Comparing Black Elk Speaks and The Lone Ranger and Tonto Fist Fight in Heaven

Most of Alexie’s writing reflects life on the reservations today. The poverty, oppression, commodity food, and alcoholism are the main themes in his stories. The title story of his collection The Lone Ranger and Tonto Fist Fight in Heaven, however, deals with the life of an Indian man who has left the reservation to live in Seattle and some of the obstacles he faces in the white world. We never know the main character’s name, probably because he feels like a nameless nobody in this strange world. He is alienated and told that he doesn’t belong even

The most serious Native American stereotypes are clearly visible in films of the early twentieth century in Hollywood westerns. The big screen stories about western cowboys defeating Native tribes proved to be extremely popular and lucrative. Hollywood then started producing western tales in incredible quantities . In most Westerns, white cowboys represent courageous, brave, and quick witted men while the Indians are the dimming past. Cowboys are logical. “Indians” are irrational. Together, cowboys and Indians are the ego and the heart of the Anglo-Saxon identity. Native American characters in twentieth century films have ranged from stereotypes including the bloodthirsty, raging beast to the noble savage. Still other Indian characters, whether they are heroes, bad guys, or neutral, were the characters with little to no character development or range in their personalities. These stereotypes have their origins in popular American literature dating as far back as the sixteenth and seventeenth centuries. Jacquelyn Kilpatrick, author of Celluloid Indians, notes that popular stories “centered on Native American savagery served as outlets for violence and pent up aggression in an early American society that prided manners and respectability.” (Kilpatrick 2) In these stories, the Native American population was seen as bad, though individual members could be represented as good. These stereotypes continued for years. One author, James Fenimore Cooper, began publishing a series of stories titled The Leatherstocking Tales in 1841. Kilpatrick emphasizes that Cooper

Defining exactly what shapes ethnic identity in the United States is the hardest question I can imagine being asked. As a child born in the United States, I find this question so difficult because I have been exposed to a large variety of cultures within the small boundaries of my own family. This makes it very difficult to determine one, or even a few characteristics that define ethnic identity. In the case of many of these novels, the task of defining ethnic identity is not so complicated. The list of determinants that I believe to define ethnic identity includes language, geographic location, and tradition.

In American Indian Stories, University of Nebraska Press Lincoln and London edition, the author, Zitkala-Sa, tries to tell stories that depicted life growing up on a reservation. Her stories showed how Native Americans reacted to the white man’s ways of running the land and changing the life of Indians. “Zitkala-Sa was one of the early Indian writers to record tribal legends and tales from oral tradition” (back cover) is a great way to show that the author’s stories were based upon actual events in her life as a Dakota Sioux Indian. This essay will describe and analyze Native American life as described by Zitkala-Sa’s American Indian Stories, it will relate to Native Americans and their interactions with American societies, it will

Native Americans have existed in the different regions-the plains, mountains, marshes- of the North American continent- long before the United States existed. Yet, most were not treated with the respect and dignity that the white American settlers were given. Viewed as outlandish and savage by white settlers, series of negotiations to “correct” the Indian way of life were implemented- through forced relocation, war, and assimilation into white culture. Those who stood up against the American government were viewed as beacons of hope by their fellow Native Americans. Many Native American traditions still exist today, but unfortunately most of them have been lost along with their people.

Although stories are a universal art form, they hold a more significant role in Native American culture, and literature. This occurs due to the millennia spent in isolation from the rest of the world, and having stories as the main source of entertainment. Thomas King’s statement, “stories can control our lives,” is an important notion, because it embarks on the idea of molding the diseased into more interesting versions of themselves. The statement is prevalent in many pieces of literature which fuse reality into the imagination, and cause people to lose themselves in the fictitious realm. Native literature is all closely related, and they all hold messages within their stories that show their great culture; both the good and the bad. Story

Nations of dependent Indians, against their will, under color of law, are driven from their homes into the wilderness. You cannot explain it; you cannot reason it away.... Our friends will view this measure with sorrow, and our enemies alone

In the story "The Lone Ranger and Tonto Fistfight in Heaven" by Sherman Alexie, points out the hardships of being a Native American back in the 20th century. These hardships were racism, alcoholism, poverty and isolation. The story takes place in the reservation and it is about a young Native American whom struggles in society because of his skin color, family's addictions and fights. The narrator moves to Seattle with his white girlfriend who he seems to have an odd relationship because they are constantly fighting. He becomes an alcoholic and moves back to the reservation after a break up with his girlfriend.

Native American literature from the Southeastern United States is deeply rooted in the oral traditions of the various tribes that have historically called that region home. While the tribes most integrally associated with the Southeastern U.S. in the American popular mind--the FIVE CIVILIZED TRIBES (Cherokee, Chickasaw, Choctaw, Creek, and Seminole)--were forcibly relocated to Indian Territory (present-day Oklahoma) from their ancestral territories in the American South, descendents of those tribes have created compelling literary works that have kept alive their tribal identities and histories by incorporating traditional themes and narrative elements. While reflecting profound awareness of

The book The Lone Ranger and Tonto Fistfight in Heaven by Sherman Alexie, tells of Native American life on the reservation. In the story “The Trial of Thomas Builds-the-Fire” symbolism is used to echo how Native Americans were mistreated by the United States government. Still to this day Native Americans are forced to live on reservations which were originally prisoner of war camps. Alexie uses the symbolism of Thomas Builds-the-Fire’s conviction to show how Native Americans pay the price for injustices committed by the United States of America.

Not many writers can pull off a collection of interconnected short stories the way Sherman Alexie does. With his 1993 publication, The Lone Ranger and the Tonto Fistfight in Heaven, Alexie won the PEN/Hemingway Award for Best First Book of Fiction for his rich portrayal of Native American life on the Spokane Indian Reservation (). As a Spokane/Coeur d’Alene Indian himself, Alexie describes the collection as thinly veiled memoir in the tenth anniversary edition, yet by employing a variety of skilled writing techniques, he connects readers of all backgrounds to the events and characters in the stories (). To do this, Alexie plays with narrative perspective, magical imagery, and non-linear storytelling with various tones to

The attacks on Indians by the whites could now be excused because the Indians had murdered family members. They could kill, scalp, and rob Indians without much fear of being caught or punished. A play based on real life, written by Indian fighter, Robert Rogers, showed how two hunters happened upon two Indians. As they talked, both told of how Indians had murdered some family members, so it was logical to them to kill the Indians, scalp them and robbed them of the guns, hatchets and furs. The “victims’ furs were a fantastic windfall”. (129)

In Sherman Alexie’s novel The Lone Ranger and Tonto Fistfight in Heaven shows the struggles of daily Native American life, which is shown through the point of view of male character. All though out the book the following three questions appear: ‘What does it mean to live as an Indian in this time? What does it mean to be an Indian man? and What does it mean to live on an Indian reservation?’ Alexie uses literary devices such as point of view, imagery, characterization to make his point that the conflict of being an Indian in the U.S. in these short stories using the following short stories “An Indian Education” and “Amusement”. “An Indian Education” uses both imagery and characterization to show us what the narrator is

“Trauma is a fact of life. It does not, however, have to be a life sentence.” - Peter A. Levine, Ph.D. In Sherman Alexie’s collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, we read stories of Native American struggles for survival in an American society designed to keep Native Americans locked in the cycle of intergenerational trauma. Alexie illustrates the importance of rejecting intergenerational trauma as a method of survival, by isolating the two main causes intergenerational trauma becomes inescapable and giving examples that showcase the impact of attempting to survive the cycle. Through the interpretation of multiple sources, it becomes clear that the inescapability of intergenerational trauma is the outcome of internalized oppression and pessimism.

Sherman Alexie’s “The Lone Ranger and Tonto Fistfight in Heaven” is a short story about the modern day Native American. The speaker of the story welcomes the reader to the setting of the story, a 7-11. In this 7-11 the graveyard manager is skeptical about the speaker thinking that he is an armed robber and what not because of his tan skin and long ponytail. The speaker understands why the cashier may feel threatened because he himself was one a 7-11 graveyard shift employee. The speaker has a white girlfriend who he fights with quite often and she accuses him of being an alcoholic, eventually leaves his life with her in Seattle, Washington to go back to his reservation where his family is. He often has vivid dreams of Native Americans and white fighting on a battlefield until it takes a sick twist and the white are playing polo with an Indian woman’s head. The speaker is often stopped by the police for wandering in neighborhoods that the majority of the population is white. Him being different makes white people nervous and on edge. The speaker talks about how he was supposed to be different and that he had potential compared to your average Native American” (Alexie 386). The speaker was in college from a couple years and eventually dropped out and ends up a couch potato flipping through the television stations like the way society