Compare the Presentation of the Themes Obsession and Control Found in The Collector, Othello and The Picture of Dorian Gray

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Compare the presentation of the themes obsession and control found in The Collector, Othello and The Picture of Dorian Gray
Shakespeare employs obsession as a thematic device extensively in Othello with many characters exhibiting complexes which come into direct conflict with the fixations of others, highlighting the self-destructive and all-consuming nature of obsession. This is reinforced by the climax of the play, the deaths of Othello, Desdemona and Emilia and Iago’s subsequent arrest and torture. Similarly, Dorian Gray presents various forms of obsession such as lust, infatuation and narcissism which leads, in most cases, to the destruction of the characters who are swiftly overcome by their vices or refusal to recognise the truth.
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Like a rich man telling a poor man to stop thinking about money,’ and ‘There was always class between us’. This can be seen as a metaphorical representation of the shifting power distribution of the time, the rise of the middle class instigated more opportunities for working and lower class people to gain wealth and power and further blurred the line between the traditional societal divisions. Clegg is representative of the old, caste-bound patriarchy and Miranda is a pioneer of the new, less rigid system. Miranda herself, however, makes reference to her hatred of ‘the new class people with their cars and their money and their tellies and their stupid vulgarities and their stupid crawling imitations of the bourgeoisie.’ and views Clegg as the epitome of ‘the new people’ although it is possible that this view is a result of her idolisation of GP and subsequent adoption of his ideologies and values rather than her own opinion as she also expresses her ‘…despair for days afterwards, thinking how much of their rotten, pretentious blood I must have in me’, in reference to her parents, implying that she feels she does not belong to the class she was born into or that she simply wishes to be free of the class-system altogether.
Iago’s obsession with Othello in specific is made most evident in his soliloquies

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