Compare the Ways Plath and Kesey Present Psychological Disorders and ‘Minds Under Stress’ in the Bell Jar and One Flew over the Cuckoo’s Nest?

The symbolism in this novel exposes the emotionally sensitive topic of society blindfolding people from the truth; once readers understand this message, they will most likely feel a sense of betrayal and anger towards the world and society they live in. But instead they should realize that almost every, if not all, novels conceal a message through their symbolism – and with intertextuality, the messages may not vary as much as one might think. Recognizing this, all readers should preserve these significant ideas and keep them in mind when facing daily situations in the world; they should work on distinguishing traps before falling into them and identifying the people who create them. Kesey teaches his readers that society is not as pleasant or honest as it seems, and Foster illustrates that almost every story conveys the same principles. Thus, it should be safe to say that anyone who reads Kesey’s novel – or in fact any novel – can never keep their eyes and mind open enough in the world around

Many pieces of literature have comparable characteristics, including the use of literary elements to portray deeper meaning. “The Story of an Hour” and The One Who Flew Over the Cuckoo’s Nest are great pieces of literature which keep their main focus around the use of symbolism, hidden in the plot. Whereas Mrs. Mallard, from “The Story of an Hour”, appears to be insane due to her husband, characters from The One Who Flew Over the Cuckoo’s Nest gains their insanity from Nurse Ratched, both authors incorporate symbolism in order to display themes and reveal character traits

Ken Kesey’s One Flew Over the Cuckoo’s Nest operates as an entertaining and interesting novel on a pure surface level. There’s a good story, well-developed characters and fresh language. It has all the workings of a good novel, but One Flew Over the Cuckoo’s Nest isn’t just a good novel. It’s a great one, because Kesey uses Chief Bromden’s perspective to let imagery flow out of the novel and have it all come back to one theme: individuality and its repression by society. This idea is highlighted by the image of gambling vs. playing it safe, whether in literal card games or as a way of living. The mental ward’s new patient, Randle Patrick McMurphy, is a self-described “gambling fool” (12)1, while his opposer, “Big Nurse” Ratched,

Only a few are able to utilize the power to control and manipulate situations which can lead to drastic outcomes. Those with an assertive and manipulative personality tends to use that to their own benefit and completely disregard the impact their personality has on the surrounding people and themselves. In Ken Kesey’s novel, One Flew Over the Cuckoo’s Nest, he expresses the theme of power and manipulation through two characters, Nurse Ratched and McMurphy. Both characters use their manipulative powers for their own advantage in a deceptive way that causes the patients admitted to the asylum to suffer rather than improve.

“One Flew Over The Cuckoo’s Nest”, is a commended novel written by Ken Kesey about a certifiable mental institution. Randle Patrick McMurphy is the character that Kesey has predominantly used to impact the reader. Kesey illustrated this by having a presumed deaf mute, Chief Bromden narrate the novel, focusing on how McMurphy influence’s the other deranged characters of the novel. In order to have McMurphy leave an impact on the ward, Kesey portrayed him as an anti- hero. “One Flew Over The Cuckoo’s Nest” is not the only novel to include an anti- hero; authors have included these types of characters to incorporate aspects of the human conditions to their literature. Kesey could have initially kept McMurphy as a hero; to save the day and fight

In “One Flew Over the Cuckoo’s Nest” by Ken Kesey, Nurse Ratched symbolizes the oppression of society through archetypal emasculation. The male patients at the ward are controlled, alienated and forced into submission by the superior female characters. Throughout the novel, there is a constant fear of female superiority; Randle McMurphy, the sexually empowered male protagonist, states how they are essentially being castrated. Castration, in the novel, symbolizes the removal of freedom, sexual expression and their identity. Furthermore, Nurse Ratched, the mechanical enforcer, represents American society: corruption, surveillance and the deterioration of individuality.

   In 1962, when One Flew Over the Cuckoo's Nest (the Nest), was published, America was at the start of decade that would be characterized by turmoil. Involvement in Vietnam was increasing, civil rights marches were taking place in the south and a new era of sexual promiscuity and drug use was about to come into full swing. Young Americans formed a subgroup in American society that historians termed the “counterculture”. The Nest is a product of time when it was written. It is anti-authoritarian and tells the tale of a man's rebelling against the establishment. Kesey used metaphor to make a social commentary on the America of the sixties. In this paper I will

One Flew Over the Cuckoo’s Nest is a controversial novel that has left parents and school authorities debating about its influence on students since its publication in 1962. The novel describes the inner workings of a mental institution, how the patients are emasculated and mistreated by the terrifying Nurse Ratched, who will go to any length to control them. But in comes McMurphy, a criminal who chose to go to an asylum rather than serve physical labor; he disrupts the order of the hospital with his big personality and loud opinions, undermining the authority of Nurse Ratched and encouraging the patients to live their own lives, until he too, is silenced forever by authority. With his novel, Ken Kesey paints society as an oppressive

An expecting couple awaits to discover the gender of their baby. The nurse announces that it’s a girl. The couple is extremely excited, but do they truly grasp the weight of what this implies? Gender is not simply a physical trait, as it affects nearly every aspect of a person’s life. Stereotypes repress the potential in all men and women. The same stereotypes are found throughout literature such as Medea by Euripides, Chaucer’s “The Wife of Bath’s Tale”, “Sonnets” by Shakespeare, “The Yellow Wallpaper” by Charlotte Perkins Gilman, and Frederick Waterman’s “The Best Man Wins”. A common thread between these pieces is that power can be gained by those who are suppressed by defying gender stereotypes and social hierarchies.

In Kesey’s 1950s novel ‘One Flew Over The Cuckoos Nest’ Nurse Ratched’s relationship with male patients is based upon differences they hold about gender and identity. Nurse Ratched is portrayed as a masculine misandrist figure that gains power from emasculation. She carries “no compact or lipstick or woman stuff, she’s got that bag full of a thousand parts she aims to use in her duties” . This implies nothing womanly about her as she prioritises her “duties”, suggesting that she aims to control her male patients by ridding her feminine qualities. In addition, she is shown in robotic with a chilling aura. This is evident when she slid “through the door with a gust of cold and locks the door behind her” . This indicates that as a power figure her only concern is controlling her male patients, making sure they are obedient and abiding by her rules. “Gust of cold” implies that by doing so she wholly ruins her relationship with the males due to her “cold” and callous methods. Daniel J. Vitkus states she is “the Big Nurse, an evil mother who wishes to keep and control her little boys (the men on the ward) under her system of mechanical surveillance and mind control.” Yet, can be argued that she is fulfilling her role of working as a Nurse within a mental institution. However Vitkus’s critique is similar to when McMurphy says “Mother Ratched, a ball-cutter?” McMurphy is a hyper masculine force against Ratched’s emasculating norms. Their relationship is essentially a power

Comparison of Book and Film of One Flew Over the Cuckoo's Nest by Ken Kesey There are differences and similarities in the book "One flew over the

Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.

We feel that One Flew over the Cuckoo’s nest is filled with many psychological connotations. This movie is set in a mental hospital where McMurphy was admitted to be psychologically evaluated because of violent behavior. Upon his arrival McMurphy noticed that the patients were very robot-like in their actions. The hospital is extremely structured where the patient’s daily life was monotonous. We will discuss the various connotations by answering the following questions that have been asked.

“For the concept of the monstrous feminine, as constructed within/by a patriarchal and phallocentric ideology, is related intimately to the problem of sexual differences and castration.” (Creed, 1993, p.2) Creed takes an interesting approach to Kristeva theory of abjection and Freud’s theory of castration and applies it to horror film. Taking Kristeva’s theory of the abject and the archaic mother, she constructs monstrous representations of the abject woman. The monstrous womb which is the representation of mans fear of woman’s maternal functions. “Fear of the archaic mother turns out to be essentially fear of her generative power. It is this power, a dreaded one, that patrilineal filiation has the burden of subduing.” (Kristeva, 1982, p.77) Freud argued that woman terrifies because she is castrated. “Castration fear plays on a collapse of gender boundaries” (Creed, 1993, p.54) She suggests, that Freud misread Han’s fear in the Little Hans and that Han’s viewed his mothers as the castrator not his father, that his mother’s lack of phallus is seen not as a castrated organ but that of a castrating organ. The mother-child border is entangled in the complex and multi-faceted image of the castrating mother. According to Freud, man fears that of the mother as castrated and as that of the cannibalistic all devouring mother. “Construction of a patriarchal ideology unable to deal with the threat of sexual differences as it is embodied in the images of the feminine as archaic mother and is seen as the castrated mother.” (Creed, 1993, p.22) Kristeva suggests that the notion of the castrated women is to ease mans fear of woman, who has the power to psychologically and physically castrate him. The archaic mother as the monstrous womb and the castrating mother can be used as a way of understanding the work of Mona Hatoum and AIne Phillips, both

For many years, men have always held and desired power, especially when pitted against the fairer sex. The struggle for men to assert power is prevalent in Ken Kesey’s One Flew Over the Cuckoo’s Nest, as the mentally-ill patients, led by Randle McMurphy, strive to remove Nurse Ratched’s subordination. Furthermore, Ernest Hemingway’s The Sun Also Rises explores the role reversal of power in the sexes, through the adventures of expatriates in post-WWI Europe. Despite being written decades apart, Kesey and Hemingway both explore the concept of sexual empowerment and degradation in both sexes. This is seen through the dominating role women partake in both novels, the notion of male insecurity, and the symbolic representation of the main