Comparing Gilgamesh 'And' Siddhartha's Enlightenment

As with the Brahmins, Siddhartha’s experience with the Samanas is not a fulfilling one. Hesse writes, “he slipped out of his Self in a thousand different forms. He was animal, carcass, stone, wood, water, and each time he reawakened” (Pg-15). Siddhartha learned a great deal from the Samanas, yet he was still unable to reach enlightenment. During his time with the Samanas, Siddhartha never saw or heard of a single person achieving enlightenment. Feeling disillusioned with the teachings of others, Siddhartha decided to leave the Samanas, and seek out the venerable Buddha. Siddhartha seeks out the Buddha and hears his sermon, but he ultimately decides to seek his own path to enlightenment. In leaving the Buddha, Siddhartha begins to follow a Buddhist path. Siddhartha says, “But there is one thing that this clear, worthy instruction does not contain; it does not contain the secret of what the Illustrious One himself experienced he alone among hundreds of thousands" (Pg-34). In this part of his journey, Siddhartha realizes that no one can teach him how to achieve enlightenment. As Gautama did before him, Siddhartha heads out to find his own path to enlightenment.

Further analysis of the poem The Epic of Gilgamesh, described the characteristic of king Gilgamesh from the beginning, middle, and end. Throughout the poem, there are immature and petrified moments of Gilgamesh, but more importantly he learned to grow as he explore his journey. Friendship, love, and fear appears to be essential in this poem. Why are those terms relevant ? and how does it connect with the trait of Gilgamesh ?, let’s continue to find out the truth about Gilgamesh.

When Siddhartha leaves and joins the Samanas we begin to understand the origin of where his suffering is coming from; which is all seen as the second noble truth. In his search for enlightenment Siddhartha hoped that by joining the samanas that he would be liberated from

Siddhartha comes to realize that he has discovered who he really is, he is Siddhartha. He knows himself more than any other teaching or religion. As he comes to self-realization, he comprehends he has been letting himself slip away, he has been running away from himself.

After three years, Siddhartha realizes that he is not progressing toward his goal. He had learned all the Samanas could teach, and "he lost himself a thousand times and for days on end he dwelt in non-being. But although the paths took him away from Self, in the end they always led back to it" (15-16). Siddhartha discovers this was not the path he sought; escaping from one's Self did not bring one to salvation. His wisdom grew when he accepted there was another path and this short escape from Self is experienced by others in a quite different way such as people who drink numbing their senses like he did with the Samanas. He sees that in truth, there is no learning and that his questioning and thirst for knowledge could not be satisfied by teaching. Seeking another path, Siddhartha hears of a Buddha named Gotama, and with Govinda, who also chooses to leave, ventures to see him.

The Epic of Gilgamesh is an epic poetry that originates from Mesopotamia. It is among the earliest known literature in Mesopotamia. Many scholars believe that it originated from a series of Sumerian poems, and legends about Gilgamesh who is the protagonist. It is known to be the oldest recorded story in the human history that is over 4000 years old.

The Epic of Gilgamesh is the greatest surviving epic poem from Ancient Mesopotamia. The original author is unknown, since the epic was passed on orally for many generations during the second millennium B.C.E before being written down in clay tablets. However, the definitive fragmented revision of the epic is accredited to Sin-leqi-unninni, a Babylonian priest and scholar. The Epic of Gilgamesh follows Gilgamesh’s quest for immortality, remarking the question of what it means to be human. The story starts with King Gilgamesh of Uruk in Southern Mesopotamia, an arrogant and oppressive ruler who is two thirds divine and one third human. The citizens of Uruk, tired of Gilgamesh’s behavior, plead the Gods to stop him. In response, the Gods fabricate Enkidu to confront Gilgamesh, but before he does that, he needs to become civilized first. In the act of turning into a civilized man, Enkidu, like all human beings, loses his innocence, as well as his deep connection with nature.

The Epic of Gilgamesh has its place as one of the first examples of epic poetry in recorded history. The epic describes the adventures of the demigod-king Gilgamesh who, after the death of his close friend Enkidu, seeks immortality but is ultimately unsuccessful. This story arc is not dissimilar to those found in the epics of the ancient Greeks centuries later. This excerpt from The Epic of Gilgamesh clearly demonstrates Gilgamesh’s reckless lust for pride and fame at all costs.

The story about Gilgamesh is one of the earliest pieces of world literature dating back to the second millennium B.C.E. This story has been evolved gradually over a long span of a millennium, and has been enjoyed by many nations. The Epic of Gilgamesh teaches life lessons that apply to the past and present while revolving around the question of what it means to be human, and to experience the phenomenon of friendship, love, and death.

As one matures through life he gets wiser and more knowledgeable. As Siddhartha’s long life journey was coming to a close, he too was becoming wiser and more knowledgeable. Siddhartha learned that if you search your whole life for wisdom you will miss many steps along the way. Siddhartha’s revelation between the difference of wisdom and knowledge corresponds with his other discovery which is the difference between finding and seeking. This has been the guide for his way of life. These differences he has discovered are the main reasons for having several teachers and a radical lifestyle. Furthermore, this revelation has made a distinct separation between Siddhartha and Govinda. It highlights the major difference between Govinda and Buddhism

The Epic of Gilgamesh is the oldest epic known to date. It is an old Babylonian tale first written down in Sumerian. The first known copy of the epic is dated to around 2100 to 2000 B.C.E. However, it is believed to have originated many years earlier passed along though oral story telling. The epic was used in Babylonian schools to teach literature to students (Puchner 36). In ancient times, the Epic of Gilgamesh was widely read from Mesopotamia to Syria to Levant and Anatolia. The epic was also translated into non-Mesopotamian languages such as Hittite (Puchner 34). The story we know today was expanded upon around 1200 B.C.E. by a Babylonian priest. “The eleven-tablet version may be said to have assumed its present form during the latter part of the second millennium”(Abusch 618). It was then written down again and stored in the library of an Assyrian king named Ashurbanipal (Ziolkowski 55-56). It was thanks to this act that

There once lived a king, the great king of Uruk in Mesopotamia. This great leader was Gilgamesh. His preserved epic is of great significance to modern day culture. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed. In the Epic of Gilgamesh, it is a great love, followed by a lingering grief that cause a significant change in the character of Gilgamesh.

The Sumerian narrative poem ‘The Epic of Gilgamesh’, is printed in cuneiform characters on clay tablets. It was found in Nippur, Mesopotamia and dates back to around 2,000 BCE. The actual tablets were lost for thousands of years. However countless stories of Gilgamesh have circulated, told in the archaic Hittite, Elamite and Hurrian languages, over the centuries throughout Asia and Europe. Even the Greeks and Roman continued in their oral narratives to refer to ‘King Gilgamesh’ at as late a date as 200 AD. Over time though these oratories came together as one story. Although ancient this

The Epic of Gilgamesh, a Mesopotamian epic poem with no known author, is the story of the brute King of Uruk, Gilgamesh, who was two-thirds divine and one-third human, which teaches readers the unstoppable force of death, the wrath of the gods, and also the power of friendship, which are illustrated to readers through the characters journeys, and those encountered along the way. The poem, which is divided into twelve tablets, starts off with Gilgamesh being a vicious tyrant, one who “would leave no son to his father… no girl to her mother”(Gilgamesh 101), and as for newly married couples “was to join with the girl that night”(Gilgamesh 109) transitions to by the end of the story an entirely new man.

The Epic of Gilgamesh is one of the oldest pieces of literature known to man. Written in 2700 B.C.E this epic poem centers in on an ancient king of Uruk in present day Iraq. When we are first introduced to Gilgamesh, the king of Uruk, we see that he is a tyrant ruler which is one-third human, two-thirds divine and in endowed with immense strength. Instead of serving his people he suppresses them and engages in immoral behaviors fit for a king. The behaviors result in a backlash from his citizens and the nobles began to complain bitterly about these behaviors. The gods eventually intervene and in order to tame Gilgamesh’s wild spirit they create his equal, Enkidu, whose purpose in this epic poem is to help guide Gilgamesh in becoming a better person and a better king for his people.