Comparing Daisy Miller and The Beast and the Jungle Essays

Most modern fairytales are expected to have happy endings and be appropriate for children, nonetheless, in past centuries most were gruesome. Consequently, fairytales have been modified throughout time. The stories “Beauty and the Beast” by Jeanne-Marie LePrince de Beaumont and “The Summer and Winter Garden” by Jacob and Wilherm Grimm share similarities and differences. The two stories are distinct because of the peculiar year they have been written in. LePrince de Beaumont’s story is written in London of 1783 and Grimm’s in Germany of 1812. At the time, wealthy people in London, were educated and had nannies who would read to their children; whereas, in Germany, the Grimm brothers created their own interpretation into a short story.

William Golding's Lord of the Flies is a novel about a group of boys who are lost on a deserted island and must do what they can to survive. At the beginning of the novel, two of the boys, Ralph and Jack, become leaders. These differences will form the main conflict in the story. The differences will cause them to hate each other and the anger that results is a recurring part of the plot throughout the novel. These two boys can be compared by the way they change, the reason for their actions, and the way they use or abuse power.

Richard Russo's "Dog" and Amy Tan's "Two Kinds" are stories that illustrate the negative impacts parents sometimes have on their children and the unintended consequences that occur as a result of their parenting. In "Dog," Henry Devereaux grows into an adult who has difficulty connecting emotionally with others, a man who is not easy, and though entertaining, is not comforting. In "Two Kinds," Jing-mei was a failure many times over in her mother's eyes, finally dropping out of college and only accepting of herself later in life.

“The Lady, or The Tiger” by Mr. Frank R. Stockton has compelled readers for as long as time. This story ends with all wondering, so which is it, the delicate and fair young lady or the savage, fierce, wild-eyed tiger standing behind the door. This makes us ponder whether human heart chooses love or jealously. Within this essay, there will be proof that it is the stunning young woman behind the door. Although there is evidence proving that it is the tiger, in a sense there is more evidence stating that the elegant and barbaric princess allowed her real lover to continue living. To begin let us start with the small dwindling points that the tiger, lye behind the door.

After that George and Lennie board a grey hound bus in a town, it is

The novel, “Lord of the Flies” by William Golding was published in 1954. It’s the story of a group of boys stranded on an island with no adults. Since then, it has had two film adaptions. The first adaption was produced in 1963, directed by the Englishman Peter Brook. This version was filmed in black and white and follows the events of the book very closely. The second adaption came twenty-seven years later in 1990, which was directed by the American Harry Hook. The second adaption did not quite follow the novel in terms of symbolism, the beast and the overall theme while the first adaption was more faithful to the novel.

After having read the original version and the more recent film adaptation of John Steinbeck’s majorly successful novel, Of Mice and Men, the apparency of differences between the two is at times subtle while also being very obvious during different portions of the movie. In the film there are several major differences between the movie and the book with three being particularly apparent. We are shown the differences through the portrayals of characters, Lennie’s sanity and, simply, the scenes themselves.

Realism, Naturalism, and Regionalism are just a few examples of the many styles of writing that exist. Each style of writing deals with a specific time period. Stephen Crane’s “The Open Boat”, Henry James’s “Daisy Miller”, and Mary E Wilkins Freeman’s “The Revolt of Mother” are just a few examples of the literary works that represent these time periods. These literary works are perfect examples of the specific time periods each writing style was popular among certain authors. These stories allow readers to compare the modern times that we live in currently to the period these authors were in. They also allow the reader to branch out and be different.

James' manipulation of appearances in Daisy Miller as well as other character's notions of these appearances provides us with a novella of enigmatic and fascinating characters. Daisy, the most complicated of these ambiguities, is as mysterious as she is flirtatious. James gives her a carefully constructed enigmatic quality that leaves the reader wondering what her motivations were and who she truly was. He structures the novella in such a way as to stress the insights that the supporting characters provide into Daisy's character, weather accurate or erroneous. Despite their questionable reliability, they allow James to make commentary on both European and American cultures and social class.

Ohmann is explaining that James shows Daisy in such a way that the reader is constantly trying to figure if she really is innocent and/or if she just ignorant and does as she pleases.

Harry Hook did an amazing job of producing the movie “Lord of the Flies” though not a lot of people enjoyed it as much as William Golding’s book. The novel was published in 1954 when the movie was first released the year of 1990. But, the movie had so many amazing details you didn’t want to miss, it was fascinating to watch as well. On the other hand, the book had many action and meaning to it. For me, both the movie and book were captivating, however, some parts were completely different. Before I start talking about the differences of the award-winning novel and the movie, it is evident that in the book the kids were all English schoolboys, but in the film, the boys appeared to be

He said to himself that she was too light and childish, too uncultivated and unreasoning, too provincial, to have reflected upon the ostracism or even to have perceived it. Then at other moments he believed that she carried about in her elegant and irresponsible organism a defiant, passionate, perfectly observant consciousness of the impression she produced. (43)

She berated herself for her misjudgements and for being blinded by appearance to Wickham's untrustworthiness, which should have been evident in the discrepancy between his words and actions. She was "absolutely ashamed" of herself, and attained self-knowledge -- "Till this moment I never truly knew myself." She faced up to the unpalatable truth about herself, and determined to change. Her courage and strength are commendable. This is in contrast to, most strikingly, Mr. Collins, who completely lacks the capacity for reflection and self-awareness. The reader laughs at his self-importance and ridiculously obsequious, sycophantic manner.

Ernest Hemingway was an intricate and dedicated writer who devoted a significant portion of his life to writing multiple genres of stories. Throughout his stories, the similarities in his style and technique are easily noted and identified. Two of the short stories he wrote contain themes and motifs that specifically explain the plotline. The first story, “The Snows of Kilimanjaro,” sets its scene in the depths of a desolate area in Africa, where the main characters, Harry and his wife, decide to make their home. After living there for a few years, Harry ventures out and falls into a thorn bush, thus infecting his leg with gangrene. A few weeks later, he finds himself on the brink between life and death, unable to treat such a severe

Researching Edward Albee’s scandalous play Who’s Afraid of Virginia Woolf (1962), my case study will focus on the adaptation from stage to film, outlining the issues faced with both the original artists and my own group as artists. This specific piece of work from playwright Edward Albee is “arguably the best American play of the 1960s” (Leff 1981, p. 453), which encouraged Warner Brothers’ to gain the screen rights and recreate it as a film starring Elizabeth Taylor and Richard Burton. On Broadway, Albee’s play had been critized for its “lack of clarity” (Leff 1981, p. 456) however, when creating the film adaptation, Ernest Lehman, Jack Warner and Mike Nichols faced other issues regarding the release of the movie due to it’s profanity that would be subjected to the public, and