Comparing Guilt And Pain In The Fly By Katherine Mansfield

“Heaven is comfort, but it's still not living.” -Alice Sebold. Alice Sebold the author of Lovely Bones creates a story of depression, guilt, and grief with the murder of Susie Salmons. In Lovely Bones the death of Susie affects all those close to her, like her mother, her father and her classmates. Her father grieves with despair as the murderer has yet to be caught. Her mother can not handle her disappearance and finds unnerving ways to cope. Susie’s classmates, Ruth and Ray both find ways to cope with each other and through other connections with Susie. A death of a loved young one is one no one is ever ready for. The grief starts and people find ways to feel guilty. If no mental aid is present the associates will

The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched

The Catcher in the Rye is one of J. D. Salinger's world-famous books about the disgruntled youth. Holden Caulfield is the main character and he is a seventeen- year-old dropout who has just been kicked out of his fourth school. Navigating his way through the challenges of growing up, Holden separates the “phony” aspects of society, and the “phonies” themselves. Some of these “phony” people in his life are the headmaster whose friendliness depends on the wealth of the parents, and his roommate who scores with girls using sickly-sweet affection. This book deals with the complex issues of identity, belonging, connection, and alienation. Holden senses these feelings most of the time and is guilty about many things in

The last line in the poem “and since they were not the ones dead, turned to their own affairs” lacks the emotions the reader would expect a person to feel after a death of a close family member. But instead, it carries a neutral tone which implies that death doesn’t even matter anymore because it happened too often that the value of life became really low, these people are too poor so in order to survive, they must move on so that their lives can continue. A horrible sensory image was presented in the poem when the “saw leaped out at the boy’s hand” and is continued throughout the poem when “the boy’s first outcry was a rueful laugh…the hand was gone already…and that ended it”, this shows emphasis to the numbness the child felt. The poem continues with the same cold tone without any expression of emotion or feelings included except for pain, which emphasizes the lack of sympathy given. Not only did the death of this child placed no effect on anyone in the society but he was also immediately forgotten as he has left nothing special enough behind for people to remember him, so “since they were not the one dead, turned to their affairs”. This proves that life still carries on the same way whether he is present or not, as he is insignificant and that his death

Similarly, as “Stop all of the Clocks” develops the narrator metaphorically and onomatopoeically highlights that everything in life must acknowledge the death and experience it with him. Outward signs of cotton gloves and bows with doves is a metaphor for the person’s acknowledgement of death. The importance of the deceased love extends to every facet of the narrator’s life because they belonged in every moment that the narrator lived. In this moment of grief, the narrator feels betrayed because they invested in a love which was not eternal.

In the beginning of the short story, as Brother reflects on Doodle’s life, the author uses personification and foreshadowing to create a mood of remorse. As he gazes out of the window into his backyard, Brother states that “the graveyard flowers were blooming. ...speaking softly the names of our dead” (Hurst 1). The flowers provide flashbacks of the past, and foreshadow a loss of life. The loneliness felt by Brother causes readers to consider how they would feel if their loved one was gone. As Brother observes the seasons, it is noted that “summer was dead but autumn had not yet been born” (Hurst 1). The personifications of the seasons as stages in the cycle of life and death creates an unsure and uncertain mood. The shift between seasons creates an idea of change and uncertainty of events to come. Hurst creates a mood of remorse through

Gail Cadwell once said “I know now that we never get over great losses; we absorb them, and they carve us into different, often kinder, creatures” In Richard Wagamese’s novel, Ragged Company, the theme of loss is developed through the main characters’ physical strength to face the challenges of life with without a sense of fear regardless of the risk of disappointment, their emotional willpower to overcome adversity and their influential beliefs that allow them to endure hardships. The physical death of loved ones affect the five best friends’ ability to comprehend their losses. The emotional tragedies that each character develops have an expressive impact these characters’ perception of the world around them. The loss of spiritually influences how each individual deals with their own hardships and struggles. As a direct result of loss, the five main characters are forced to cope with their misfortunes and survive in modern day society.

“Every man is guilty of all the good he did not do,” Voltaire once said. Every choice in life comes with a consequence that follows. A common consequence is guilt, a bad feeling caused by knowing or thinking that you have done something wrong. Amir, the main character in The Kite Runner, discovers the consequence of guilt after making decisions throughout his childhood that were destructive. Khaled Hosseini describes the destructive ability of guilt to consume one’s life through the the relationships of Amir and Hassan, Baba and Ali, and Amir and Sohrab.

The book, Lament For a Son, written by Nicholas Wolterstorff talks about his pain and grief after losing his 25-year-old son (Joy, 2009). His son died while on a mountain-climbing expedition. Dr. Wolterstorff has several books published during his career as a philosophical theology professor in Yale Divinity. However, he wrote Lament for a Son with a different journal style since it is a personal thing for him. The book is similar to a journal as he narrates the events that happened before and after his son’s death. The emotions expressed in the book are common among people who lose close relatives. What matters is how a person handles the issue. Kubler-Ross invented the five stages of grief; denial, anger, bargaining, depression and acceptancethat explain the escalation of grief when stricken by bad news (Axelrod, 2004). The paper looks into the book and its relation to the five stages of grief.

The Narrator is a very smart, loving, yet insecure person. After the death of his brother Doodle, he remembers all of the mistakes he made and feels very bad about it. Even though he loved his brother very much, he treated him wrong many different times. For example when his brother was five years old he was embarrassed by him and to be seen with him because of the fact he couldn’t walk even though he knew Doodle was paralyzed. Out of shame teaches him to walk and other things that push Doodle too hard. One day, a rare, injured bird alights in a backyard tree. It falls and dies, foreshadowing Doodle’s early death. He is killed after being deserted by his brother in a terrible storm. Because of all of the terrible things he did and how he treated Doodle he deals with his death with grief and

He seems to suggest here that grief is but an illusion, because man is incapable of touching the human soul. Emerson continued with, “Grief too will make us idealists. In the death of my son, now more than two years ago, I seem to have lost a beautiful estate, - no more. I cannot get it nearer to me.” Now, Emerson reveals his inspiration for writing Experience. With the death of his son, Emerson had suffered the fourth major loss in his family, which had been long plagued by tuberculosis. His first wife died of the disease and had claimed the lives of his two beloved brothers. Emerson was no stranger to grief, and the more he tried to psychoanalyze it, the emptier he felt. After sustaining so much loss, one must steel oneself from any further blows.

The scene caused is revolting and therefore captivating. In contrast, the beetle dies with “tidiness and order.” Its legs are neatly crossed and no mess it produced. What the beetle signifies, is that meaningless things in life will nevertheless stay meaningless. As it is on a different level of importance, it will stay that way, no matter how orderly it actually is. Through the utilization of irony, the large physical contrast between the unlike deaths and the difference in the importance of the two things are clearly intelligible. One should learn to not just disregard small things, but to give them consideration as well. Every single thing has a history to it, which should not be ignored, but acknowledged with intention.

Sadness, guilt, and fear are some of the most negative emotions that humanity can experience, however they are also the strongest. Edgar Allan Poe, a nineteenth century author and poet, is known primarily for his use of these emotions, as well as the results that may come from these emotions, such as substance abuse, depression, and death. However, the ability to write such elegant, sophisticated works that delve into the very dark recesses of the human mind reflects greatly upon the author himself. Repetitive themes found both in Poe’s stories and in his life deliver insight on the inspiration for this author’s stories. Poe uses themes of death, illness, and depression in order to reflect his own experiences within his writing.

"When she put the lid on she thought she heard something crying" shows a change on Miss Brill, and that tells us that she realizes her reality about the isolation in her life after hearing the couple's conversation about her. However, the boss realizes nothing, even though he also cries for his son. The only thing the boss does at the end of "The Fly" is he kills the fly, but doesn't tell the boss chooses to face his son's death or not. Therefore, the boss is the protagonist who remains the furtherest from reality at the end of the

The sister prepares the evening meal, making her contribution to the family; and calls on the boy to come and eat. The saw in the boy?s hands was still running and when he took his attention away from his work, and that split second of carelessness cost him an extremity. His instincts raised his arm upward to keep all the blood from spilling out immediately. When he realized what was happening, the boy finally realized he was to young to be doing a man?s work. The boy ?saw all spoiled,? and now knew his whole childhood had vanished and it was impossible to get it back. The boy frantically called out to his sister to make the doctor keep his hand on. The boy?s body must have instantly gone into shock and not felt the absence of the hand. When the doctor arrived he gave him some ether to make him go to sleep. The little boy began to lose his pulse and soon he was a stranger to the world. The people surrounding the boy never expected the loss of his hand to tragically end the little boy?s life. Frost?s almost appalling casual description of death shocks the reader enough to make them think. ?Since they were not the one dead, turned to their affairs,? describes the environment of the survivors. They are forced to move on with their life and keep working because they cannot afford to stop and mourn.