sicker and slowly begins to deteriorate, Rossetti illustrates the consequences of succumbing to the temptation of men’s deceit and the importance of remaining pure. With use of vivid imagery, Rossetti further emphasizes the animalistic and uncanny

Similar to the weekly reading response that I did last week concerning The Brothers Grimm version of “Cinderella” by Philip Pullman, this week I found similarities and differences concerning gender norms within L'Héritier’s, “The Subtle Princess”. This story stood out to me the most this week due to its strong female protagonist, Finessa. And a piece of text that I found interesting was the portion of the story where Finessa threatens to slice Richcraft’s head if he advances any closer to her, “Emotion had fired up Finessa's complexion; but, although it was at him that her eyes sparkled with rage, it was only the sparkle, not the rage, that Richcraft could see, and she appeared all the more enchanting a beauty to him. Indeed,

A Symbol can be specified as an experience, from both a perceptive point of view as well as a creative one. The specific use of the term “Symbolism” relates to the cultured movement; of different styles of writing, that began in the nineteenth century which has a major role in literary arts. Susan Glaspell uses symbolism in Trifles as a literary device to highlight the theme of feminine identity. Here, Glaspell provides women with a numerous amount of symbols to justify their feelings and making it easy for them to hinder the investigation. In this drama, details are thoroughly thought out and selectively placed to give the reader more ambition to find their own explanation of the symbols. Glaspell’s symbolism helps paint a picture that is

All characters in the novel are living in a man’s world; nevertheless, the author has tried to change this world by the help of her characters. She shows a myriad of opportunities and different paths of life that woman can take, and more importantly she does not show a perfect world, where women get everything they want, she shows a world where woman do make mistakes, but at the same time they are the ones that pay for these mistakes and correct them.

Tehran, the capital of Iran, has its highs and lows. It is polluted by everything it encompasses. The city is jam packed with rapid highways, stentorian neighborhoods, and idiosyncratic citizens. City of Lies, written by Ramita Navai, perfectly sums up the way that this cryptic and disturbing city works. The novel follows eight very unique characters on Vali Asr Street who have a connection to the city that changed each of their lives. Each of them have very different backstories and personality traits that make them different from the last. But in the end, what brings them together is that they are all polluted by the city they call home. These characters, throughout their lives in Tehran, experience difficult pasts and hardships all because of the different ways of pollution in the city. This is evident when we read about Dariush’s environmental realization during his return to Tehran, when we read about many woman characters dealing with sexism and prostitution, and when when we read about the citizen’s opinions on the politics and organizations.