In the Importance of Being Earnest, two characters, Algernon Moncrieff and Jack Worthing fall in love with two women, Cecily Cardew and Gwendolyn Fairfax. However, from the start of the romance there are lies and deceit. Jack and Algernon pretend to carry on the names of “Ernest” instead of telling their true names to the women. They do this so they can escape their real lives and instead lead a double life. The two couples fall in love with each other and the women forgive the men eventually for their lies. In the next fifteen years, the couples will grow a strong bond and have a healthy marriage. Algernon considers marriage to be unpleasant and views it as a “business” matter. As he speaks to his butler, Algernon says, “Good heavens! Is
No one wants to be described as a deceitful person. When people utilize deception, they are often deemed liars, tricksters, or cheaters instead of being praised for their cleverness. As a result, many people are afraid to deceive others and fail to realize that deceit is actually a valuable skill for one to have. In the Importance of Being Earnest, Jack, Algernon, and Cecily reveal that the true purpose of deception is to help one escape societal roles while still being acceptable in society.
It is a well known phenomenon that many authors' lives are reflected through a character in their work. In Oscar Wilde's The Importance of Being Earnest, the double life, or double identity, can be seen as the central metaphor in the play, epitomized in Algernon's creation of "Bunbury" or "Bunburying". As this term is the only fictitious word employed throughout the text, it is crucial to critically analyze not only its use and implications, but more importantly, the character who coins the term; Algernon Moncrieff. In addition, it is also significant to note the marked differences between Algernon and Jack's perceptions of the notion of bunburying, as it further develops Algernon's character within the text. But perhaps the single most
The importance of being Earnest is a parody of Victorian society. Each character is exaggerated in some way. Men and women were expected to get married according to the Victorian standard. In Gwendolen and Cecily’s case, they both fell in love with the name of “Ernest”. This fixation on the name Ernest would’ve put pressure on Jack and Algernon as they would have to live up to the dreams of the girls due to Victorian ideals.
The dramatic ironies in “The Importance of Being Earnest” add to the humor of the play. At the very start of the play, the readers only have limited information about the characters. When Jack visits Algernon in his house, the readers are taken along not knowing any knowledge of the events beforehand. They learn along with Algernon that Jack has a make believe brother whose name is Ernest, and Jack uses Ernest in order to get out of many situations as well as an excuse to not be a proper gentleman at times. Algernon learns that Jack’s real name is not Ernest, but that it is really Jack. However, the readers are given the privilege of knowing Jack’s true name from the very beginning. Then Algernon confesses to his “bunburying,” which is essentially the fact that he has a made up friend who is ill in order that Algernon can use him as an excuse to free himself from unpleasant social scenes. The action continues when Jack becomes engaged to Gwendolen under the false pretenses of the name Ernest. Skipping forward, Algernon visits Jack’s niece, Cecily, at Jack’s house in the countryside. Here is one of the first instances of dramatic ironies. Algernon introduces himself to Cecily as Ernest, Jack’s younger wild brother. The readers know that he is not, and that Ernest is made up in the first place. This creates humor due to the suspension it builds. The reader anticipates when Cecily will find out the truth, and how it will affect her. The plot thickens when Jack announces to Canon Chasuble that his brother Ernest is dead, while at the same time Algernon is pretending to be Ernest at Jack’s home. Once again this creates suspension because the reader has
It was highly moral for a man to have a family and to be current in marriage; it boosts up his image and role in society. A man, who has been out of marriage for too long, is seen as idle. Wilde presents two characters, Algernon and Jack, who have a dispute whether marriage is silly or not. It suggests that not every Victorian man were keen on the idea of marriage. In the Importance of Being Earnest, Wilde displays a
That exchange between Lane and Algernon about the champagne is immediately followed by Algernon’s exclamation: “’Good heavens! Is marriage so demoralizing as that?’” Lane replies, “’I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person’”
Algernon’s stances on marriage, relationships, and self accurately describe his selfishness. Not only does Algernon destroy his own sense of reality, he destroys everyone else’s concept of the truth. The Importance of Being Earnest is meant to make people laugh; unfortunately, Wilde’s characters are so rude and condescending that the reader can have trouble finding the humor. This play is so full of unhealthy relationships that one has to assume that nothing will work out in the end. Algernon is an egomaniac, and there is no doubt that his attitude will rub off on Cecily, Jack, and
The Importance of being Earnest includes three acts, with seven major characters. In act one, we start with a conversation between Jack (a notable bachelor) and Algernon (an in debt bachelor, with a laid back temperament), in which we learn both have made up 'friends,' who are often sick, as to escape from wherever they live whenever they want. We also learn
The Importance of Being Earnest is about a man named Jack Worthing who works several jobs in his town servicing other people. For many years, Jack has pretended to have a brother named Ernest who is supposedly off living a life on the edge on the pursuit of happiness, while managing to get into constant trouble. What Jack’s community doesn’t know, is that Ernest is just a made up person whom Jack uses as an excuse to leave work anytime he wants and to visit his lover Gwendolen. In the beginning, no one else knows that Ernest is actually Jack’s secret identity, until later in the play when Jack meets Algernon, who becomes
“Pardon me, you are not engaged to anyone. When you do become engaged to someone, I, or your father, should his health permit him, will inform you of the fact. An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be. It is hardly a matter that she could be allowed to arrange for herself” (Wilde, 622). Lady Bracknell’s harsh criticism and stubborn ways are customary of upper-class mothers in the era. Ironically enough, Algernon later develops a kind of forbidden love. The object of his affection is young and being taught to be unimaginative and serious.
Before this direct reference, the theme has only been alluded to when we notice how keen Algernon is in keeping Lane at his proper social ‘place’- a servant who does not discuss his domestic issues with their boss or social betters. Romance is clearly a theme that the play deals with and is introduced by the caustic reference to the relationship between his cousin and Mr. Worthington- ‘My dear fellow, the way you flirt with Gwendolen is perfectly disgraceful. It is almost as bad as the way Gwendolen flirts with you’- clearly this cannot be anything else but love. The play is also very concerned about the issue of extravagance. Algernon is an extravagant young man, a fact Mr. Worthington does not appreciate and tries again and again to discourage when they discuss Algernon’s culinary tastes. Through the various comments by the characters the play reveals the authors cynicism towards the marriage institution which he relentlessly attacks as the flippant ‘in married households the champagne is rarely of a first-rate brand’ and through such play with words as ‘divorce was made in heaven’ rather than ‘marriages were made in heaven’.
Oscar Wilde’s play entitled “The Importance of Being Earnest” illustrates the concept of dual personality, fantasy, love, and lies. Jack, Algernon, Gwendolyn, and Cecily all live in lies. They are manipulated by their fantasies and desire for perfect relationship and love. Jack, the protagonist in the play, is the root of lies because of his imaginary brother named Earnest. Algernon uses the name to win Cecily, while Gwendolyn and Cecily are both fascinated by this name because it expresses strength and perfection of manhood. Due to their search and desire to have Earnest, the male and female characters escape from the reality. Therefore, Wilde in The Importance of Being Earnest portrays a gender doubled
Gender fluidity through the characters’ personalities and actions is subtly utilized in both plays to comment on the social traits expected of both sexes. In The Importance of Being Earnest, Jack and Algernon exhibit immature personalities through their Bunburying. When Algy says to Jack, "I have invented an invaluable permanent invalid called Bunbury, in order that I may be able to go down into the country whenever I choose" (Wilde, 301), it demonstrates Algernon’s yearning for an aesthetic life free from the social correctness. The same behaviour is seen in Jack through his creation of Ernest, and Algy’s comment on Jack being “one of the most advanced Bunburyists I know” (|Wilde ?301). Their desire to escape the monotonous routine of their daily lives reveals their
insinuates the importance of being honest and truthful, while playing on the male name, Ernest. The pun in the title is a case in point. The earnest/Ernest joke strikes at the very heart of Victorian notions of respectability and duty. Gwendolen wants to marry a man called Ernest, and she doesn’t care whether the man actually possesses the qualities that comprise earnestness. She is, after all, quick to forgive Jack’s deception. In embodying a man who is initially neither
The Importance of Being Earnest appears to be a conventional 19th century farce. False identities, prohibited engagements, domineering mothers, lost children are typical of almost every farce. However, this is only on the surface in Wilde's play. His parody works at two levels- on the one hand he ridicules the manners of the high society and on the other he satirises the human condition in general. The characters in The Importance of Being Earnest assume false identities in order to achieve their goals but do not interfere with the others' lives. The double life led by Algernon, Jack, and Cecily (through her diary) is simply another means by which they liberate