Comparing Ashima And Ashoke's Culture

In her essay “My Two Lives,” Jhumpa Lahiri, an Indian American, explains the balance between the identities of the two countries inside her heart, as well as her psychological struggle between her bicultural identities. She describes herself as an Indian-American because she moved with her family from India to the United States when she was very young. However, confused with her identity through her growth, she feels that she doesn’t belong to either of the two countries because of its completely different cultures. When she is at home, she deals with her parents in an Indian way, which is strange compared to the American way that she come across outside. She says that she has a distinctive identity in spite of her Indian appearance

This book depicts the national and cultural status of the immigrant mother, who is able to preserve the traditions of her Indian heritage that connect her to her homeland. Ensuring a successful future for her American-born children is coordinated with the privilege of being an American citizen. Ashima yearns for her homeland and her family that she left behind when

In the“Interpreter of Maladies” the Das family is on vacation visiting their family in India. At first the Das family has a positive insight; both Mr. and Mrs. Das are born US citizens, and Mr. Das is his parents live in India, and that they are close to their family. 'The family looked Indian but dressed as foreigners did,, the children in stiff, brightly colored clothing and caps with translucent visors'” The is nothing wrong with that but it does show they are close enough as a family to dress similarly. But soon their lack of family values is revealed. This is first shown when Mr. and Mrs. Das argue over who should take their daughter Tina to the bathroom. The fact that they are a married couple and are arguing over something as simple as this, shows they are immature. Next after Ms. Das takes her to the bathroom, their son Ronny runs out of the car to look for a goat, and Mr. Das does nothing to stop him, but asks his even younger son Bobby to go look after him.

They conclude with the huge difference that is being live between the two generations. But what they reflect is the importance that the Indian culture gives to the family, they say that the family is very important and whether they young folks are entering to a new world they still keep their roots with them.

A person has always been able to choose to what extent their cultural experiences affect their perspective. Amy Tan’s, “Two Kinds,” Bharati Mukherjee’s, “Two Ways to Belong in America,” and Robert Lake’s, “An Indian Father’s Plea,” all show how the main characters have chosen to let their experiences have an effect on their cultural identity. A person’s cultural experiences shape perception based on their own identifications and they may chose to assimilate to different cultures.

Sula dislikes her disheveled house, and wishes that she could live in a household as clean as that of Nel. Sula?s positive view of Nel?s home challenges Nel to see it in a new light, teaching her to appreciate. This concept stays current throughout the early years of their relationship, each opening the other?s eyes to new idea and ways of living and as they do their friendship grows stronger. The two become practically inseparable, living completely symbiotically and depending on each other for everything. However, this relationship is destined to change.

Immigrants’ refusal to appreciate a fused culture promotes division. Mukherjee questions the idea of immigrants losing their culture for American ideals: “Parents express rage or despair at their U.S.-born children's forgetting of, or indifference to, some aspects of Indian culture,” to that Mukherjee asks, “Is it so terrible that our children are discovering or are inventing homelands for themselves?” (Mukherjee, 1997, para. 28). Many immigrants experience anger when their children no longer hold the ideals of their home country. This tension produced within the household hinders the unity within a resident country’s culture and encourages division within families. Using herself as an example, Mukherjee provides another instance of anger directed at her from her own subculture: “They direct their rage at me because, by becoming a U.S.

She explains her thesis by stating “Others who write stories of migration often talk of arrival at a new place as a loss of communal memory and the erosion of an original culture. I want to talk of arrival as a gain,” (360). The key points of the text include Mukherjee describing her transition between Calcutta and the United States, and what it means to be and American and how culture influences that aspect. The information in the text is significant; the people of America are a part of a melting pot, sometimes it is hard for them to find the distinction between American culture and their own. The information in Mukherjee’s story is clear and specific, unbiased, and is relevant to the purpose of the story. I believe Mukherjee has achieved her purpose of informing her audience about cultural differences; she presents certain strengths and weaknesses within the text.

Many second generation minorities from immigrant parents are driven subconsciously to conform to new culture and social norms. For foreign born parents and native born children integrating the two cultures they inhabit brings about different obstacles and experiences. In Jhumpa’s “The Namesake” the protagonist Gogol is a native born American with foreign born parents. The difference with birth location plays an important role in assimilating to a new society in a new geography. The difficulty for parents is the fact that they’ve spent a decent amount of time accustomed to a new geography, language, culture and society which makes it difficult to feel comfortable when all of that changes. For Gogol the difficulty only lies with the cultural norms imposed by his parent’s and the culture and social norms that are constantly presented in the new society.

A person’s heritage and cultural identity may be lost when moving to a new country where the culture is different and other cultures are not easily accepted. In the short story “Hindus”, Bharati Mukherjee uses setting, characters and the plot to discuss what it is like to lose your cultural identity while being a visible minority in America. Mukherjee uses the plot to describe the events that take place in the main characters life that lead her to realize how different the culture and life is in the America’s. She also uses the characters as a way of demonstrating how moving away from one’s culture and heritage can change a person’s perspective and ways of thinking. Mukerjee also uses setting in her story to identity the physical differences in culture between living in India and America. Alike the setting and characters, the plot helps describe the loss of culture with a sequence of events.

Forming a new identity in a foreign country is not an easy task. Immigrants usually face challenges to identify themselves. Identity formation is the development of one’s distinctive personality due to particular reasons such as new environment, new culture and conflicts. During the process, some characters from Jhumpa Lahiri’s The Namesake either create or deny the bond with their own culture; some undergo conflicts among generations. Those processes reflect significantly in Ashima and Gogol throughout the book. The degree of assimilations determines to what extent the characters have formed the new identity in the new culture.

As Ashoke settled in the United States with his new wife, Ashima, as first-generation immigrants and started their own family, Ashoke insisted to her wife the life that America can offer to their children, from sufficient education and multiple possibility of a better future than a life in India. Ashoke’s principle towards life proves the conceptualized idea of America’s supremacy in different sociocultural aspects that again places the Asian Americans in the margin of the culture paradigm. Racism is another portion of the marginalization that is displayed in Nair’s film. A scene from the movie exhibits the perception of some Americans

Obviously Ashima and Ashoke also faced lots of problems when they first lived in a new country; they were forced to leave their “comfort zone”. They spoke a different language, grew up with Indian tradition, and even had to raise a child. They did not have any friends, not to say the economic base to provide the best resources for the whole family. Their foremost goal was to adapt to the new environment and become a real part of their community. But being out of their comfort zone is the crucial step that they must not skip. They have to be confident to make new friends, speak the language that they have not even get used to yet, and “abandon” the tradition in their hometown. Life is like a cliff, and only those who have guts and faith can climb up to the peak of the mountain to see the twilight. They had to try to understand, communicate and even to compromise with each other, and after Gogol's birth, they soon were inundated with daily work. It also has some similarity with my Gateway scholar life at Brandeis.

Indian-Americans ranging from ages 16-24 that are first generation Americans undergo the stages of minority identity development. They are commonly placed in environments which force them to question their own identity. As they communicate with peers, they question themselves and their personal beliefs and customs. Occasionally, they view the majority culture as better than their own and may develop negative feelings of their Indian household upbringing. One may feel the need to internalize the values of the dominant culture of the community and change to fit the status quo. This is especially difficult for Indian-Americans because so many things that they are taught within the home are not normal for the majority culture therefore presenting a major division and causing an uproar in the home. Parents tend to view “normal” majority culture attributes as

These two stories give a clear perspective on the challenges immigrants might face that is conflicting with their culture and traditional values. While the characters in both these stories have different viewpoints, they have similar conflicts with them being generational, religious, and cultural conflicts. In the first story “A Father” has immigrated from India to the US. Mr. Bhowmick is a traditional and a religious person who believes in God and follows his religion sternly. For example, “he recited prayers in Sanskrit to Kali, the patron goddess of his family, the goddess of wrath and vengeance” (Mukherjee 837).