How Does Coleridge's View Of Nature

Two talented literary authors William Wordsworth and John Muir express their emotions towards through their writing; their belletristic stories depict how their experiences with nature positively impacted their lives while giving them constant memories that will stay with them forever. Both Wordsworth and Muir used syntax and diction to verbalize their passionate relationship towards nature.

Nature by Ralph Waldo Emerson has a lot to teach about how to respect the earth because it is a mighty force but Nature also teaches what it means to be connected with nature and the feelings that are associated with connection. During my close read of Nature I faced challenges, successes, and a greater appreciation for the writing from a world that is drastically different from the one I live in. One of my biggest struggles while annotating the piece was looking at the big picture and what the paragraph as a whole was telling me. While I am annotating I tend to focus more on the smaller pieces such as the meaning of words and decoding what a sentence is saying. It’s hard to pull back from that and connect the bigger pieces to find what the

“Nature” is an essay written by Ralph Waldo Emerson, and published by James Munroe and Company in 1836. [1] “Nature” has a total of 41 pages. The essay consists of eight parts: Nature, Commodity, Beauty, Language, Discipline, Idealism, Spirit and Prospects. Each part takes a different perspective on the relationship between humans and nature. In this essay, Emerson emphasizes the foundation of transcendentalism, “a religious and philosophical movement that developed during the late 1820s and 30s in the Eastern region of the United States as protest against the general state of spirituality and, in particular, the state of intellectualism.” [2] “Transcendentalism suggests that the divine, or God, suffuses nature, and suggests that reality can be understood by studying nature.” [3] “Transcendentalism is closely related to Unitarianism, the dominant religious movement in Boston at the early nineteenth century. Transcendentalism evolved as an organic consequence of the Unitarian emphasis on free conscience and the value of intellectual reason.” [4] Emerson divides nature into four stages: commodity, beauty, language, and discipline. These define the ways by which humans use nature for their basic needs. The historical significance of “Nature” was that transcendentalism club led the celebration of the American experiment as one of the individualism and self-reliance. [5]

When humans and nature come together, they either coexist harmoniously because nature's inhabitants and humans share a mutual respect and understanding for each other, or they clash because humans attempt to control and force their ways of life on nature. The poems, "The Bull Moose" by Alden Nowlan, "The Panther" by Rainer Maria Rilke, "Walking the Dog" by Howard Nemerov, and "The Fish" by Elizabeth Bishop, describe what happens when humans and nature come together. I believe that when humans and nature come together they either clash and conflict because individuals destroy and attempt to control nature, which is a reflection of their powerful need to control themselves, or humans live peacefully with nature because not only do they

He was content to be alone--he stretched out his arms toward the dark water in a curious way, and as far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward--and distinguished nothing except a single green light"

of nowhere. And he was also looking for food and he found a shore where there was old dead

Ralph Waldo Emerson and Henry David Thoreau was very close author who wrote towards same points by criticizing the corrupted government because people were treated very badly and they were not given individual rights. They were good author who brought people together and made them understand about the system of the Transcendentalist movement in America. The governor and government itself was very poor to control the people and society due to corrupted leaders and government. Due to economic progress and poor system of government Emerson started criticizing government indirectly and wrote the poem about nature and society because maximum people could not enjoy the same facilities and freedom. But his intension was very clear and he wants to

Henry David Thoreau once said, “It 's not what you look at that matters, it 's what you see.” William Wordsworth, the author of the poem I Wandered Lonely as a Cloud, and John Muir, author of the essay The Calypso Borealis, have proved this in their works by looking at nature and portraying it differently but beautifully in each piece. They have been able to express their relationships with nature differently through choices about format, such as if a rhyme scheme will be used; their word choice, like choosing to give something a specific name; as well as through literary devices used, including tone, mood, and irony, but, even though they made many different choices, their works are both able to make nature seem beautiful and mysterious.

Nature has always had a role in providing for humanity. However, what does it provide for humanity? The poems that Christopher Marlowe, Sir Walter Raleigh, and William Williams present touches upon the topic of this. To help support their perspective on how nature provides for humanity, and what it provides, the three of them use both imagery and structure to go into detail as to why their perspective is so.

He had three ships and left from spain/ He sailed through sunshine, wind and rain.”

The second and final work I am critiquing is from a book entitled, ‘The Life of William Wordsworth: A Critical Biography’ written by John Worthen. I have selected a chapter which pairs nicely with article mentioned above. The chapter features both Wordsworth and Coleridge as well. However, it is not as critical as the article, it is more biographical and informational which is to be expected in a biography. The chapter focuses on the years 1806 to 1807. It begins with the mention of the death of Wordsworth’s brother, John. According to Worthen, this deeply effected Wordsworth and he had little success with the poetry he was writing during this time. Worthen then, points to ‘Elegiac Stanzas’ which confronts his late brother’s death, displays a new sense of reality, and again redeems him as a poet. Worthen states, “The poem makes the narrator 's youthful state of ecstatic, thoughtless love for the natural world — ‘of lasting ease, / Elysian quiet, without toil or strife’ — utterly unreal, in contrast with the realities of life as he now knows them. A ‘fond delusion of my heart’ he calls that old love, ‘to be pitied’ not believed in” (328). The author implies that the death of his brother drastically changed his worldview. The bleak reality of a world without his brother led to Wordsworth becoming more mature and wise after experiencing loss. The author then shifts to discussing ‘Tintern Abbey’ and his reflections during a time of youth. I believe that the author mentions the

“Continuous as the stars that shine and twinkle on the milky way, they stretched in never-ending line along the margin of a bay: ten thousand saw I at a glance, tossing their heads in sprightly dance.” This beautiful and lovely description of the daffodils portrayed in “I Wandered Lonely as a Cloud” helps the reader to envision what Wordsworth saw while he was out walking. Such a description makes a reader’s imagination flow and encaptures a reader. Another story that catches a reader’s attention in a similar way to “I Wandered Lonely as a Cloud” is the text “Calypso Borealis”. Authors William Wordsworth and John Muir both write beautiful descriptions of nature that pull readers in and allow them to see the wonders of nature through the authors’

Two closely related texts, one that we've studied in this class and one that we haven't, that handle natural description differently are Coleridge's "The Rime of the Ancient Mariner" and Lord Byron's "Manfred." Both of these texts' central characters have experienced trauma, and their portrayal of their environments reveal the effects that the events have left on them. While Coleridge's mariner is unable to consolidate his past and is relegated to constantly relive it, Byron's Manfred has protected himself from his unnamed vice by distancing himself from his feelings and environment. Obvious parallels exist between the poems, but what I found most striking

Imagery has been one of the most pivotal movements in the cultural and intellectual history of English Literature. The comparison is not only among the works of their own rather it also includes the differences and traces of similarity with the works of others writers of different ages. The analysis is done by reading the actual text and interpreting the meaning by understanding the deep phrases hidden in the poetry. Different critics showed different aspects by their research. Some found out merits and some found out demerits in the works of Wordsworth and Coleridge. The merits includes uniqueness, healing power of poetry, and interpretation of their imagination for things whereas the demerits include slack of humour, lack of range and lyricism in their poetry. On a whole Wordsworth and Coleridge works have gained lot of interest and tempted many critics to write on their methods and strategies which they adopted in their work.

The fifth line, however, is marked by an indentation. The words “down to the sunless sea” (5) appear to initiate an abrupt drop into the unconscious and away from the character Kubla. There is an initial sense of natural mysticism and Eastern tranquility among the “gardens bright with sinuous rills” (8) and a vibrant, “incense-bearing tree” (9) in this scene of fertile greenery. Interestingly, the color green, uniquely, exists on a dual level, as it is able to convey the vitality of life and vegetation, while simultaneously conveying an undertone of fear, jealousy, ill humor, and sickness that most likely dominates Coleridge’s own subconscious thoughts and soul” green as emerald. This abundant greenery, however, is soon met by a “romantic chasm” (12) that ironically, is described as savage and haunted.