Comparing Dante and Boccaccio Essay

Others include Cleopatra, Achilles, and Semiras, each with their own story of love and lust. Dante is at once filled with great pity for those who were “torn from the mortal life by love” (V. 69). With Virgil’s permission, Dante asks to call to “those two swept together so lightly on the wind and still to sad” (V. 74). One woman answers him, recognizing him as a living soul. Dante knows her as Francesca, and she relates to him how love was her undoing. She was reading with a man, Paolo, about an Arthurian Legend of Lancelot, “how love had mastered him” (V. 129). The two came to a particularly romantic moment in the story, and could not resist exchanging a single kiss; that very day, they were killed because of it. Dante is so overcome with pity that he faints.

The two poems are almost complete opposites. In Macbeth the protagonist, Macbeth, advances to power through murder, progressively becoming more evil, or sinful, in nature. Macbeth moves progressively farther from God and moral rightness, the opposite of Dante both in character and development. Macbeth begins as an honourable man who wants to serve his King and country but eventually becomes a traitor to his benefactor which, in the terms of Inferno, would place him in the ninth circle of Hell, along with Lucifer, Brutus, Judas and Cassius. Dante begins as a man who is off the moral path and later becomes closer to God. Macbeth’s wife manipulates and pressures Macbeth into becoming the King through assassination. While in Inferno Dante progressively becomes less evil and closer to God by traveling through Hell and eventually stops pitying the souls of the damned and actually begins condemning them. His departed love, Beatrice, asks Virgil the Roman poet in the first circle of Hell to

Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice,

The points of comparison these two writers share are that they were both iconic poets of their day and that they wrote in what is referred to as “black dialect.” The differences between them are their cultural and educational backgrounds.

There are many similarities between Dante’s The Inferno and Virgil’s The Aeneid, be it their characterizations or descriptive imagery, but foremost in their ideas of what the afterlife consisted of. Each each epic hero in the works here have descended in to the depths of hell, with The Inferno depicting Dante’s descent into the depths of hell and with Virgil in Book VI of The Aeneid depicting Aeneas’s decent into hell. It can be argued that although different, the knowledge acquired by each character’s descent was equally important to accomplishing their greater tasks at the ends of their journey. Had their descent into hell been skipped their outcomes would have concluded in a different way because their voyages to Hell each played a crucial role in the advancing each narrative.

Dante is like the son Virgil never had. This comes to light most apparently in their flight from the two-timing demons. In lifting Dante to his chest and carrying him as he sprints toward safety, Virgil becomes a mother figure to the terrified Dante. Hmmm, father and mother? You’re right in guessing that something bigger is going on here. As an unofficial poet laureate of the Romans, Virgil is a kind of patron spirit of Italy. Moreover, as the consummate speaker and writer of Latin – the ancestor language of Italian – Virgil is, in a sense, the fore-father of Dante’s native language. The two poets’ kinship traces back to their respective languages.

As Dante continues to Purgatorio the theme of humility starts to overshadow that of fame and glory, especially in Dante's encounter with Oderisi, Guido Guinizzelli and Statius. In Canto XI, Dante meets Oderisi, a respected artist. After Dante praises him, Oderisi quickly points out that Franco Bolognese is now more famous: "Brother, the pages painted by the brush of Franco Bolognese smile more brightly: all the glory now is his; mine, but a part" (Purgatorio, Canto XI, Lines 82-85). His earthly fame was

In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet.  At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see

The first way is as a nurturer. He uses Beatrice as his feminine ideal and she is portrayed as a calm, reserved symbol of love. She represents Divine Love, and it is her concern for Dante that drives her to seek out Virgil to be Dante’s guide through the Underworld. It is Beatrice who gives Dante the courage to undertake his journey into Hell. Her motive is made quite explicit: “Love called me here” (2.73).

For The Divine Comedy, women act as both the initial force of inspiration and the final goal of the epic adventure — seen in Dante’s celebration of both Beatrice and the Virgin Mary (Paolucci, 140). The book opens with Dante pilgrim in a state of confusion, only to be instructed on the right path by Beatrice Portinari, Dante Alighieri’s love interest who has now come to life in The Inferno to act as motivator for his journey. It can

In the note to Canto V regarding Francesca and Paulo, the Hollanders exclaim that “Sympathy for the damned, in the Inferno, is nearly always and nearly certainly the sign of a wavering moral disposition” (112). Indeed, many of the touching, emotional, or indignation rousing tales told by the souls in Hell can evoke pity, but in the telling of the tales, it is always possible to derive the reasons for the damned souls’ placement in Hell. However, there is a knee-jerk reaction to separate Virgil and, arguably, some of the other souls in limbo from this group of the damned, though, with careful perusal of the text, the thoughtful reader can discern the machinations behind their damnation.

Dante and Machiavelli define opposite sides of the Renaissance in several ways.  Certainly the former believes that God will reveal all and call people to account for their behavior, while the latter gives every sign of believing in no God and supposing that scrupulous behavior only makes one a target for ruthless exploitation.  This difference in the two could be expressed in terms of religious faith—but they could also be said to have differing views of human nature.  Try to get to the heart of the distinction.  Why is Machiavelli’s sense of right and wrong so opposed to Dante’s?

Dante’s Inferno begins in a dark forest, a place of confusion, because he lost his way on the “true path”. Seeking an escape, Dante finds a hill where the sun glares down on him. This light seen in Dante’s Inferno symbolizes clarity as the sun represents God. After encountering three beasts and turning back to the murky forest, Dante crosses paths with the great Roman Poet, Virgil. Virgil is an aid and guide to Dante to Heaven, the ultimate Paradise. He warns Dante he must pass through Hell and Purgatory in order to reach his salvation in heaven. Virgil is depicted as nature or human reason perfected by virtue. It is strongly emphasized that Virgil can only take Dante so far in his journey by guiding him to heaven. Much like St. Thomas Aquinas’ reasoning, nature or human reason can only bring you so far in the journey to God. As Virgil and Dante approach the mouth of Hell, Virgil preaches to Dante about a woman in Heaven who took pity upon Dante when he was lost in hell. The woman Virgil speaks of is Dante’s departed love Beatrice. After Dante hears that Beatrice is heaven he now sheds the fear of traveling through Hell and Purgatorio.

One specific example could be the views of non- Humanists at the time. Michael Angelo was a Humanist, however, Pope Julius wasn’t. An example that definitely explains the difference between the two men was when both of them were looking at the painting of God and Adam, and Pope JUlius said that the painting was inaccurate because it doesn’t show the true, dark, evil side of men. It only shows men being holy and grateful.

     Dante Alighieri was a very well known and influential poet in early literature. “He was not only a poet, he was also a philosophical thinker, an active politician, and a religious visionary'; (Holmes 1). Dante was born in Florence in 1265, into the Guelph political party, one of the two main parties in Florence. The Guelphs were aristocrats and nobles. They supported the church and papacy and were against the Renaissance. Their opposition was the Ghibellini Party who consisted of the rising merchant class. They supported the emperor and wanted to gain power from the pope (Holmes 22). During his earlier years Dante was neutral politically, but he