Death in Araby and The Metamorphosis
Many readers have commented on the contrast of light and darkness in the story Araby by James Joyce. Perhaps the death of the priest in Araby adds to the "darkness" that the boy experiences when he is thinking about Mangan's sister, as contrasted with the light he experiences when he is actually in her presence.
It is interesting that the death of the priest does not become so "dark" until Mangan's sister is introduced. In the first scene where the boy visits the priest's old room, he rummages around and finds some treasures, including "paper-covered books," and "the late tenant's rusty bicycle pump." There is no sense of gloom here, in fact, the boy seems to be having fun exploring
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Whatever his reason was for going there, the element of the dead priest in this story definitely adds to the feeling that the boy's crush has taken on a religious significance. It also shows how the crush has changed the boy's outlook on life. The boy's friends and their games have become distant, his school work has become unimportant, and the dead priest's room has become much more than a place to play.
In The Metamorphosis by Franz Kafka, we have the strange circumstance that Gregor's death actually brings life to his family. One could say that Gregor actually "dies" twice in this story, once when he turns into a bug, and again when the bug dies. When Gregor turns into a bug he can do none of the things the old Gregor did, and the old Gregor essentially vanishes from the scene.
We are presented with the ironic situation that Gregor was working so hard for the benefit of his family, but they are actually better off when he is taken out of service. Gregor's father perks up and gets a job, and the whole family starts doing something with their lives only when Gregor stops doing it for them.
I think it begins to dawn on Gregor that he isn't really needed as he watches this happen, and this is a huge blow to him. The story says that Gregor got to the point where he "hardly slept by night or by day," and "was now eating hardly anything." At first Gregor thinks maybe isn't eating because of "chagrin over the
Although Gregor turned into a bug, the real Metamorphosis occurred before the change and with the whole family. Kafka’s novella The Metamorphosis reflects the ideals about industrialization and existentialism during the turn of the century. In the novella, Gregor turns into a bug, and the whole family has to deal with it in different ways. Many characters go through a metamorphosis in the novella. Although the changes may not be physical the changes occurred greatly in Gregor, Mr. Samsa, and Grete.
Throughout the story there is a metamorphosis that is taking place in his home. He has traded places with the family and is now living the life they had previously embelished in. His father begins to work along with his sister and his mother must now work and do the cooking and cleaning. Gregor on the other hand does nothing but daydream, crawl, and nap through his days. One ironic statement from his sister “He must go, if this were Gregor he would have realized long ago human beings can’t live with such a creature, he’d have gone away one his own accord. This creature persecutes us, drives away our lodgers, obviously wants the whole apartment to himself, and would have us all sleep in the gutter.” How selfish of her, had he not taken care of them and he was not the only one working
Gregor maintains submissive personality and does not defend himself. Gregor’s physical change into a bug is the only aspect of him that changes. Gregor continuously allows himself to be abused. Upon Gregor’s transformation, he is unable to go to work. Therefore, the chief clerk visits Gregor to force him to come to work. Gregor remained locked in his room and would not leave for work. So, the clerk became extremely impatient. The frustrated clerk divulges into a cruel and demoralizing speech. He maliciously accuses Gregor of hiding because of unethical involvement in cash receipts. Later, Gregor’s family and the clerk become restless and want to see Gregor. The door to Gregor’s room is unlocked to open and reveal Gregor in his insect form. Gregor’s family and the clerk react with horror. The clerk and Gregor’s mother run away from him in fear. Gregor’s father grabs a stick and a newspaper and dashes toward Gregor, herding Gregor back into his bedroom with prods and fierce language. Gregor injures himself badly while trying to fit back through the doorway. Gregor’s door is slammed shut behind him and he his left alone, frightened and injured, in his room. The events subsequent to Gregor’s transformation exhibit his passive nature. Clearly such passivity was not useful to Gregor.
Isolation not only changes the personalities of Gregor and his family, but also it changes the role and duties Gregor plays in his family. Before the metamorphosis, Gregor worked alone to provide for the entire family. For example, in the beginning, before the transformation, he says, “But besides that, the money Gregor had brought home every month he had kept only a few dollars for himself” (4). This shows Gregor’s selfishness and his family’s heavy dependency on his income. It establishes the fact that Gregor’s family’s loyalty to Gregor was strong because the family depended on Gregor for their own survival, and shows how they betrayed him by disregarding him after he became an insect. The isolation of Gregor caused by the transformation not only affects Gregor’s role in the family, but also changes the role of Mr. Samsa. Mr. Samsa originally told by Gregor: ”Now his father was still healthy, certainly. But he was an old man who had not worked for the past five years and who in any case could not be expected to undertake that much” (17). This shows how irresponsible Mr. Samsa acted for his family in the beginning. Mr. Samsa, a man in his 50s, blamed his unemployment on anxiety and depression from a past failed business. Mr. Samsa changes his role as the useless drag to the provider of the family, and even obtains a new job as a bank manager.
The plans for a new dwelling for the Samsa’s have been postponed, once more due to Gregor’s condition, his father is not pleased. As days pass Gregor dwells in his bed complaining of soreness every time he moves about. For the past few days all Gregor does is gorge down food and sleep an unheard of amount of hours. A week later Gregor decides to get up from his bed, he enters the kitchen and he finds no servant, but instead his sister Grete, who before departing for work makes him something to eat. She still works as a salesgirl, nothing had changed in the Samsa’s residence, only Gregor’s exterior. He pulls up a
In the beginning of the novella, Gregor undergoes a transformation. Many readers view his transformation as he turns into a bug because of the way Kafka describes Gregor. Kafka may have been undergoing a transformation of his own. Kafka dealt with many issues growing up such as self doubt, issues with his father, and eventually, health issues. Like Kafka, Gregor deals with issues with his father and within himself and begins to feel less and less like himself as the novella continues. He awakes from his sleep to ask himself, “What’s happened to me (Kafka, 3)?” With the conflicts Gregor has with his family, especially his father, he begins to feel unwanted and unappreciated. Gregor also feels that he is becoming less sensitive when that used to be one of his main traits as a human (Kafka, 24). Seeing that Gregor is losing his sensitivity, that shows that he is truly losing himself since he is losing one of his main traits. Feeling less like himself, Gregor becomes more distant with his close
The deterioration of Gregor's life was in part due to the ostracism associated with his being turned into a bug. Once his family found out what happened, they banished him to his room, and his parents could not even bear to look at him. Prior to his metamorphosis, Gregor was an integral part of the family. He provided the money by which the family survived. Yet as soon as he changed, he was labeled an outcast, who was useless to the family, and therefore not paid any attention. He felt this ostracism, and it made him not want to continue on in life, he gave up because he felt unloved.
Since symbolism first began to be used in the English language, Light has always represented a theme of hope and optimism. The phrase “Light at the end of the tunnel” best encompasses this, implying an opportunity or relief after difficulty or chaos. In the same way, Darkness has represented confusion or despair. James Joyce expands on the traditional connotations of Light and Darkness in his short story “Araby”. The narrative follows a young boy on his futile quest to find love with a girl much older than himself whom he hardly knows. Joyce uses Light to represent not only hope, but unrealistic idealism and illusion. In the same way, Darkness, in addition to despair, represents the reality and truth in the narrator's predicament. Joyce
Also at the end no one was feeding Gregor. Grete noticed that and said, “Look how thin he was. He had eaten nothing for such a long time (Kafka 179).” Grete went from taking the time to figure out what foods he liked in the beginning to not feeding him at all in the end.
Throughout the novella, Gregor’s deeply rooted sense of guilt transitions from having the power to drive his actions to merely plaguing his thoughts. Immediately after his transformation, Gregor reveals that he has to “deal with the problems of traveling, the worries about train connections, irregular bad food, temporary and constantly changing human relationships…” (Kafka 4), in his daily work. Although he appears to hate his job, Gregor does not quit, as he has both intrinsic motivation to provide and extrinsic pressure from his family to keep them afloat. Rather than reflecting on his feelings and emotional baggage attached to his job, Gregor focuses on grievances set in reality, and allows this to occupy his conscious mind. After Gregor’s transformation, his
With all of Gregor dedication in helping his family and at work, he has not once been praised or rewarded. His family and coworker take his dedication for granted, therefore causing selfishness within them. Gregor’s family selfishness really showed when Gregor
When Gregor inexplicably becomes an insect his family is primarily worried about how this will affect them, and their financial security. The morning Gregor awakes as a monstrous vermin' is the first day he has missed work in five years; his family's immediate concern is for Gregor's job. His father begins to admonish him before he can even drag himself out of bed. When Gregor hears his sister crying at his door he thinks, "Why was she crying?? Because he was in danger of losing his job and then his boss would dun their parents for his old claims?" This is very significant to their relationship; he considers himself close to his sister, but feels her emotion spent on him is related to money. Gregor has been the sole breadwinner for years; working at a job he abhors only to pay his fathers debts. The family leads an extremely comfortable life of leisure; the father sits at the kitchen table and reads all day, the sister wears the best clothes and amuses herself by playing the violin, and all even take a mid-day nap. Gregor is extremely pleased and proud to provide them with this lifestyle; however, his generosity is met with resentment by his father and indifference by his sister and mother. Once the family grew accustomed to this lifestyle they no longer felt the need to be grateful, "they had grown used to it, they accepted the money, but no particularly warm feelings were generated any longer." At one point Gregor is deeply
When Gregor was no longer able to provide for his family, the power which once belonged to Gregor immediately shifted over to his father. Even when Gregor metamorphosed into a dung beetle he still had the urge to work. Gregor thought, “He again told himself that it was impossible for him to stay in bed and that the most rational thing was to make any sacrifice for even the smallest hope of freeing himself from the bed” (Kafka). Gregor willingness to get out of bed to provide for his family even after experiencing an anticlimactic life previous to becoming a dung beetle, demonstrates his want for power. After he lost his power, Gregor is also forgotten. “Many things had become superfluous, and though they certainly weren't salable, on the other hand they could not just be thrown out. All these things migrated into Gregor's room…Whatever was not being used at the moment was just flung into Gregor's room by the cleaning woman” (Kafka). Being associated with his family’s junk, exemplifies the importance of power. Without being able to provide anything to his family Gregor proves that if one is considered useless to another than they are not tr Gregor is one example that proves that if one can’t contribute to a situation or in other words has no power, then they are forgotten or treated
One morning Gregor awakens to find himself transformed into a beetle. Although the reader is never
Furthermore, Gregor’s descent into social and physical abjection then forces his family to change radically in order to support themselves. In the beginning, Gregor starts off as the provider for his family. He hates his job, but he still goes above and beyond the call of duty to give his family a more comfortable life, even indulging the expensive endeavour of his sisters’ dream of studying the violin. However, after the metamorphosis, he is thrust into the role of a dependant – forcing his family to take responsibility and support themselves. His sister steps up to the plate in the beginning, giving him a selection of foodstuffs to find what he likes and even cleaning up after him. His parents are still in denial at this point, so much so that they refuse to see him at all. But as time goes by, his family begins to accept the situation and even try to help Grete out. His father produces some money from his previous failed business venture and his mother and sister try to make life more comfortable for Gregor. Grete in particular changes the most noticeably; Gregor himself notes at the beginning that her life up till that point had been “enviable”, consisting of “wearing nice