Comparing Araby and Genesis Essay

The purpose of the creation story is not central to the Bible but serves as a prologue to the historical drama, which are the central concerns of the Bible. The narrative focus in the Bible is on the story that begins with Noah and is centered on the exodus from Egypt. The central event in the Bible is the creation of the covenant and the giving of laws and commandments. Although the creation of the world in Genesis I and the pronouncement of the Ten Commandments in Exodus 20 are two completely different accounts in the Bible, there lies a similar theme between them: God creates an orderly and hierarchical universe, both natural and moral.

In "Araby" by James Joyce, the narrator uses vivid imagery in order to express feelings and situations. The story evolves around a boy's adoration of a girl he refers to as "Mangan's sister" and his promise to her that he shall buy her a present if he goes to the Araby bazaar. Joyce uses visual images of darkness and light as well as the exotic in order to suggest how the boy narrator attempts to achieve the inaccessible. Accordingly, Joyce is expressing the theme of the boys exaggerated desire through the images which are exotic. The theme of "Araby" is a boy's desire to what he cannot achieve.

The boy's final disappointment occurs as a result of his awakening to the world around him. The tawdry superficiality of the bazaar, which in his mind had been an "Oriental enchantment," strips away his blindness and leaves him alone with the realization that life and love differ from the dream. Araby, the symbolic temple of love, is profane. The bazaar is dark and empty; it thrives on the same profit motive as the market place ("two men were counting money on a salver"); love is represented as an empty, passing flirtation.

James Joyce’s “Araby” is a short story narrated by an adolescent boy who falls in love with a nameless girl on North Richmond Street. Every day this boy watches her “brown figure,” which is “always in [his] eyes,” and chases after it (27). According to the boy, “lher image accompanie[s] [him] even in places the most hostile to romance” (27). He thinks of her bodily figure often, invokes her name “in strange prayers and praises”, and emits “flood[like]” tears at the mere thought of her (27). The boy exhibits all this emotion, despite the fact that he “had never spoken to her, except for a few casual words"(27). Therefore, when he finally has a conversation with her, about a Dublin bazaar called Araby, it causes him to become disoriented. The boy fails to concentrate at his Christian Brother School and at home, because Mangan’s sister finally talks to him. The boy, determined to get something for his lover at the bazaar she cannot attend, asks his uncle for money. However, to his distress, his uncle forgets and the boy is unable to attend the bazaar until “it [is] ten minutes to ten” (31). This delay and the long journey by train causes the boy to become irritated. His irritation soon turns to anger as he enters the bazaar only to find it practically empty except for two men with “English accents” and a female engaged in a conversation (32). At this point, the boy loses interest in buying anything at the bazaar for his lover and decides to feign interest to appease the

The narrator “Araby”, an unnamed young Irish boy, living with his aunt and uncle on North Richmond Street, residing in a house once occupied by a now-dead priest. The narrator, an orphan, spends his days attending school, spending time with his friend Mangan, and pining after Mangan’s sister. The narrator lives a relatively normal live, although he gradually becomes more consumed with the idea of Mangan’s sister, “I could not call my wandering thoughts together. I had hardly any patience with the serious work of life which, now that it stood between me and my desire, seemed to me child’s play” (Joyce, 124. The narrator idealizes Mangan’s sister, barely speaking to her, yet he

The plot in “A&P” begins when the three girls who walk into the grocery store wearing their bathing suits. The conflict of the plot is the the girls who walked into the grocery store wearing nothing but their bathing suits. In this time period it was socially unacceptable for girls to walk around showing a lot of skin. The manager, Lengel confronted the girls for dressing inappropriately and because of this Sammy quits his job right after Lengle confronted the girls. Sammy removed his apron and bow tie and walked out of the store. When Sammy gets outside he expects the girls to be waiting for him but they are gone. The plot in “Araby” starts by the narrator telling the readers how he is obsessed with Mangan’s sister. He says “Every morning I lay on the floor in the front parlour watching her door. The blind was pulled down to within an inch of the sash so that I could not be seen. When she came out on the doorstep my heart leaped” (Joyce 331). Mangan's sister tells the narrator about the Araby. She tells him that she wants to go but cannot. The narrator decides that he is going to go to the Araby to get his crush a gift. When he gets there most of the stalls are closed and he does not have enough money to buy her anything so he comes home with nothing. The

accept his offering for it was all that he had and did not know how to

When the narrator first encounters the girl, his friend's older sister, he can only see her silhouette in the “light from the half-opened door”. This is the beginning of his infatuation with the girl. After his discovery, he is plagued by thoughts of the girl which make his daily obligations seem like “ugly, monotonous, child's play”. He has become blinded by the light. The narrator not only fails to learn the name of his “girl”, he does not realize that his infatuation with a woman considerably older than himself is not appropriate. He relishes in his infatuation, feeling “thankful [he] could see so little” while he thinks of the distant “lamp or lighted window” that represents his girl. The narrator is engulfed by the false light that is his futile love.

In her story, "Araby," James Joyce concentrates on character rather than on plot to reveal the ironies inherent in self-deception. On one level "Araby" is a story of initiation, of a boy’s quest for the ideal. The quest ends in failure but results in an inner awareness and a first step into manhood. On another level the story consists of a grown man's remembered experience, for the story is told in retrospect by a man who looks back to a particular moment of intense meaning and insight. As such, the boy's experience is not restricted to youth's encounter with first love. Rather, it is a portrayal of a continuing problem all through life: the incompatibility of the ideal, of the dream

     The second paragraph of ?Araby? presents the idea of the Adam and Eve story known as ?The Fall.? ?The wild garden behind the house contained a central apple

“Araby,” is a story of emotional passion carefully articulated by the author, James Joyce, to mark the end of childhood and the start of adolescence. It is told from the perspective of a young boy who is filled with lust for his friend, Mangan’s, sister. He lives in a cheerless town on a street hosting simply complacent families who own brown faced houses that stare vacantly into one another. The boy temporarily detaches himself from this gloomy atmosphere and dwells on the keeper of his affection. Only when he journeys to a festival titled Araby, does he realize that his attempt at winning the heart of Mangan’s sister has been done in an act of vanity. Joyce takes advantage of literary elements such as diction and imagery to convey an at times dreary and foolishly optimistic tone.

James Joyce’s short story Araby delves into the life of a young adolescent who lives on North Richmond Street in Dublin, Ireland. Narrated in the boys’ perspective, he recounts memories of playing with friends and of the priest who died in the house before his family moved in. With unrestrained enthusiasm, the boy expresses a confused infatuation with the sister of his friend Mangan. She constantly roams his thoughts and fantasies although he only ever catches glimpses of her. One evening she speaks to him, confiding that she is unable to visit Araby, a bazaar. Stunned by the sudden conversation, the boy promises he will go and bring her back a small memento. In anticipation, the boy launches into a period of restless waiting and distraction

The boy starts to even think of her daily. “Her image accompanied me even in places the most hostile to romance (Araby 86).” Informing us that the boy thinks of her even when romance is not around or in a place to be. She is running through his mind and not even in his

The story of “Araby” is that of a young boy probably about the age of adolescence who is having his first crush on his friends sister. Although the boy seems to have no intention of realistically perusing the situation when the girl

169). The rooms are described as, “musty from having been long enclosed, hung in all the rooms, and the waste room behind the kitchen was littered with old useless newspapers (p. 169).” Already, the reader can get an image in their head using a bit of imagination. The setting at the beginning of the story suggests that the boy lives in an older building. Not only is the building depicted as old but the former tenant who lived in the house was a priest (p. 169). The settings also move to the bazaar that the boy attends in hopes that he can purchase an item for Mangan’s sister. The bazaar is called Araby, which happens to be the title of the story. The bazaar is a charitable event one that the boy hopes to attend. By the time the boy could attend the bazaar, it was shutting down for the evening as the boy had arrived late into the night. The boy was discouraged into buying any items from the vendors because the one that was open the vendor had a distasteful tone in her voice and it was not at all encouraging for the boy (p. 173). The setting is just one component of the story the plot is