Sometimes the determination of one to achieve his goals and dreams causes him to walk over the feelings or goal of another, making a person fall victim to the other person's desires. Through themes such as hatred, betrayal, and revenge, two pieces of literature, Invisible Man written by Ralph Ellison, and Frankenstein written by Mary Shelley, support this statement to the fullest extent. In both stories, the main character becomes a victim to a person or persons seeking individual power. However, when both characters realize the betrayal of these people, the knowledge causes them to rebel against their authorities. In Invisible Man, a young Negro, who remains unnamed throughout the entire novel and lived during the 1950's, is expelled …show more content…
Though he succeeds with his experiment, and brings his work to life, the appearance of the creature instills such an enormous amount of fear in Victor that he becomes disgusted with his creation. After the horrible encounter with the estranged creature, Victor lets the beast go and flees back to his home in Geneva, hoping to never see the monster again. Upon Victor's return, however, his hopes are destroyed when he is
I can compare Frankenstein to the movie I saw by Tim Burton, Frankenweenie. They are similar but instead of a human body, it was a dog and the mad scientist was a young boy named Victor Frankenstein. The young Victor Frankenstein brings his dog back to life after being hit by a car for a science fair project while the real Victor Frankenstein wanted to create a real life human. Just like the real Frankenstein monster, the dog brings trouble. In the book, the mad scientist, denies the monster but in Frankenweenie, the young boy convinces his family and friends to like his creation. Some of his classmates had known the young Victor Frankenstein creation and was intrigued to do the same experiment like his but it went out of the standards of
The creature's physical grotesqueness makes the creature unable to attain affection from the human societies. The creature is initially rejected by his creator, who is the closest resemblance to a mother or father figure. Despite this relationship, Victor finds the creature to be a "miserable monster" (39). Consequently, as soon as life is present within the creature, Victor abandons his child. Victor claims that he "escaped, and rushed down the stairs" (40) away from the
The creature is renounced by Victor throughout the book, which removes any positive role model that the creature might have had. The two encounters that Victor has with the creature when it is first created are evidence of his rejection. The first is when Victor finishes creating the creature. During the process of creation, Victor dedicates himself so greatly that he "pursued [his] undertaking with unremitting ardour" (32). He puts aside everything else in his life, and concentrates completely on his purpose, which is to bring a being to life that would serve him. In order to do so, he spent an entire summer "engaged, heart and soul, in one pursuit" (32). Because of the hard work that Victor puts into his work of creation, he never really examines the fruits of his labour. He is too caught up in his work, and has "lost all soul or sensation but for this one pursuit" (32) of finishing his work on making the creature. So in the process of his creation, Victor is never really aware of what he is creating because he is too focused on the actual act of creation. However, when Victor finally finishes the work of making the creature, and takes time to look at what he has done, he is horrified by his accomplishment. As the creation opens an eye, and
Victor has become obsessed with studying (something no one should ever be interested in) and has locked himself in his room studying for days on end. He "applied so closely, it may be easily conceived that my progress was rapid. My ardour was indeed the astonishment of the students, and my proficiency that of the masters... Two years passed in this manner, during which I paid no visit to Geneva, but was engaged, heart and soul, in the pursuit of some discoveries which I hoped to make". (7) This early application of himself is what drove him to become lonely and reclusive, shying away from all who attempted to come into contact with him. He is also inspired in this chapter to start his reanimation project. He becomes consumed in this one project spending many months alone in the top of his apartment assembling his creature. He raided slaughter houses, grave yards, and dissection rooms to furnish what he needed to create his monster. The lines between life and death became blurred
Chapter 5 – Finally, months later, Victor’s creature is complete and brought to life, however; he is utterly disgusted with what he has made. He quickly rushes to bed and is awakened with his creature smiling over him (major point in the book). Victor leaves immediately. He later runs into his childhood friend Henry and experiences a great feeling of nostalgia. By the end of the chapter, he becomes ill because of the hard work he has put into this creation and receives a letter from Elizabeth.
The enormous difference in the way Victor views the creature before and after its completion shows that he has an altered state of mind while he works on it. As a result of Victor’s secrecy about his creation, he sacrifices his health and happiness to make a creature that disgusts him.
Due to Victor’s unwillingness to accept him, the creature was unable to conform to societal norms. From the creature’s very first moments, he is feared by others - the instant his eyes open, his creator cries out in terror and runs to his quarters. If only Victor had stayed and attempted to nurture his creation, instead of having “turned from [him] in disgust” (93), the creature may have enjoyed a gentle, upbringing in which he
In Frankenstein, Mary Shelley, explores the concept of humanity through distinguishing it from that of a demonic nature. This is done through a constant doubling between her two superficially opposing characters throughout the novel. Through the thematic use of nature, knowledge, wretchedness, and vengeance, sometimes as direct comparisons other times as striking contrasts, Shelley blurs the lines between human and demon within her own characters.
Victor, after being convinced to create a female companion for the monster, realizes that this will only create double the amount of destruction, he then makes the choice to discontinue his project to prevent more devastation. Instead of less damage resulting from this choice it only brings more harm to his life and everyone around him. First, his good friend Henry Clerval is murdered by the beast and Victor is accused of this murder, “The human frame could no longer support the agonies that I endured, and I was carried out of the room in strong convulsions.” (Shelley 129). This was Victor’s reaction upon seeing Henry’s corpse and demonstrates how deeply his pursuit for knowledge affects him. Even though he is later released on circumstantial evidence, he will be scarred for life knowing that he responsible for yet another death. Given that Victor destroyed the monster’s only hope of having someone else like him in the world; the monster swears revenge and that he will return on Victor’s wedding night. Victor misinterpreted this warning and instead of the monster attacking Victor, his creation attacked and
It is Victor's story that truly exposes the true theme of the story, with him speaking of his days as a child and his first friendship with the girl his parents adopted. He lives a fine life, full of joy and happiness with friend plentiful. When he goes to college he is without friends, but soon befriends one of the professors and engaged in lengthy conversations with him. This isn't the same friendship as before, lacking the real love and companionship of his family, and he soon begins work on his creation. He so overwhelmed by the idea of creating a perfect person he is blinded from the deformity of the creature. When the creature is finished he examines his work and is mortified by it, running and hiding he escapes the creature that soon wanders away. Soon after Victor becomes sick and deathly, he shuns society and people and is almost dead when his friend Clerval arrives at the college. Clerval nurses Victor back to health, but Victor isn't physically sick, he has just
The novel Frankenstein was written by Mary Shelley in 1818. This gothic romance novel tells the story of a philosopher who discovered how to create life, without the full knowledge that his actions could cause grave consequences. Universal Studios made the film version of this novel in 1931. Unfortunately, the film version of Frankenstein has more differences than similarities to the novel. In the novel, Victor’s mental obsession seems to be more severe than in the film. The character of Victor Frankenstein was portrayed in both the novel and the film as a veriphobe, or one who is afraid of the truth, in this case, the truth of his actions. He
While attempting to uncover the meaning of life and death, and though he believed his experiments would further the paths of science, Victor fails to see the potential consequences of “bestowing animation upon lifeless matter” (Shelley 37). This, in turn, creates a monster. After his “great” experiment, Victor spends his life in grief. Despite this, he manages to belittle his creation, and act superior to him, claiming that “I [Victor] will not hear you. There can be no community between you [the creature] and me; we are enemies” (Shelley 84). Even later on, when assured by the creature himself that Victor would be left alone if he creates a female counterpart, Victor cannot see past the shreds of pride he has left and refuses, causing the death of his family and loved ones. It’s Victor’s pride and his fear of the creature that clouds his judgement and in the end leads to his
Victor’s blindness to what his end result will produce is immediately revealed when his final work is a hideous creature. Victor, through repulsion, neglects caring for the creature in its blank slate, gradually fuelling the ambition it feels for revenge. With the monster isolated, he begins to learn, “I learned to distinguish between the operations
“In the beginning God created the heavens and the earth.” God is the creator of all things in this world, holy and unholy. It was him who created the birds, trees, oceans, and seas. He said “let there be light” and there was light. Then God said, “Let us make man in our image, in our likeness, and let them rule over the fish of the sea and the birds of the air, over the livestock, over all of the earth and over all the creatures that move along the ground.” There has been attempt to duplicate the almighty God’s creation, although, there are many differences, there are some mind blowing similarities.
Mary W. Shelley’s brilliant gothic story, Frankenstein, is one that emits the prevalent theme of light versus dark, in which possesses obvious characteristics of a novel written during the romantic era. The novel tells the account of the overambitious Victor Frankenstein, who created a monster in hopes that he’d be known for crafting something human from the body parts of corpses with physical and mental advantages in society, basically playing the part of God on Earth, but through the auspices of science. Instead of creating a “normal” human, his creation ended up being a disfigured creature who he then neglects. Upon his abandonment, the monster seeks revenge on Victor after being cast away by society due to harsh physiognomy in which