Comparing Gregor And Grete In The Metamorphosis

Change, it comes in many different ways shapes and forms, in Gregor’s case it was a physical change into a bug. There is another major change in this story and that is a mental change that is portrayed through Grete. In the beginning of the novella Grete is shown as a happy caring sister, but as the story progresses Grete’s true colors begin to show. Grete uses manipulation to reap respect from her family and, indirectly, Gregor.

Thirdly, he suffers isolation from the physical world, which he is no longer able to participate in due to his presence and lack of mobility. Lastly, he suffers isolation from other people around him, especially his family. By the end even his sister, Grete, the most compassionate member of the family, explanations that they should stop thoughtful of the creature as the person they knew. She says that “the fact that we’ve believed it so long is the root of our trouble” (Kafka 48), which can be taken to mean that at some point Gregor stopped being a person not only because of his entrance but since of his non-conformist actions. The beating he receives from his father shows the extent of the cruelty he endures, though his father knows that “family duty compulsory the conquest of disgust and the use of endurance, nothing but patience” (Kafka 36). The tragedy is that this alienation ends up killing Gregor, who “dies not as a vermin, but as a human being thinking of his family”. The transformation is an indication of the breakdown of Gregor’s psyche and alienation within his self. The reader is not told how the transformation

In his "Metamorphosis", Kafka utilizes an allegorical technique to compare Gregor's sacrifices to those of Jesus in the Bible. Ultimately, both Gregor and Jesus sacrifice their lives so that they can help their loved ones, despite betrayal.  Kafka uses this biblical allegory to illustrate Gregor's Christ-like actions.

Similarities between the two siblings are not very hard to point out. Both of thecharacters are very curious and get into a lot of mischief .The two of them are

As the caring sister that Grete is, she wants to make sure that Gregor is healthy because she knows that no one else will. To accomplish this, she feeds him every day. At first, Grete gives him milk and bread because she knows that they are his favorite. When she notices that he did not touch it, Grete makes another attempt. However, this time she brings a variety of

Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.

Grete, like her mother, obviously cares very much for Gregor and is also terrified by his new transformation, but unlike her mother, she tries very hard to hide her fear in order to keep feeding and tending to Gregor’s room;

The human truth in The Metamorphosis can be seen in various ways depending on your point of view of Gregor and Franz Kafka. Gregor Samsa was working for his family in result of the family needing money (so he thought); his parents and sister did not work. He is the only working child in the entire family. His father forced him to work, but he dislikes his job, and this does not make his life any easier. Gregor had to give up his own ambitions to provide for his family. Gregor finds himself trapped in a bubble. “Gregor’s goal to sustain his parents’ debt and provide for the family becomes more important than his own happiness”(Sadler). He struggles with the burden of providing for his family and maintaining himself simultaneously. The truth at this point of the book contains the little facts we know about Gregor, alienation will get you nowhere in life and will hold you back from accomplishing goals in life. Gregor takes notice to his transformation, but “does not seem to find it terrifying or even that unusual, merely an inconvenience or perhaps a delusion” (Smith). I think Gregor is transforming into a bug like creature due to his financial burden, his depression, alienation, guilt, and his terrible job.

the family representative of Gregor, in a sense, to a mother who does not understand and a father who is hostile and opposing. The father is physically violent toward his metamorphosed Gregor, pushing him through a door in Part I: "...when from behind his father gave him a strong push which was literally a deliverance and he flew far into the room, bleeding freely" (20). Grete appears to concentrate on protecting Gregor from this antagonistic father and an indecisive mother. In Part II, when Grete leads her mother into Gregor's room for the first time, we see the strange way in which Grete has become both the expert and the caretaker of Gregor's affairs (Nabokov 271). She convinces her mother that it is best to remove all of the furniture from his room. Kafka attributes her actions partly to an adolescent zest: "Another factor which might have been also the enthusiastic temperament of an adolescent girl, which seeks to indulge

Kafka utilizes a new narrative perspective in the last passage of his work to expose the one-sided love between Gregor and the rest of his family. The majority of the story had been told in a free indirect discourse restricted to the mind of Gregor. In this position, Gregor’s humanity —despite his inhuman exterior— and his genuine love for family is revealed. As the only source of income for the family, he works with every fiber in his being to overcome the debt that plagues them, as “He felt great pride at having been able to give his parents and sister a life like this in such a beautiful apartment” (411). This compassion is clearly not reciprocated when the narration shifts to the remaining family following Gregor’s demise. Instead they critique the shelter that Gregor

Grete is so eager to understand and help her brother Gregor at the beginning but now she is the first one that demands to move Gregor. Gregor realized that his sister is right and he decided to disappear. Eventually he died for his family. After Gregor’s death they totally forget Gregor and they move on to their normal

He was the son, the sole breadwinner of the family. Before Gregor’s transformation Grete really had no place in the family. Now since Gregor was unable to help the family Grete became important, needed and most of all appreciated. “He often heard them expressing their appreciation of his sister’s activities, whereas formerly they had frequently scolded her for being a somewhat useless daughter”(99). Now Grete’s parents need her for something. Grete by making herself responsible for Gregor gains a certain power over her parents. This however in not presented to the reader clearly because Gregor is unable to grasp the fact that his sister might have ulterior motives.

The first two weeks his parents couldn’t bring themselves into Gregor’s room. It’s as if they were in a state of shock. During thier parents conversation, he overhead his parents talking about Grete. They were talking about how they were appreciative they were of Grete’s work. However, in the past it was the total opposite case. In the past they were frequently annoyed with her. She was considered useless for them as she never did anything except beautify herself. Grete has new responsibilties now. She has a new sense of taking on the responsibilties of her family. She took their burden on her shoulders. She is a self sufficient and independent woman now. Gregor had thought that his family would not be able to survive without him. He had no

Furthermore, Gregor’s descent into social and physical abjection then forces his family to change radically in order to support themselves. In the beginning, Gregor starts off as the provider for his family. He hates his job, but he still goes above and beyond the call of duty to give his family a more comfortable life, even indulging the expensive endeavour of his sisters’ dream of studying the violin. However, after the metamorphosis, he is thrust into the role of a dependant – forcing his family to take responsibility and support themselves. His sister steps up to the plate in the beginning, giving him a selection of foodstuffs to find what he likes and even cleaning up after him. His parents are still in denial at this point, so much so that they refuse to see him at all. But as time goes by, his family begins to accept the situation and even try to help Grete out. His father produces some money from his previous failed business venture and his mother and sister try to make life more comfortable for Gregor. Grete in particular changes the most noticeably; Gregor himself notes at the beginning that her life up till that point had been “enviable”, consisting of “wearing nice

In the same manner, Grete possesses many literary devices that characterize her. Gregor, as explained before, has no freedom in his life beyond his room, in contrast, the liberty to come and go is exercised by Grete every day, through the description of her chores in Gregor’s room. The tone that one gets from reading the line, “without even time to shut the door,” is rushed, hasty, and inconsiderate. By portraying this characteristic about Grete, Gregor’s pessimistic attitude becomes quite evident, enlightening the reader on the psychological changes going on in his head and allowing for a broader understanding of his psyche.