Aristotle believed that “good literature” was composed of 6 different elements. These elements include plot, character, thought, diction, melody, and spectacle. Of these 6 elements he believed plot was the most important followed by character. Aristotle defined plot as the story or action of the play. He defined character as all of the qualities readers associate with different individuals in the play. He said that thought was the process in which characters come to decisions. It’s essentially the process of reasoning that leads a character to do something. Aristotle defined diction as the composition of the lines spoken. He said melody referred to the vocal compositions integrated into the performance. Lastly, he defined spectacle as the costuming, scenery, and all other visual aspects within the play. Aristotle believed that it took all of these elements to create a good piece of literature. The play Antigone by Sophocles contains all of Aristotle’s poetics in one way or another. This review will focus on the elements of plot, character, and melody.
Aristotle says that a plot is essential to any story, so of course it must be reviewed. The plot of a Greek tragedy typically has a certain structure. The structure is made up of 5 parts; the prologue, the parode, the episode, the stasimon, and the exode. The prologue is where the tragedy’s topic is introduced. This is also the beginning of the play. The parode is the entry chant of the chorus. The episode
As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's
The original play of Antigone was written 1000s of years ago but, this movie was made in the 1940s during the second world war. The French Government was controlled by Nazis, when showed the play, both the french resistance and the Nazi party loved it. When one analyzes the characters to this situation you find that Creon relates to the Nazi party and Antigone is like the French rebels. Antigone is like the rebels because she is going against the wishes of Creon and wants to give her brother a proper burial and Creon is like the Nazi party because it was his decision to make sure that his nephew got the punishment he deserved even if it meant going against his family values.
In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.
“He’s honoring one with a full funeral and treating the other one disgracefully!”(Line’s 26-27) Antigone is opposed to her uncle Creon unlike his pointless actions. Antigone is sallow, withdrawn, and recalcitrant. Creon is powerfully built, but a weary man who suffers the burdens the rule. Antigone and him don’t have a good bond nor do they like each other because of his personality. He tells Antigone that he’s only interested in his political and social order. Creon is simplicity.
Aristotle wrote the book called Poetics. In this book Aristotle talks about the six elements that make up a play. They are plot, character, idea, language, music, and spectacle. In any response of a play one should keep these six elements in mind. The Wolves was written by Sarah DeLappe and is a dramatic comedy.
The main criteria set by Aristotle involves the plot and the plays main character. According to Aristotle, for a tragedy to be both successful and effective there must be a reversal, a "change from one state of affairs to its exact opposite", and there must be recognition, "a change from ignorance to knowledge" on the part of the main character. The plot should not be
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to
Othello, takes place in Venice during an attack of the island of Cyprus . The
The tragedies of Antigone and Othello were written with great depth and are structured in such a way that both characters are victims, in spite of their crimes. Antigone and Othello are tragedy plays created by using many techniques to create the feelings of fear and pity. There are differences and similarities in characters, action, and themes between Antigone and Othello.
Aristotle’s “The Poetics” describes the process of a tragedy. It is not the guide per se of writing a tragedy but is the idea’s Aristotle collected while studying tragedies. A tragedy, according to Aristotle, consists of six major points. The first and most important is the plot, which is what all the other points are based on. Such points are: character, language, thought, melody, and spectacle (Aristotle). A prime example of the usage of these parts in a tragic drama is evident in Sophocles’ “Oedipus Rex”.
In Antigone and Lysistrata the tension between the polis and oikos is reflected in different ways. Antigone prioritizes oikos over polis, while Creon prioritizes polis over oikos. The men in Lysistrata favor fighting for the state over being at home while the women want their husbands with them instead of being at the war. We find ample evidence of different conflicts and similarities in both plays, but the male's prioritizing polis over oikos and the female's prioritizing oikos over polis causes the central tension in Antigone and Lysistrata.
For centuries men have been finding ways to gain control over everything and everyone. One group that has been oppressed by men throughout history are women. Men have placed rules and regulations upon women making them seen as unequal and inferior. Was it fear? Was it the hunger for power? Was is the highness of superiority? Whatever the reasons were, men had to be seen as the highest being next to whom they worshiped. In the play Antigone by Sophocles, the audience is exposed to the roles of men and women in an ancient Greece society known as Thebes. Although ancient Greece was a male-dominant society where women had as much freedom as a slave, Sophocles’ main character in the play, Antigone, is an example of a brave, strong-minded woman who goes against the limitations that were unfairly set upon women during that time to do what she believes is right. In this play, gender roles assists in the process of portraying the story since it affects some of the decisions of the characters and helps lead the story into the climax.
Aristotle the famous philosopher outlined several requirements in which a play or piece of drama is to follow.
Every character plays an essential role in any story. Whether it is a protagonist, an antagonist, or a supporting character. Each personality improves the plot of the story. In the plays Hamlet by William Shakespeare and Antigone by Sophocles, Hamlet and Antigone are the tragic heroes whose need for justice are center of the novel. In this argumentative paper, I will compare both characters, Hamlet and Antigone, as they seek justice but instead achieve the role of a tragic hero.
It is plain to see what about the character of Antigone it is that makes this a tragedy. Tragedy is defined as a dramatic composition dealing with a serious or somber theme, and this story fits all these criteria. First of all, it involves a tragic course of events that involved both of her brothers dying and then being completely disrespected even in death. She felt she had to rectify this mistake, even though it was against the law, and the opposition was too great. Because of her attempt to rectify the injustice, even more tragic things happened to her and her family. This is why she is a tragic heroine.