Comparing Classical and Romantic Music through the finale of Mozart's "Clarinet Quintet" and Mahler's Symphony no.1 in D major "Titan"

As noted by Robert Hughes, "Beethoven was not only the embodiment of all that was before him, but also of that which was yet to come" (Hughes 486). The truth of this may be seen by comparing Beethoven's 5th Symphony in C Minor to Haydn, the father of Symphony, and his 95th in C Minor. While Haydn's symphony is both playful and dramatic, Beethoven's symphony is grander both in terms of scale and vision. He expands the size of the orchestra to incorporate the sounds swirling around, underlying, and depicting the arrival of Fate in a rhythm-driven, thematic symphony that takes Haydn's form and runs with it as though to the top of a mountain peak. This paper will analyze the symphonies by movement, according to form, size, structure, tonalities, melodies, orchestral sound and overall mood and effect.

Wolfgang Amadeus Mozart had endless ideas for writing piano sonatas and like his other works, his sonata style has evolved dramatically over the years. His early works have been constantly compared with other well-known composers at the time. For example, it has been suggested that Haydn’s F Major Sonata, Hob. XVI: 23 as a model for Mozart’s K. 280 in the same key.

The Classical period of music has also been called the “Rococo” period. The Classical time period was between the 18th and 19th centuries. Spanning the years of 1750-1820. The transition from the Baroque period to the Classical took the music from polyphonic to homophonic where even though it seems like that would make the music less complex we look at a whole different type of complexity. The music typically contained two different melodies and a contrast in sections. This made the chords in the music much more defined and the tonal part of the music became more defined. The Classical period had a significant influence on several aspects of music. Chamber music had a sonata form. This means it had an exposition, a transition, and a recapitulation. Composition in the Classical time was mainly dominated by eclecticism which made the music more diverse. Concerto was driven at first by the Italians. They started the idea of the solo concerto. Orchestration was mainly developed during this musical time period. This is partly due to some of the most talented musicians that lived during this time. They did a lot of work in making the orchestra mainly string instruments. Some of these being the violin, viola, cello, and the contrabass, just to name a few. All of these things had a great influence in the way the music made the transition from the Baroque period to the Classical period.

Romanticism. Romanticism is characterized by its impressive expressiveness in harmonic and thematic process with an increasing weight of chromatic and dissonant elements. There is a new tendency to give a particular importance to timber, texture and rhythm. Like the Renaissance after the Middle Ages, Romantic composers want to express the new-found independence of the humanity that is no longer under the constraining influence of the strict model that classical composers follow. Some Romantic compositions express a powerful individualism while others express the beauties and terrors of nature, but the most common theme is nationalism.

The Baroque Era and the Classical Era are two critical time periods in observing music. Some of the most famous composers have written pieces that are popular in the world today. The two periods share many similar characteristics, however new genres and forms developed throughout each period because of new ideas and knowledge spreading. My personal favorite is the Baroque period because of the abundance of new musical knowledge that was introduced, particularly in Vivaldi’s famous piece La Primavera, Concerto for Violin and String Orchestra, Op. 8, No. 1, I.

Classical composers exploited the individual tone colors of orchestral instruments. A classical piece has greater variety—and more rapid changes—of tone color. A theme might begin in the full orchestra, shift to the strings, and then continue in the woodwinds.

Romantic 
Dates: 1800-1900
 
1.  What was going on historically during this era?  What was life like? Profound Political and Social changes going on; many moving into cities for work. Renewed interested in expressing emotion through music. 
2.  Does romantic music continue to use the same forms used in the classical era? No
3.  Explain the Individuality of style. Composers wanted their music to be uniquely identifiable to them. They worked hard on self-expression.
4.  What are the expressive aims and subjects of the pieces?  How is this different than in the classical era? Flamboyance, Intimacy, Unpredictability, Melancholy, Rapture, Longing etc..., Classical Era did not experiment with so many aims.
5.  What is musical nationalism?

First of all, the baroque is known by the exaggerated uses of ornamental decorations in their compositions. These ornaments were exposed in all types of art at that time as: painting, architecture, sculpture and music. In addition, baroque music uses a tonal harmony that produces musical contrast in high levels. This contrast is a very important element in the dramatic aspects of the baroque music, and it was reflected through the melody and texture of the compositions. Furthermore, the most important characteristics in the Baroque music style were the basso continuo and a simple melody with chord accompaniment. Those elements provided a variety of compositions with better stability in the harmony. Moreover, the music of this period presented the counterpoint and polyphony, two elements which caused movement in the melody, and also created expectations and captured the attention of those who listened to that music. On the other hand, romantic music is known for his great expressiveness in their compositions. This expressiveness allows to the composers, add their feelings and emotions to their music. Furthermore, the romantic music was showed a depletion of the capacity of tonal music, so it was passed to the trend of atonal music. Moreover, this kind of music presented a great use of melody, which was responsible to capture the beauty of the written music and as well

(3) In the Romantic era the compositions were very expressive and inventive. The Romantic composers experimented with already existing forms, and dramatic expressiveness. This grew out of the improvement of instruments and the newly invented

The Classical Period had lasted from around 1750 -- 1820, and was itself a revolt against the previous Baroque era. The arts moved away from the heavily ornamented styles of the Baroque to a cleaner, uncluttered style, thought to be reminiscent of Ancient Greece, and many people interested in music were now the aristocracy rather than the church or monarchy. The social upheavals of the latter part of this period challenged these ideas, and the Age of Reason became the age of the individual, and the beginnings of Romanticism, with its non-rational and disordered reasoning, became predominant.

At this time last year, I would have considered all music before the 20th century to be classical. However, after taking a Dual Credit Music Appreciation course, I realized that “old” music cannot simply be grouped into a single category. There are so many differences that I had no idea existed. Throughout the years, music has changed and evolved, meeting the needs of listeners and performers. Different composers have been catalysts in this change as they have developed new styles and genres. Even though the classical period is directly subsequent of the baroque period, baroque and classical music have countless different qualities and characteristics.

The romantic period of music began in the 1820s and with it came a change of stylistic features. Beethoven largely impacted the new way that the music of the Romantic era was viewed. He made people perceive music as a true form of art made to be taken seriously, rather than just a fun time passer. Another reason for the change of music during that time was due to nationalism and exoticism. Nationalism promoted music, such as folk songs and dances, which was created for the purpose of supporting the nation. Exoticism had the opposite effect as nationalism. It caused audiences to listen to folk music from other nations and it allowed people to have a better understanding of unique qualities and cultures of surrounding nations. These factors led to the music during the Romantic period becoming more personal and emotion than it was in the previous classical era, although it still contained a melody, harmony, tone color, and a form. Much of the music from the Romantic era can be recognized by its melody. The melodies became wider, more irregular, and dramatic during this time. The harmony of Romantic music was further advanced as well. The composers learned how to use harmony to build the melody and intensify its emotionality, while at the same time experimenting freely with new chords. The tone color of music during this time was expanded allowing the quality of the sound of the music to improve. One of the most important changes that were made to the features of music during

The classical music period extends from 1740 to 1810, which includes the music of Haydn, Mozart, and the first period of Beethoven. The classical period of music combined harmony, melody, rhythm, and orchestration more effectively than earlier periods of music. With the natural evolution of music slowly changing with the culture, the baroque era had ended. That era had left a structure, articulation and periodic phrasing of music which would shape classical music.

Furthermore, memorable melodies, richly expressive harmony, and broad expanded forms characterized Romantic music. The once Classical tradition became heavily influenced by emotional elements, reduced formalism, and the implementation of often non-musical

The three most well-known, and arguably most important, musical eras in western civilizations would be the; medieval, Renaissance and Baroque time periods. With the basics of music with Gregorian chant and organum from the medieval era to the newfound polyphony texture from the Renaissance and the equal temperament and major-minor tonality of the baroque era; Each time period brings a part of the foundation that most past, present, and future music is and will be based on. While it may seem that these three eras or completely different, they do contain several underlying similarities.