Comparing Dracula And Mary Shelley's Frankenstein

Frankenstein by author Mary Shelley is a Gothic science fiction novel written in Switzerland between 1816–1817, and published January 1, 1818. Set in eighteenth century Geneva, Frankenstein tells the story of a young man named Victor who goes away to college to study natural philosophy, chemistry, and alchemy. When armed with the knowledge he has long been seeking, Victor spends months constructing a creature out of old body parts, and in the secrecy of his apartment, brings his creation to life. The monstrous abomination later disappears, and when a mysterious series of deaths start to occur in Victor’s family, he is certain his creation is the cause, and devotes his life to vanquishing the savage fiend. Mary Shelley makes full use of popular themes during the time she wrote Frankenstein such as the invasion of technology into modern life, and the restorative powers of nature in the face of unnatural events. She also addresses the complex role of Christian allusions in the text which convinces the reader to believe that Mary Shelley’s Frankenstein has a strong biblical allegory and portrays the dangers of playing God.

After reading Frankenstein, the audience sees the way Victor Frankenstein interacts with his experiment and his excitement towards it, until the Monster is crafted and Victor is terrified of his own creation. The main gothic anxiety that Frankenstein plays with is fear; fear of the unknown and fear of the monster’s capabilities. The novel takes place in the eighteenth centaury throughout Europe and the Artic. The variety of locations that the novel takes place is significant because it shows the distance between Victor and whoever he is running from at that instance. While growing up Victor finds an interest in reading the works of outdated alchemists which leads him in developing an erg to learn more. Victor decides to continue his

A multitude of signs illustrates similarities between the Frankenstein’s creature and Mary Shelley. These indications show that the novel may be an autobiography. However, the novel shows a lot of the characteristics of science fiction. The novel can be a real description or fiction narrative, but not both. An informed opinion about this controversy requires the evaluation of relevant critics. Sherry Ginn uses “Mary Shelley 's Frankenstein: Science, Science Fiction, or Autobiography?” to adequately argue that the novel Frankenstein is based on Shelley’s experiences and fears, that it is not an autobiography, and that it has all the characteristics of a science fiction narrative.

Mary Shelley's novel, Frankenstein and Tim Burton's film, Edward Scissorhands has an abounding amount of similarities. They both hold the same plot and alike characters. But they do have some differences.

Evil features in both ‘Dracula’ and ‘Frankenstein’ but the personification of this evil is different in both novels. A feeling of menace and doom pervades ‘Dracula’ because of his supernatural powers. One feels that he has control of the evil and he has the power to manipulate the environment and people for his own ends. ‘Frankenstein’ centres on the creation of a monster made from parts of dead bodies and the fear created by the monster due to circumstance and the ignorance of society. Also, one feels a certain amount of apprehension that the monster is deserted by his creator and loses control without his support and guidance.

Most Americans have some idea of who Frankenstein is, as a result of the many Frankenstein movies. Contrary to popular belief Mary Shelley’s Frankenstein is a scientist, not a monster. The "monster" is not the inarticulate, rage-driven criminal depicted in the 1994 film version of the novel. Shelley’s original Frankenstein was misrepresented by this Kenneth branagh film, most likely to send a different message to the movie audience than Shelley’s novel shows to its readers. The conflicting messages of technologies deserve being dependent on its creator (address by Shelley) and poetic justice, or triumph over evil (showed by the movie) is best represented by the

A noticeable difference in the way movies have changed over the years is evident when comparing and contrasting two films of different eras which belong to the same genre and contain the same subject matter. Two vampire movies, Dracula and Bram Stoker's Dracula, present an interesting example of this type of study.

Bram Stoker was a famous writer and one of his greatest books he ever published was called, Dracula. Bram’s was born on November 8, 1847, in Dublin, Ireland. In 1864, Bram’s attended the University of Dublin and graduated with a mathematics degree and was later hired as a servant at the Dublin Castle. Bram’s worked in the evening, as an unpaid writer for, Dublin Evening Mail, a local newspaper.

“Horror and science fiction tend to present radically opposite interpretations of what may look like comparable situations.” (Kawin, 1981.) Bruce Kawin helps the reader to understand how a story in the genre of science fiction could be adapted, or bastardized if you like, into a horror. This is similar to the film adaptation of Mary Shelley’s Frankenstein. Both “Frankenstein” (1931) and “Bride of Frankenstein” (1935) portrayed characters and events differently than Shelley would have desired. Her novel had many deeper implications than the movie portrayed.

Stoker’s most famous work, Dracula, was a worldwide phenomenon that took the horror world by storm. Abraham “Bram” Stoker was born on November 8, 1897 at 15 Marino Crescent, Clontarf, on the northside of Dublin, Ireland. Stoker was the son of Abraham Stoker

Bram Stoker 's novel, Dracula, written during the late nineteenth century and commonly classified as a horror novel. Further analysis of it, however, has brought to light the buried many symbols and themes of sexuality that the novel holds within it. Due to its female sexual symbolism, the novel often draws the attention of most men, as exploring these female forbidden themes are more of a fantasy for them than reality. Also, Dracula was set in the Victorian culture and therefore it is shown to encompass all the beliefs and prejudices of the society, especially in regards to social gender roles of men and women. Women at the time were known to be suppressed and put down

Throughout much of this era, Irishman Bram Stoker lived his life. He was born Abraham Stoker on November 8, 1847 in Dublin, Ireland. In 1864, he started to attend the University of Dublin. He graduated with a mathematics degree in 1870. Later, he was hired as a civil servant at Dublin Castle, where he worked for nearly 10 years while also being an unpaid writer for a local newspaper writing reviews of theatrical productions. In the late 1870s, Stoker gave up his civil service position and met the famous actor Sir Henry Irving. Stoker even worked with Irving by being a manager at the Lyceum Theatre in London for nearly 30 years. It was during this time that he wrote his most well known novel, Dracula. Stoker served as manager of the theatre

To be considered a monster the character must possess an appalling appearance or personality. Monsters have heavily been prevalent throughout human history, striking fear into the hearts of people for centuries. In Mary Shelley’s Frankenstein and Bram Stoker’s Dracula Frankenstein’s monster and Dracula possess appalling personalities and exterior that attributes to their own unique monstrosity. They are both iconic monsters that have terrified people around the world for ages. However, they are two very different creatures; for instance Frankenstein is a monster because he is shunned by society for his grotesque appearance. Dracula is a monster because he feasts upon the living for

It’s strange trying to think about these original film properties—Frankenstein and Dracula, respectively—as serious pictures, void of camp and cheese. However, most of this comes from age. It’s interesting then, watching the Hammond-era films, and trying to view them as anything remotely serious. They aren’t. However, they do, at times, manage to disguise themselves as such. In reality, these movies are no Rosemary’s Baby, but rather the birth of a new brand of gothic horror—the gore filled, B-movie, spin-off franchise films; a weird series of twisted exploitation reboots, upping the ante and upping the ridiculous names. The two things that immediately came to mind when watching these films is the obvious influence they had on the work of Mexican director Guillermo Del Toro, and Kate Bush’s song “Hammer Horror” — I admire both artists greatly, so I went in the Hammerverse with my eyes wide open.

Abraham Bram Stoker, born in Dublin on November 8, 1847, was an Irish novelist, theatre critic and short story writer. As a child, Stoker was often ill and he spent most of his time in bed. His mother, who was as a charity worker and a writer, told him horror stories that, most likely, had influenced his later writings. The ones he found most interesting were the stories about the cholera epidemic in 1832, which killed thousands of people in Europe and North America. In 1864, Stoker enrolled at the University of Dublin, and there attended Trinity College. He began working as a civil servant at Dublin Castle and a part time journalist and drama critic. Despite being sick a lot as a child, he excelled in athletics, winning many awards. He graduated with honors in 1870 and earned a mathematics degree, and continued his work at the Castle for another 10 years.