1. How does the scene’s editing guide us from one image to the next? Refer to specific tools and/or techniques mentioned in the book in your description. Give at least two examples (4 pts.) The editing uses several methods to jump between the different images. I noticed three particular methods. A Flip frame, flash cuts, and a form cut. They used flip frames several times in the beginning of the scene when the man operating on the truck would look down a road and the view would flip to what he sees. They also did this when Clyde was driving. It would show him looking forward then it would show his view. They use a form cut towards the end of the scene right before they were both killed. It showed Clyde looking at Bonnie with a surprised look before it showed the same image except with Bonnie looking at Clyde. Last but not least the used flash cuts when the officers shot Bonnie and Clyde. They would flash back and forth between the two images.
2. Who were Bonnie (Parker) and Clyde (Barrow) (Google them)? In which decade was this film set? What did the mis-en-scene have to have to make this seem "real?" (Like specific kinds of props, costuming, certain types of characters, etc.) (6 pts.)
Bonnie and Clyde were a pair of lovers that stole and killed in the 1930’s. They were
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A few that come to mind is later in the film when the characters are fighting an army of mind soldiers on the third level of the dream. When the wounded character is defending the air duct that leads into the safe room there are the sounds of echoic running which fits people running in a hallway. Also in the same scene when on his last breath he drops a grenade down the air duct it shows a blast of fire blow out the bottom entrance. Accompanying this visual is the whoosh that you can imagine fire would make as well as the sound of debris hitting snow. The sound effects greatly add to the credibility of the
The movie “Bonnie and Clyde” is a Netflix mini-series movie, which follows the timeline of real life criminal events committed by Bonnie Parker and Clyde Barrow. Bonnie and Clyde were notorious criminals for strings of crimes such as robbery, theft, and murders committed over a span of two years. The crimes Bonnie and Clyde committed described a variety of criminological theories including social learning theory, strain theory, and rational choice theory.
Along with background music, sound effects play more of a role on the way we feel than many moviegoers think, and "although the function of sound effects is primarily atmospheric, they can also be precise sources of meaning in film" (Giannetti, 225). When the
In many modern "period piece" movies, the screenwriters put extra effort in world building so that the film's story can seem more real. One example of this kind of movie is 1993's Tombstone. Tombstone follows Wyatt Earp and his family in their struggle to peacefully live alongside a violent gang called the Cowboys. Between periods of tense hostility and character growth, this film gives viewers a wide and varied scope of how life was in 1881 Arizona.
The mise-en-scene used in Bonnie and Clyde is what created the classic film we enjoy today. While the film editing in this film was revolutionary to the entire industry, that isn’t what viewers remember. According to the book, Film Art, “Many of our most vivid memories of movies stem from mise-en-scene.” In this film, the mise-en-scene is an important as that quote suggests. It is responsible for a variety of the most essential aspects of the movie. Bonnie and Clyde implemented mise-en-scene to describe characters, promote symbolism and solidify motifs throughout the film.
Another example of sound is Hitchcock's use of voice over. For instance, as Marion drives away with the money she ha stolen, she imagines conversations between the people she has left behind and their reactions to her faults. Hitchcock also uses sound, which doesn’t complement the image that we see. Whilst the on screen
In Chapter 7: The Sad Ballad of Bonnie & Clyde depicts the historical events and the current culture leading up to the film Bonnie and Clyde in 1967 and how it became a controversial influence on society. To fully understand the cultural context of this film, the change in America during the 1950’s was explained as rebellion came over Americans and its transcendence into the 1960’s when action for the women’s movement, recreational drugs, sexuality, and rights for the LGBTQ and black communities took place. This film was therefore critiqued as overly violent since anarchy ruled America during the 1960’s. This film’s overt violence comments on the cultural upheavals of society while keeping some historical fact in this meld of mythology as there
Films throughout American history have focused on such a wide array of topics – a lot of them having to do with the time period in which they were produced. Some of these topics appear all throughout the history of film, one of them being crime. No matter where you go or where you look, whether it be in a certain place or a certain time period, you can’t escape crime; it’s always there – which is why I think crime is such a popular topic in American films. One of the most popular crime films in America is Bonnie and Clyde – a 1967 film, set during the Great Depression, about a woman who leaves home with a man whom she just met and soon falls in love with to rob banks. However, this movie has a bit of a twist: Bonnie and Clyde, the criminal couple, are portrayed throughout the movie as heroes – the audience is actually sort of invited to root for them to not get caught by the laws and to escape. This unusual crime film illustrates a liberal perspective by portraying Bonnie and Clyde, the criminals, as the heroes and the cops, as well as the banks, as the antagonists. The uniqueness of this film kind of shows how America in the 1960s felt about crime and how the cops and the banks are a part of a failing system in society at the time.
The Bonnie and Clyde film does promote the life of an armed robber or law breaker in many ways, through the costumes, makeup, props, music and the film production. making bonnie and Clyde seem like Robin Hood during the great depression in the film. committing violent crime sprees across the country. Going after banks that are taking away the homes of many that can’t afford it.
The director mainly used eye level shots, to leave it up to the audience to judge the two main characters of the movie, although certain power struggles in the film are shown from high angles to illustrate someone dominating a conversation or argument. Figgis also uses some point of view shots to show the imbalance during Ben’s drunken periods where the camera is placed at an oblique angle to show tension and approaching movements. The images in the film are in high contrast with streaks of blackness and harsh shafts of light to underline the dramatic events that occur.
“Bonnie and Clyde” is a kind of a realistic, drama, comedy, tragic, gangster movie, which was produced by Warner Bros and directed by Arthur Penn. This movie was released in 1967 and it was based on real-life events. Bonnie and Clyde were two criminals who were traveling around central United States, robbing banks in the hope of becoming rich and famous. Before they began being partners in a crime, Bonnie was a hot, blonde waitress who worked in a café and did not like her job because boys who came to the café usually wanted to take advantage of her. On the other hand, Clyde was a young, handsome, small town thief who was robbing small stores and gas stations for a living. They both lived in hope to change their old, boring lives.
Early movies were shot and viewed as slide shows. With narrations like The Life Of An American Fireman, where instead of cutting we would see full clips linked together. When the filmmakers brought us from one action to the next they, repeated actions instead of cutting and letting
The American films The Godfather I and II directed by Francis Ford Coppola, included mise-en-scene to emphasize certain characteristics and themes during both films. In this essay I will discuss how mise-en-scene was used to portray the lives of the Mafia families in the 1940s and 50s.
The beginning of the film also used a shot that had a variety of newspaper headings with someone flipping through the newspapers in order for the audience to see all the headings. This has been repeated in many movies since, but now it is done digitally with fancy effects like the papers spinning.
Film Noir, a term coined by the French to describe a style of film characterized by dark themes, storylines, and visuals, has been influencing cinematic industries since the 1940’s. With roots in German expressionistic films and Italian postwar documentaries, film noir has made its way into American film as well, particularly identified in mob and crime pictures. However, such settings are not exclusive to American film noir. One noteworthy example is Billy Wilder’s film Sunset Boulevard, which follows the foreboding tale of Joe Gillis, the desperate-for-success protagonist, who finds himself in the fatal grips of the disillusioned femme fatale Norma Desmond. Not only does the storyline’s heavy subject matter and typical character
Firstly the directors and their team use a variety of different camera techniques to shape our view on the characters, and ultimately