Delashmit and Longcope promote the idea that Gilman connected with Charlotte Bronte’s treatment with Jane Eyre when writing The Yellow Wallpaper. Both Gilman and Bronte’s story incorporated similar settings, which included a bedroom in the upper level of a house. In each story, both narrators had the sense that the house they live in was haunted. In Bronte’s story Jane Eyre saw an image of herself floating in the mirror towards her. Whereas in Gilman’s story the narrator noticed and image of herself materialize from the yellow wallpaper. In both situations when the narrators noticed the images of themselves, it was the part of themselves that was being denied a way out. There were some ways in which Gilman’s story differed from Bronte’s. For …show more content…
At the beginning of the story, Gilman reminds readers that the story is a diary explaining Jane’s internal journey. The story demonstrates two different worlds. These two worlds include Jane’s developing imaginative insight and her husband and sister-in-law’s world of domestic control and masculine order. Through confinement Jane was forced to stay in the nursery and fall into her psychotic fears. Jane was placed under the rest cure, and pushed to give up her job as a mother. Gilman herself was placed under the rest cure which creates a connection between her and Jane. It is later known that the story was created to show a heroine struggling to save herself through writing. After being confined for so long, Jane slowly identifies with her suppressed rage. When she illustrates the image of the woman in the wallpaper being behind bars, Jane connects this with her own feelings of entrapment. When she finally destroys the wallpaper, Jane expresses her rage. Through this expression Jane found that the only source of power should could achieve was through the …show more content…
The text shows the power that men have in the current society. Jane’s husband labels things as reasonable and rational which make things more justifiable in his opinion. The reason her husband forbids Jane from writing was because he saw it as irrational. During Jane’s confinement, she was not haunted by ‘alien powers’ but by her oppressed self. The wallpaper demonstrates the idea of the social constraints placed on women. Rather than the tearing down of the wallpaper down representing Jane was freeing herself from her husband’s oppression, when Jane tore down the wallpaper she was removing her rebellious self, which was not allowing her to achieve her ideal persona. Throughout the story Jane’s husband portrays and treats Jane like a child; by making their bedroom the nursery, forcing Jane to sleep after every meal, and carrying her to bed. It is because of this treatment that Jane projected herself into the wallpaper as a crawling childlike woman. When the woman gets out of the wallpaper a social ideal victory can be seen; Jane retreated to childlike tendencies and her husband was silenced. Jane gained her desired power by escaping into her insanity to silence her husband. Which explains the main themes of the story which are social structures dominated by repressive males and female aggression and
Days turn into weeks, and after still being exposed to this particular yellow wallpaper, she stars having more severe hallucinations. Every time she looks at the wallpaper, she sees a woman inside it, shaking and moving the walls as if she is trying to escape away from it. Gilman uses the image of this trapped woman inside the wallpaper as a way to express the incarceration of women at her time. By looking at the story from this point of view and analyzing the woman trying to leave the wallpaper, Gilman expresses the revolutionary movement that was going on at the time, using the narrator as a symbol of the whole female society. One critic describes “And in identifying with and freeing both the woman and that part of herself trapped by her patriarchal world, the narrator finds a measure of freedom” (Golden 53). This passage represents Gilman’s society and the struggle that women had go through in order to escape a world dominated by a male society.
Who is Jane? I believe Jane is the narrator’s name she is finally free of her marriage as well as the person she tried to be. She becomes free of the people who were repressing her mind; herself and her husband. The wallpaper represents the structure of family, medicine, and tradition in which the narrator finds herself trapped. I think the wallpaper represents her trying to escape her husband and herself.
She becomes consumed by the wallpaper in the room and reflects her confinement onto a woman that she thinks is trapped in the wallpaper. When she frees the woman, she feels like she is freed too, when in reality she has just hit rock bottom. The story is also set in a time where women were frequently oppressed by men, as shown by Jane who is constantly belittled by her husband.
Gilman allows the readers to see how the depression has sunk its teeth into Jane and will only let go when Jane has given up on everything that she has ever lived for. Her downward spiral into mania begins when she states, “I pulled… and before morning we had peeled off yards of that paper…I declared I would finish it today” (319). Her entire stay in the rest home has built up to her destruction of the paper. Instead of escaping from behind the paper, her depression, Jane decides to rip it away from her life. She rips away the paper to release the Jane that she once was from her riddling depression. Once she starts removing the yellow wallpaper, Jane’s anger takes over her. She starts to think desperate thoughts and can even see herself jumping from the window (320). Jane sees that the quickest way to relieve her seemingly never ending pain and suffering in life is to end it. Through this, Gilman explains how Jane is not only ripping the paper from the wall, but also healing herself from her depression by ripping herself out of this
Charlotte Perkins Gilman’s story, The Yellow Wallpaper, portrays the life and mind of a woman suffering from post-partum depression in the late eighteenth century. Gilman uses setting to strengthen the impact of her story by allowing the distant country mansion symbolize the loneliness of her narrator, Jane. Gilman also uses flat characters to enhance the depth of Jane’s thoughts; however, Gilman’s use of narrative technique impacts her story the most. In The Yellow Wallpaper, Charlotte Perkins Gilman uses interior monologue to add impact to Jane’s progression into insanity, to add insight into the relationships in the story, and to increase the depth of Jane’s connection with the yellow wallpaper it self.
By taking situations many have personally experienced or know someone who has, realistic fiction authors are able to reach their readers on a deeper level. Charlotte Perkins Gilman has expressed she wrote “The Yellow Wallpaper” because of her own personal battles with mental illness in an attempt to prevent others from “going mad”. In “The Yellow Wallpaper”, Gilman introduces us to a mentally ill narrator. The narrator is the wife of an established physician and forced to “rest” in a room covered in tattered yellow wallpaper and bars so that she can cure herself of her disease. Throughout the story we follow the narrator through her days in this room and see her eventually be driven to
Jane the main character is a married woman who is placed in this situation and recounting this place and how it makes her feel. She has no ability to make choices for herself for her husband John who is a physician and taking care of her. He thinks that all she needs is fresh air, rest, and good food, along with tonics to get better; instead of talking to her and listening to her needs. “He says only myself can help me out of it”” John is away all day, and even some nights when his cases are serious.” ” John does not know how much I suffer.” “You see he does not believe I am sick!” (Gilman pg. 202) As the story gets into itself you get the picture that Jane has just had a baby that she loves yet can not stand to be around. That her frame of mind is very depressed and only just happened after the birth. She struggles with this internally which shows she still has maternal instinct and jealousy for those who are caring for him. “It is unfortunate that Mary is so good with the baby. Such a dear baby! And yet I cannot
In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”
In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.
In “The Yellow wallpaper”, the wallpaper is a metaphor that expresses women’s protest against the repression of the society and their personal identity at the rise of feminism. During the Victorian era, women were kept down and kept in line by their married men and other men close to them. "The Yellow Wallpaper", written By Charlotte Perkins Gilman, is a tale of a woman, her mental difficulties and her husband’s so called therapeutic treatment ‘rest cure’ of her misery during the late 1800s. The tale starts out in the summer with a young woman and her husband travelling for the healing powers of being out from writing, which only appears to aggravate her condition. His delusion gets Jane (protagonist), trapped in a room, shut up in a bed making her go psychotic. As the tale opens, she begins to imagine a woman inside ‘the yellow wallpaper’.
“I don 't like to look out of the windows even – there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wallpaper as I did?” the woman behind the pattern was an image of herself. She has been the one “stooping and creeping.” The Yellow Wallpaper was written by Charlotte Perkins Gilman. In the story, three characters are introduced, Jane (the narrator), John, and Jennie. The Yellow Wallpaper is an ironic story that takes us inside the mind and emotions of a woman suffering a slow mental breakdown. The narrator begins to think that another woman is creeping around the room behind the wallpaper, attempting to "break free", so she locks herself in the room and begins to tear down pieces of the wallpaper to rescue this trapped woman. To end the story, John unlocks the door and finds Jane almost possessed by the woman behind the wallpaper. Charlotte Perkins Gilman’s feminist background gives a feminist standpoint in The Yellow Wallpaper because the narrator’s husband, John acts superior to the narrator.
Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.
In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her
The purpose of “The Yellow Wallpaper” is to tell the reader that you can have negative effect on someone’s mental health if they are denied their freedom of expression. This is because the narrator (Jane) was kept in a room that had yellow wallpaper, which she did not like. Soon after being unable to work or write Jane began to see creepy figures in the wallpaper and everyday it got worse, she soon began to see a women trapped in the wallpaper. This began to feed her hallucinations and paranoia that someone else is going to find out about this women, and help her escape the yellow wallpaper. This made Jane insane, she would see women walking around outside, and she soon became addicted to the room and writing about the wall in her journal.
First, if the wallpaper stands for a new vision of women, why is the narrator tearing it down? Next, how can it be a ‘representation of women that becomes possible only after women obtain their right to speak,’ if it grows more vivid as the narrator becomes less verbal? Moreover, if the narrator comes into her own through the wallpaper, then why does she become more and more a victim of male diagnosis as she becomes further engaged