Comparing Faulkner's A Song Of Ice And Fire

As I Lay Dying is a novel by William Faulkner that chronicles the journey of the Bundren family (Anse, Dewey Dell, Darl, Jewel, Cash, and Vardaman) to bury their recently deceased mother, Addie, in Jefferson. Throughout As I Lay Dying, Faulkner treats Darl as the de-facto narrator of the novel, endowing Darl with the most passages in the novel and endowing him with an omniscient perspective of the events chronicled in the book. Jewel, however, gets the opposite treatment from Faulkner; he only is designated one passage in the entire book and is known for being self-centered and close-minded. In terms of the motivation of traveling to Jefferson, Darl has none, while Jewel’s sole purpose is to give Addie a proper burial. By the end of the novel,

Lacking in compassion, Anse fails his offspring and provides them with no guidance or support during their long adventure. Stealing from his children, Anse attempts to “‘swap [Jewel’s]

Another example, is when Addie speaks. She speaks to reveal her selfishness. She admits to having an extramarital affair with the local preacher, who is Jewel’s biological father. The reader can see this when Addie says, “I gave Anse Dewey Dell to negative Jewel. Then I gave him Vardaman to replace the child I had robbed him of” (176). Further, Addie admits that she wants to be buried in Jefferson because she wants to spend eternity as far away from the Bundren’s as possible.

There are many different symbols that link both books together. For Faulkner in As I Lay Dying he uses the Love triangle as Homer did in the Odyssey. From Addie to Anse to Whitfield in As I lay Dying, to Agememnon, to Clytemnestra, to Odysseus in the Odyssey. Along with Elyptsu in the Odyssey falling off the roof and dying, Cash falls off the Church roof and breaks his leg. Not only does Clytemnestra betray him to die at the hands of her lover, she refuses him the mere dignity of proper burial rites. Faulkner uses this same concept in As I Lay Dying, where Addie is denied proper burial by her children and own husband. Along with the dangerous crossing of the proverbial river. Darl is seen as a sort of Cassandra from the “Odyssey”, blessed with a second sight which most dismiss as simply “queer,” foreseeing the disaster at the river yet unable to stop it or do anything about it. (Faulkner, William. As I Lay Dying. Ed. Noel Polk. New York: Vintage

However, Jewel has a much different view of their journey. Jewel sees it as a way to make up to his mother for not being there when she passed (Faulkner 48). Therefore, he does everything in his power to get her there . . . including running into a burning barn and nearly drowning to save her coffin (Faulkner 154 and 221). These acts, although seemingly heroic, arise as truly selfish and shallow. These shallow acts can exist through Jewels “pale eyes” which look “like wood” (Faulkner 4). This simile compares Jewel to a simple substance which mirrors how his actions towards his mother are self-absorbed. Wood is two dimensional and shallow. When Jewels refuses to let the past go and continuously holds on to the idea of upsetting his mother, he in turn works for his own benefit. Jewel seeks his mother's approval out of self absorption and not out of love; he acts shallow and hollow like wood. In turn, Jewel ignores his siblings and continues to push towards

Jewel is very different from the others when it comes to his family affairs. He dislikes

A morally ambiguous character in As I Lay Dying is Anse Bundren. Anse Bundren’s dedication and determination to fulfil his wife’s wish counterpoises the fact that he is self-centered and neglectful towards others. With his two biggest goals in mind, burying his wife and getting a new set of teeth, Anse Bundren demonstrates the theme of self-interest vs. heroic actions. Most of the members of the Bundren family have goals at the end of their journey to Jefferson, but Anse’s two goals are both the most selfish and altruistic goals of the book.

“All men are created equal” (Lee 274) cited by Thomas Jefferson, in the infamous 1776 Declaration of Independence. Throughout this paper, I will present facts that counter this claim excluding African Americans and Jews during the 1930’s and 40’s. This assignment requires me to compare and contrast, Harper Lee’s “To Kill a Mockingbird” and Elie Wiesel “Night” by selecting three universal themes. My themes are racism, inequality in the judicial system and educational barriers has interfered with everyone being afforded “due process” in their pursuit to attain life, liberty, and prosperity (the basic liberties) protected by the 14th Amendment.

For example, when Anse complains about having to feed Jewel’s horse, Jewel angrily, “looked at pa, his eyes paler than ever. “He won’t ever eat a mouthful of yours,” he said. “Not a mouthful. I’ll have to kill him first. Don’t you never think it. Don’t you never (32 136).” Jewel shows no respect for Anse due to his hatred toward him. Jewel hates Anse in spite of his isolation. In addition, Darl explains how Addie was concerned about Jewel saying, “Ma wanted to get the doctor, but pa didn’t want to spend the money without it was needful (32 130).” This shows the difference in Jewel’s relationships between his mother and Anse. Jewel probably feels like Addie was the only trustworthy person he loved. When Addie died, Jewel felt he lost the only person he respected.

As I Lay Dying covers the story of a family as they journey to bury the mother, Addie, in her hometown after her death. They all go through the same situations but each experience different emotions and thoughts. They express these through the language they use. What each character says as well as how he/she says it lets the reader see the

The author of As I Lay Dying, William Faulkner, really contributes to the aspects of literature through his ability to tell a seemingly incredible story through only the “stream-of-consciousness” technique. Faulkner takes his insight beyond the piece, through other’s views and thoughts. Although the characters might be acting differently upon each subject or handling each action in opposite ways, the tone and theme that he uses really brings the whole piece to a perfect balance. In As I Lay Dying, Faulkner displays contradicting elements through the reactions of the family members towards the mother’s death with the use of dialogue, tone, imagery, and internal conflict.

William Faulkner and John Updike short stories share the same theme loyalty. The use of different literary elements to explore this similarity is what differs within the two stories. The authors take different approaches such as characters, settings, and point of views to communicate the theme to the reader. Throughout both short stories, the reader can receive a precise overview of loyalty. Even though the differences of literary elements are announced, one can still analyze the deeper meaning overall.

Thesis: Death is the main theme of both short stories and both authors portrayed this dark and dreary idea as a game the characters are playing.

There are several ways in which William Faulkner's short story "Barn Burning" is indicative of literary modernism. It depicts a relevant historical period and is part of the frontiersman literary tradition (Gleeson-White, 2009, p. 389). The author utilizes a number of purely literary approaches that were innovative for the time period in which the tale was originally published (in 1932), such as employing a young child as a narrator complete with misspelled words and broken, puerile thoughts. However, the most eminent way in which this story embraces the tradition of literary modernism is in the author's rendition of dynamic social conventions that were in a state of flux at the time of the writing. Specifically, his treatment of race is the inverse of how race is generally portrayed in American literature prior to the early part of the 20th century. An analysis of this integral component of "Barn Burning" reveals that Faulkner's unconventional rendering of African American characters in a desirable social status particularly as compared to that of the Snopes clan is crucial to this tale's inclusion as part of the tradition of literary modernism.

In As I Lay Dying, an important question the reader grapples with is simply why? Why all of these unnecessary hardships just to get to Jefferson? Is the Bundrens’ journey to Jefferson driven by familial duty, or familial love? It’s really driven by neither. Familial duty is the guise in this novel for each family member to get to town—namely, Anse—for some sort of ulterior motive. Anse is the driving force for the other members of the family to find a reason to go to Jefferson. The only person in the Bundren family to convey actual familial love is Darl, who tries to burn his mother’s body—which, we are reminded—makes him insane. Yes, they get to Jefferson and bury Addie’s body, but was she even really a person anymore, or