Comparing Ancient and Classical Art

Art is able to transport its viewer through time and connect us as a community. Audiences are able to infer the content and context of the artwork. Art displayed through different mediums and about different topics can share many similarities and draw connections between one another. Exodus, created by Shelby Lechman (2015), uses oil paint on canvas to depict a young boy and father in a train car, leaving their home in Hungary during the time of the Hungarian Revolution (fig.1). Back into the Earth: Creation and the Interpretation of Meaning, created by Tamara Himmelspach (2015) is a series of 11 prints and a physical dress displaying the designer in a jingle dress representing the traditions of the Ojibwa culture

The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.

Over a span of 2,000 years, monuments have been added to Stonehenge. While most are buried today, they are still visible and well preserved. Stonehenge’s features include the Aubrey Holes, 350 burial mounds, Cursus, Woodhenge, Durrington Walls Henge, Stonehenge Avenue, and West Amesbury Henge. The Aubrey Holes were the first monuments in Stonehenge, built around 3,000 BCE. The Aubrey Holes were 56 pits inside of a circular enclosure formed by a bank and a ditch. Its main purpose was to store cremated ashes of dead bodies. After the Aubrey Holes were made, bluestones and sarsens were dragged from long distances to construct the circular stone monument. The 350 burial mounds were long barrows meant to cremate and bury the dead. The Cursus, built from 3600 to 3400 BCE, were two long earthwork enclosures. Both Woodhenge and Durrington Walls Henge were timber circle monuments built in 2,300 and 2,500 BCE, respectively. Stonehenge Avenue was an ancient road that lead to Stonehenge monument and was built from 2,500 to 1,700 BCE. Finally, West Amesbury Henge was a stone circle monument built in 2,400

This is proof of the Sumerian architectural abilities. The architecture in Mesopotamia are considered to have been contemporary with the founding of the Sumerian cities, but there was some complexity in the architectural design during this Protoliterate period (c. 3400-c. 2900 BC). This is shown in the design of many religious buildings. Typical temples of the Protoliterate period--both the platform type and the type built at ground level--are, however, much more elaborate both in planning and ornament. The interior was decorated with cones sunk into the wall, covered in bronze. Most cities were simple in structure, but the ziggurat was one of the world's first complex architectural structures.

In this paper, I will describe, compare, and contrast two paintings of the same name, The Annunciation by Gerard David and Joos van Cleve. Beginning with Joos van Cleve’s work, we see the virgin Mary kneeling down before an opened book. An illuminated dove with its wings spread is suspended above Mary. An angel is standing beside her, making a gesture. Both figures are inside an ornately decorated, well lit bedroom.

Ever since man began building structures and settling land, art has manifested itself in our architectural creations. Whether it be to celebrate or worship a God or Gods, a grand sculpture to bury a powerful leader or remember them by, or to show a culture’s dedication to specific values, our architectural constructions have led to some of the finest art this Earth has ever seen. The Taj Mahal and Palace of Versailles are two great examples of such art. By examining each of these individually, and then comparing and contrasting them, it will become clear that no matter how different looking these buildings may be, they still serve the same purpose to the civilizations that erected them.

The Great Stupa at Sanchi was constructed around the third to first century BCE. The Great Stupa is a burial mound that is not a tomb but used to house relics of Buddha. Around the stupa is the fence with toranas that are intended to protect the remains of Buddha form the outside world. These fences are adorned with relief sculpture that tells of Buddha’s past lives. Buddhists will make pilgrimages to this location to further their walk to enlightenment. A visitor of the Great Stupa would enter through one the toranas, walk up the stairs, and then walk around the structure in a clockwise direction. This is called circumambulation and is supposed mimic the movement of the earth and the sun to bring the visitor in to harmony with the

Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no

Both Etruscan and Roman tomb sculpture function to memorialize the departed allowing them to move on from the world of the living and seeks to comfort those who have lost the ones they love. The two societies have differing practices in regards to death and therefore sculptures concerning the subject are somewhat different with a few identifiable similarities. While both societies seek to comfort the living and commemorate the dead this is achieved through different approaches. The Etruscan Sarcophagus with reclining couple from Cerveteri, Italy and the Mummy of Artemidorus from Roman Egypt are two examples of contrasting representations of the dead. When analyzing tomb sculpture one of the main questions is whether the work adapts a retrospective approach (presentation of the deceased as they were in life) or a prospective one (the viewpoint of looking forward to life beyond the grave). While the Etruscan sarcophagus gives a more retrospective memorialization through the depiction of the couple in a state of regularity the Roman Mummy of Artemidorus presents a more prospective approach concerning the deceased through the emphasis of funerary practices.

This essay will compare and contrast the work of two sculptors who use the human form as a basis of their artwork. The first sculpture “Apollo and Daphne” by Gian Lorenzo Bernini was created in 1622 and portrays a Romanian story. Where as “Two Women” by Ron Mueck is a hyper realistic sculpture made by an Australian contemporary artist.

Art during the Italian Renaissance differed from art during the Middle Ages. The two have contrasting characteristics and concepts. To the people in the medieval world, religion was their life. Everything in daily life focused around the church and God (Modern World 164). Medieval culture influenced the arts; this was evident in the religious themes. During the Italian Renaissance, painters and other artists focused on the portrayal of a more humanistic way of life. Renaissance artists’ work portrayed realism with “lifelike human figures in their paintings” (Modern World 164). Renaissance artists wanted to express ancient Greek and Roman cultures in their work (Modern World 162). Italian Renaissance

Our world is full of so many grandiose monuments, eye-catching sculptures, and stunning statues, each having an individual story to tell. Thousands of them have been created however, only a small number of them are actually extraordinary and picture-worthy. This paper will compare and contrast two of those picture-worthy sculptures. Furthermore, I will examine the aspects of each of these sculptures. I will compare and contrast what each of them represents, the differences in texture, their size and their tone.

In many places throughout the world many buildings, monuments and sculptures have been made. Some were made centuries ago, and some were made recently. Many works of arts are significant or a great part of history. Some of the many buildings that have been made throughout time could have also been dedicated to someone or something. For example, the Arch of Titus was dedicated to Titus. Another example would be the Arc de Triomphe which was dedicated to soldiers. Many buildings can have a very significant meaning behind them, in the following essay I will be speaking about the importance of both of these works of art, which are the Arch of Titus and the Arc de Triomphe.

     This paper will compare the themes found in the paintings “Madonna and Child with St. John the Baptist and an Angel” by Domenico di Bartolomeo Ubaldini (Puligo) and “Madonna Enthroned” by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

The Great Stupa of Sanchi is located in Sanchi, which lies in central India. The Great Stupa follows the same basic structure blueprinted for all stupas. What makes this one so unique is that it stands fifty feet high and has two different levels that are designed to be circumambulated. There are four gates that the Buddhists enter