Comparing Bharati Mukherjee's The Tenant and Susan Minot's Lust

When Maya has friends over she tries to keep them sheltered from that part of her life, because she doesnt want them to know about the kind of culture she belongs to. When you look out into the world many people relate to Maya, they all want to hide the kind of culture they grew up in and the kind of lifestyle they live in. These people will hide who they are on a day to day basis because of their culture. These people try to avoid the question “whats that” or “why is that hung up and what does it mean” or they just want to avoid being bullied because of

Chapter 2, “Falling in Love”, shifts the discussion from race to gender. This chapter sheds light on the structure of male-female relationships on the streets. The lack of stability, surrounded by the destructive atmosphere reveals how women learn to use their sexuality as a tool for survival. However, this chapter mainly focuses on Tina, a homeless female heroin addict, and her experiences growing up surrounded by poverty, abuse and addiction.

The chief character of the story is Clemencia. Clementia is a US born Mexican-American woman. As opined by Clemencia herself, she is “vindictive and cruel, and…capable of anything” (Cisneros 68). At the same time Clemencia is a victim of racial bias. Involved in an unhappy marriage, her mother exhorted, “Never marry a Mexican” (Cisneros 68) and at the end of the affair with her beloved Drew, he confesses he could “never marry a Mexican” (80). Thus, Clemencia is a perpetrator of racial bias towards men of a Hispanic descent, “I never saw them. My mother did this to me” (69), while being a victim of racial bias herself. Although middle-class, she flees the comforts of a middle class life to live in a lower-class Latino neighborhood and sells her art among the upper-class. Hence, she also feels like she is, “Amphibious…a person who doesn’t belong to any class” (71). Clemencia is also a betrayer of women. Feeling betrayed and abandoned by her mother for marrying an Anglo man and betrayed by her ex-lover for ending the affair, Clemencia seeks gratification through her affairs with married men. The overall theme of Never Marry a Mexican is overcoming racial stigmas and finding the beauty in humanity.

The short story “How to Date a Browngirl, Blackgirl, Whitegirl, and Halfie” by Junot Diaz is the main character, Yunior’s, guide to dating girls of different races and the ways to act in order to get what you want from them. The only thing Yunior seems to want for these girls is sexual acts. This short story argues that a person’s heritage, economic class, and race affect how a person identifies themselves, and how their identity affects how they act towards other people. The pressures a person may feel from society also has an effect on how a person treats themselves and others. The pressure and expectations from society are also what makes Yunior think he needs to have sex with these girls. There are many different occasions of the main

Society has built a role for women. And there’s no better example of this idea than The House on Mango Street, in which Esperanza describes specific moments of her life which lead her to believe in women independence and feminism. She has different ideas and thoughts on the definition of women and what they should be. Esperanza doesn’t fit into the constructed definition Mango Street has of how women should be.

Lust is having a self-indulgent sexual desire. Susan Minot portrayed the mind of a promiscuous high school female perfectly. Lust is powerful and seductive, but it's inherently selfish and opposed to love. For many girls who are having sex with different boys they can identify with the desire to be needed. The characters in "Lust" are written in a way to highlight the dysfunction and disconnection of everyone involved. The narrator herself is nameless and faceless, making the reader believe that she has already somehow disappeared, just as the men in her life have made her disappear after having sex. Similarly, the men are listed in a brief and are identified only by their sexual acts or by other, easily objectified characteristics. What

"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the

Diaz progresses into detailing the necessary steps the young man must follow to get an actual date with a woman dependent upon her race and background. The young man is led to believe that for each type of girl he must present himself differently to not offend her or her parent’s fragile sensibilities and receives instructions on how to properly illicit a date “The directions were in your best handwriting, so her parents won't think you're an idiot” (256). Clearly, careful psychological manipulations of a girl’s parents are a vital component in achieving dating success. To this point, the young man has only received instruction and it is here that the reader receives some insight into which type of woman the young man is wanting to date “The white ones are the ones you want the most, aren't

eventually succumbs to these desires with whomever is available, even if that person is technically not “available”. “Sexy” in the collection Interpreter of Maladies written by award winning author Jhumpa Lahiri portrays a unique perspective of what an affair truly means. Miranda finds herself falling for a taken and older man, Dev, in the beautiful city of Boston. What she does not realize is that she is a mere prostitute he manipulates and plays around with free of charge to fulfill the role only his wife ought to have. The city is an enchanting place, or so it seems. Beneath the colossal skyscrapers and beautiful architecture, there are dark alleys. Similarly,

Homeless, is similar in that it also grabs the reader just by introducing a character,

“If stories were depopulated, the plots would disappear because characters and plots are interrelated” (76). I chose to do my analysis paper over the short story Lust by Susan Minot, in this analysis I will be going over how the use of characterization in lust contributes to the message about relationships. The first-person narrator starts off by detailing her sex life likes it’s a grocery list or some kinds of list of things to do on the weekend. It just goes to show how meaningless these relationship with her sex companions mean. Although we do not know what the reader looks like we do how she thinks and feels. We can feel the narrator become more detached and emotionless towards the end of the story. Even though she is emotionally removed for the story at the end she also becomes more self-aware of what she is doing, and comes to the realization that she is looking for a relationship in all the wrong places.

After her mother’s lightly taken remark, the narrator, Clemencia, decides to take the advice, given her background experience and knowledge of the family’s history, and only seeks white, married men, instead of single men of color. The reason she seeks married men is due to the history of cheating in the family, which, Clemencia herself admits she became guilty of after this decision. In her narrative, she mentions, “Borrowed. That’s how I’ve had my men.” (Cisneros 69) to imply she will not be categorized into the group of women that are cheated on; and, instead, conforms to the group that men cheat with. In this way, Clemencia ensures not only the fact that she will never marry a Mexican man, but also the fact that she will never marry at all. She claims marriage has failed her, and has brought great disappointment to her, to the extent she refuses it entirely. She seals her case by saying that it is “better to not marry than live lie” (Cisneros

In Sylvia Plath’s The Bell Jar and Alice Munro’s Lives of Girls and Women, Esther and Del try to take control of their sexuality and their sexual lives. These two female protagonists attempt to gain sexual confidence by quietly rejecting the societal images of women. They are able to seduce men and pilot their own sexual lives. These women are also able to ignore the popular beliefs about marriage and motherhood, thus freeing them from the traditional, restrictive female sexual roles. By rejecting the popular notions of womanhood, sexuality, and marriage, Esther and Del become the mistresses of their sexuality and sexual

Often, the circumstances of a marriage can leave the people involved feeling empty and unloved. These feelings of hopelessness can lead people to make uncharacteristic choices. Adultery, even in a marriage without love, can have a dramatic effect on the people involved. For the adulterous partner, the feelings of guilt and anxiety can often lead to overwhelming confusion. The short story "The Lady with the Pet Dog" by Oates, shows how the act of cheating creates confusion in the mind of the main character thorough use of an unchronological structure, and unusual character development.

Maya showering care for on her dog, reaches the height of concentration to bring a finish to her husband’s life at her own hands, she initiates the survival of Anita Desai’s responsive heroines in insensitive and cold world, subjugated by men, who seek for worth and agreement in life and either eradicate themselves or concession with their fortune.